Why Did Chaitanya Mahaprabhu
Come?
and
What Did He Come to Give?
Why Did Chaitanya
Mahaprabhu Come?
and
What Did He Come to Give?
PART ONE
DEDICATION
This book is especially for
Gaudiya Vaishnavas nurturing
the ambition to eternally serve
Sri Gaurasundar in Nabadwip
and
Sri Sri Radha and Krishna in Vraja.
A Warm Invitation
Dear
readers,
The
Goswamis say that we can “be there now”—in Radha and Krishna’s nitya
lila—simply by always thinking about them. This enjoyable process, if properly
executed, will culminate in maha siddhi when the practitioner takes birth as a
gopi in Vraja.
The
mahatmas who enjoy reading this book and and who may wish to intimately discuss
its contents are cordially invited to visit Sri Sri Gadadhara and Gauranga’s
nikunja mandir. We are located on a hill overlooking the Ganga, just a
two-minute walk from the ghat in Sridham Mayapur.
Gadadhar Pran Das
Sri Gadai Gauranga Kunja
Sri Mayapur Ghat
P.O. Sri Mayapur
Nadia, West
Bengal, India 941313
phone:
091-933-266-0732
email:
gadadhar_das000@yahoo.co.in
Other titles by the same author
· Dhämäli by Locana dasa Thakur. Translated and with an
extensive commentary.
· Géta Govinda by Jayadeva Goswami. Translation.
· Rasaräja Çré Çré Gauräìga. A study of Çré Gauräìga’s intimate,
hidden side as the the enjoyer of madhura rasa, collected from a host of
Gaudiya mahajana authors.
· Prema-bhakti-candrikä by Narottama dasa
·
The Vishnupriya Gauranga Trilogy.
§
Volume
1: The events leading up to Sri Gauranga’s sannyasa lila and those following it
up to his departure from Shantipur.
§
Volume
2: Vishnupriya’s separation from Sriman Gaurasundar, Sachi’s viraha, Priyaji’s
severe tapasya vrata, her Gaura bhajan at Nadia’s gambhira mandir, the
inauguration of Dhameshwar Mahaprabhu’s Sri murti and seva puja, and Srimati’s
amazing disappearance lila are narrated.
§
Volume
3: An elaborate description of Sri Vishnupriya’s ashta kala nitya lila with
Gauranga in Sri Goloka Nabadwip Dham.
· Çré Govinda-lélämåta : Translation and commentary
The Essence of Sri Chaitanya’s Teachings
ärädhyo bhagavän vrajeça-tanayas tad-dhäma våndävanaà
ramyä käcid upäsanä vraja-vadhu-vargeëa yä kalpitä
çrémad-bhägavataà pramäëam amalaà premän pumartho mahän
çré-caitanya-mahäprabhor matam idaà taträdaro naù paraù
1. What
form of God is most worshipable?
The Son of Nanda, Sri Krishna in his madhura Vrindavan
dham is our only object of worship.
2. To
attain Sri Krishna in Vrindavan, what form of worship is most recommended?
The method of worship conceived by the Vraja gopis is
topmost.
3. In
what shastra is this evidence found?
Srimad Bhagavatam is the basis of these divine truths.
4. What
is the goal of life for all living beings?
Prema or divine love of God is the parama-purushartha
or supreme goal of life.
These are the four pillars of Chaitanya Mahaprabhu’s
teachings. Thus we honor these siddhantas and discard any other opinions.
Srila Srinath
Chakravarti (the Gurudeva of Sri Kavi Karnapur)
Preface to the Revised Second Edition
For the followers of Chaitanya Mahaprabhu desiring to attain
Sri Krishna in his Vrindavan abode, the right choice of sadhana is essential.
In this regard, the Gaudiya Vaishnava acharyas unanimously support the
following siddhanta from the Chaitanya Charitamrita—
rägänuga‑märge täìre
bhaje jei jana
sei‑jana päya
vraje vrajendra‑nandana
Whoever
worships the Lord on the raganuga path will attain the son of Nanda
Maharaj in the land of Vraja. (CC 2.8.220)
vidhi-märge
nä päiye vraje kåñëacandra
One cannot
obtain Krishna in Goloka Vrindavan simply by serving him according to
regulative principles (vidhi-märga). (CC 2.8.227)
To properly execute Krishna bhakti, both vaidhi and
raganuga sadhana are required.[1] The
sixty-four regulative principles of vaidhi bhakti form the external process. On
the other hand, internal lila smaran is the basis of raganuga bhakti. Both
internal and external processes are important and are meant to be performed
simultaneously. This booklet is devoted to understanding how one can
practically blend these two processes following in the footsteps of the Gaudiya
Vaishnava acharyas.
bähya
antara ihära dui ta sädhana
bähye
sädhaka‑dehe kare çravaëa‑kértana
mane nija‑siddha‑deha
kariyä bhävana
rätri‑dine kare vraje
kåñëera sevana
Sadhana bhakti
has two aspects—external and internal. Externally, as a sadhaka, one should
perform shravan, kirtan and the other processes of vaidhi bhakti. Internally,
while contemplating one’s siddha deha, service to Krishna in Vrindavan should
be executed, both day and night. (CC 2.22.151-2)
This verse is Sri Krishnadas Kaviraj’s Bengali
translation of a verse by Rupa Goswami, found in Bhakti-rasämåta-sindhu—
sevä
sädhaka‑rüpeëa
siddha‑rüpeëa
cätra hi
tad‑bhäva‑lipsunä
käryä
vraja‑lokänusärataù
The devotee
desiring intensely to attain the ragatmika mood of one Vrajavasi associate of
Krishna or another should engage in the practices of devotional service in his
external body as a practitioner and internally in his spiritual body, in both
cases following in the footsteps of the residents of Vraja. (BRS 1.2.295; CC 2.22.158)
Here, these two acharyas have explained the gist of
raganuga bhakti briefly. Shravan and kirtan and the other sixty-four types of
vaidhi bhakti are the external sadhana included within the practical
performance of raganuga bhakti. As for the internal application, Part One of
this book presents the philosophical basis for that. In Part Two, the sadhana
itself will be discussed in detail.
The preaching of raganuga bhakti sadhana is directly
related to the main reason of Chaitanya Mahaprabhu’s advent. This book will
present the evidence. First, however, we need to explain
1) What
is the precised definition of raganuga bhakti?
2) Who is
factually eligible to engage in its practice?
3) What
is the proper way of performing raganuga bhakti?
Any aspiring Krishna devotee will eventually need to
know the answers to these questions. In view of presenting an accurate account
of these topics, I have spent ten years conducting research into the Gaudiya
Vaishnava literature.
For the inquisitive persons who seek the essence of
Rupanuga Vaishnavism, the path of raganuga bhakti sadhana becomes the “missing
link” to factual higher taste and attachment. This is required to awaken bhava
and prema in the Vrindavan mood.
As for the question of how Lord Gauranga preached this
religious system, in what way his personal associates like the Six Goswamis
took it up, relished it, and developed it for future generations, these and
many other related topics will all be discussed in the course of this essay.
jaya
prema-dätä çiromaëi çré-gauräìga mahäprabhu!!
déna
sädhaka
Sri
Gadadhar Pran Das
Sri
Sri Gadai Gauranga Kunj
Sri
Mayapur Ghat, Nadia, W.B.
Two forms of
sadhana bhakti
(Devotion in
Practice)
bähya antara ihära
dui ta sädhana
bähye sädhaka‑dehe
kare çravaëa‑kértana
mane nija‑siddha‑deha
kariyä bhävana
rätri‑dine kare
vraje kåñëera sevana
raganuga
bhakti is practiced both externally and internally. In the external body, he
acts as any other practitioner of devotional service and engages in hearing and
chanting. In his mind, however, he meditates on his spiritual body and serves
Krishna there in Vrindavan, day and night. (CC 2.22.151-2)
Sadhana bhakti has two aspects: external and internal.
Externally, as a sadhaka, one should perform shravan, kirtan and the other
processes of vaidhi bhakti; internally, while contemplating one’s siddha deha,
service to Krishna in Vrindavan should be mentally executed both day and night.
This verse is Krishnadas Kaviraj’s Bengali translation
of Sri Rupa Goswami’s sevä sädhaka-rüpeëa shloka is found in Bhakti-rasämåta-sindhu
1.2.295. Here, these two acharyas have briefly explained the gist of raganuga
bhakti. Shravan, kirtan and the other sixty-four types of vaidhi bhakti are the
external sadhana included within the practical performance of raganuga bhakti.
As for the internal application, part one of this book presents the
philosophical basis for that. In part two, the sadhana itself will be discussed
in detail.
Invocation
avatari prabhu pracärila saìkértana
eho bähya hetu pürva kariyächi sücana
avatärera ära eka äche mukhya béja
rasika çekhara kåñëera sei kärya nija
Even though the Supreme Lord himself, Sri Chaitanya
Mahaprabhu, took up the task of the yuga avatar to propagate the sankirtan
movement, this only constitutes the external motive for his appearance. The
main motive springs from the Lord’s inner hankering of being rasika shekhara,
the foremost connoisseur of the transcendental mellows. (CC 1.4.102-103)
çré-çré-gaura-gadädharau vijayatethäm
Sri Krishna
accepts the mood of a bhakta
Nearly five hundred years ago, svayaà vraja-vihäré
Sri Krishna incarnated on the bank of the sacred Ganges in his transcendental
earthly abode Sri Nabadwip Dham.
In this avatar as Sri Chaitanya Deva, he brought about
a maha-prema yuga, a spiritual renaissance in the world of Krishna bhakti.
Concealing his supreme opulences, Chaitanya Mahaprabhu assumed the role of a
devotee in order to fulfill three most esoteric desires, which even his
Vrindavan lila could not accommodate.
In transcendental loving reciprocation, Sri Krishna
frankly admits that his servitors are able to experience an even more sublime
ambrosia through service to him than he experiences. This matter should not
appear astonishing—it is natural. As the vishaya, or target of prema, Krishna
is not in a position to enjoy his own form and qualities. The privilege of such
a relish belongs only to his premika bhaktas. Therefore, Sri Krishna desired to
sample for himself “what it is like to be my own devotee.”
kåñëa-sämye nahe täìra mädhuryäsvädana
bhakta-bhäve kare täìra mädhurya carvaëa
sva-mädhurya äsvädite karena yatana
bhakta bhäva vinä tähä nähi äsvädana
Krishna fails to experience his own captivating
sweetness, which can only be viewed from another’s perspective. So, in order to
relish his own splendor, assuming the mood of a devotee is the Lord’s only
recourse. (CC 1.6.103-104)
In the matter of tasting Krishna’s madhurya, it may be
noted that Srimati Radharani is samarthä-çiromaëi, or the crown jewel of
all relishing candidates. In order to reveal these inner thoughts to the world,
Sri Vrindavan’s Madan Mohanji has directly spoken through the king of rasika
poets, Sri Krishnadas Kaviraj, as follows:
sei premära çré-rädhikä
parama äçraya
sei premära ämi ha[i]
kevala viñaya
viñaya-jätéya sukha ämära
äsväda
ämä haite koöi-guëa
äçrayera ähläda
äçraya-jätiya sukha
päite mana dhäya
yatne äsvädite näri, ki
kari upäya
kabhu yadi ei premära
ha-iye äçraya
tabe ei premänandera
anubhava haya
eta cinti’ rahe kåñëa
parama-kautuké
hådaye
bäòaye prema-lobha dhak-dhaki
“Sri Radhika
is the ashraya, or reservoir, of love for me. I am merely its vishaya, or
target. Although I taste the bliss to which the object of love is entitled, the
pleasure of the ashraya is ten million times greater. Therefore my mind runs
after the opportunity to relish the ashraya’s ananda, but I cannot grasp it.
What can I do? If I could somehow become the ashraya of this love, then surely
that most exalted premananda could also be mine.” After thinking in this way,
Sri Krishna became exceedingly intrigued. From within his heart, an
irrepressible wish to taste Sri Radha’s prema burst forth. (CC 1.4.132-136)
For this reason, Sri Vrindavan’s ever fresh Cupid, Sri
Shyamasundar appeared from the pure womb of Mother Sachidevi. In fact, by
taking on the mood and complexion of his topmost devotee, Srimati Radharani,
Sri Krishna intended to taste three most coveted, esoteric, yet
unfulfilled yearnings. They were revealed in a verse written by Srila Svarupa
Damodar Goswami, and this is the sixth verse of the mangalacharan of the
Chaitanya Charitamrita:
çré-rädhäyäù
praëaya-mahimä kédåço vänayaivä-
svädyo
yenädbhuta-madhurimä kédåço vä madéyaù
saukhyaà
cäsyä mad-anubhavataù kédåçaà veti lobhät
tad-bhäväòhyaù
samajani çacé-garbha-sindhau harénduù
This verse tells us that Krishna appeared in the form
of Chaitanya Mahaprabhu in order
1) to
fathom the depth of Sri Radhika’s superlative prema for him,
2) to
perceive his own sweetness in the way that Sri Radhika does, and
3) to
discover the ecstasy Sri Radhika feels through loving him.
Sri Krishna thought,
ei tina
tåñëä mora nahila püraëa
vijätéya
bhäve nahe tähä äsvädana
rädhikära
bhäva känti aìgékära bine
sei tina sukha kabhu
nahe äsvädane
rädhä bhäva aìgékära
dhari tära varëa
tina sukha
äsvädite habo avatérëa
These three
yearnings are not to be fulfilled in Vraja because there I possess a distinct
nature from Sri Radhika. Only by assuming her mood
and complexion will I please my fancy. Therefore I shall accept Sri Radha’s
bhava and aìga-känti appearing in this world for tasting these three
pleasures. (CC 1.4.266-268)
sarva
bhäve kailo kåñëa ei to niçcaya
hena käle
äila yugävatära samaya
sei käle çré advaita
kare ärädhana
täìhära huìkäre kaila
kåñëe äkarñaëa
pitä mätä guru-gaëa äge
avatari
rädhikära bhäva varëa aìgékära
kari
navadvépe çacé garbha
çuddha dugdha sindhu
tähäte prakaöa hailä
kåñëa pürëa indu
ei to kahila ñañöha
çlokera vyäkhyäna
svarüpa gosäïir
päda-padma kari dhyäna
Incidentally,
while Krishna was thus deliberating, the time for the Yuga avatar to descend
was also at hand. Sri Advaita Acharya began his worship and attracted the Lord
with his loud cries. His father and mother and other seniors first took birth,
and then he himself appeared with the mood and complexion of Sri Radhika,
appearing in Nabadwip, like the full moon appearing from the milk ocean-like
womb of Mother Sachi. In this way I have explained the meaning of the sixth
verse of the Chaitanya Charitamrita. (CC 1.4.266-273)
This sixth verse of Sri Krishnadas Kaviraj’s
mangalacharan is designated as the vastu-nirdeça, or indication of the
book’s topic of discussion. In other words, it may be concluded that for Srila
Kaviraj Goswami, this verse is the light in which he gives his account of
Chaitanya Mahaprabhu’s life. The entire Chaitanya Charitamrita may be seen as
an elaborate discussion of the subject that is given here in seed form.
Krishnadas Kaviraj begins his commentary on this verse
in the fourth chapter of Chaitanya Charitamrita as follows—
je lägi
avatära kahi se müla käraëa
prema rasa
niryäsa karite äsvädana
räga märga
bhakti loke karite pracäraëa
rasika
çekhara kåñëa parama karuëa
ei dui
hetu haite icchära udgama
Now let me
speak about the principal reason for Sri Chaitanya Mahaprabhu’s appearance (1)
to personally taste the essence of prema rasa, and in connection with this, (2)
to distribute raganuga bhakti to the devotees. (CC 1.4.13-15)
These are
the two main reasons for which Sri Krishna, the chief of all rasikas, or
connoisseurs, and merciful personalities advented himself as Sri Chaitanya
Mahaprabhu.
Upon
acknowledging the aforementioned two reasons for the Lord’s descent, one would
do well to meditate upon them in order to increase one’s devotion. In this
connection, Srila Krishnadas Kaviraj says,
siddhänta
baliye citte nä kara alasa
ihä haite
kåñëa läge sudåòha mänasa
Do not neglect to meditate
on the conclusions of the scriptures out of laziness. From a knowledge of the
siddhantas, the mind will become fixed on Krishna. (CC 1.2.117)
In this key shloka, prema rasa niryäsa means the
essence of prema rasa or Vraja pream. In Vraja, Srimati Radhika’s prema is
topmost. Therefore as Chaitanya Mahaprabhu has focused his attention on tasting
Srimati’s superexcellent standard of prema, Sri Kaviraj Goswami has declared
our Gauranga to be Rasika Shekhara, the chief of all connoisseurs of bhakti
rasa.
Secondly, in the wake of Sri Gauranga’s relishing
Vraja prema, the process to attain this highly exalted and rarest treasure of
raganuga bhakti sadhana has been shown to the world through his example. It is
for this reason that Krishnadas Kaviraj has described Sri Gaurasundar as parama
karuëa or supremely merciful.
With the help of Chaitanya Charitamrita, let us now
examine the Lord’s personal motivation for coming.
kåñëera vicara eka ächaye antare
pürëänanda-pürëa-rasa-rüpa kohe more
ämä haite änandita hoy tribhuvana
ämäke änanda dibe aiche kon jana
ämä haite jära haya çata çata guëa
sei-jana ählädite päre mora mana
ämä haite guëé baòa jagate asambhava
ekali rädhäte tähä kori anubhava
Krishna
began to consider, “I am filled with bliss, and my very body is the form of all
transcendental mellows. Everyone in the universe experiences happiness through
me. But is there anyone who can give me pleasure? If there were a person who
possessed hundreds of times more qualities than I myself, such a person could
bring me happiness. To find a person who has more qualities than myself in this
universe is impossible. Only in the case of Radha do I consider this possible.”
(1.4.238-41)
It is said in the Sruti shastra that Krishna is rasa
personified (raso vai saù). Rasa means ananda, or pleasure. Therefore,
Sri Krishna is sarvänanda-maya, or the reservoir of all pleasure. Who
then could be in a position to give Krishna pleasure? In this shloka, Sri Krishna
admits that such a feat can only be accomplished by Srimati Radharani. Why?
Because she is mahä-bhäva-svarüpiëé, the personification of prema, or
divine love. In other words, prema is needed to experience ananda.
Krishna further elaborates,
ämära saìgame rädhä päya ye änanda
çata-mukhe bali, tabu nä päi tära anta
lélä-ante sukhe iìhära aìgera mädhuré
tähä dekhi’ sukhe ämi äpanä päçari
doìhära ye sama-rasa, bharata-muni mäne
ämära vrajera rasa seha nähi jäne
anyera saìgame ämi yata sukha päi
tähä haite rädhä-sukha çata adhikäi
Even if I
had hundreds of mouths still I could not begin to describe the pleasure that
Radharani experiences from my association. And I become spellbound and even
forget myself when I see the pleasure she derives from our lovemaking. The guru
of the rasa shastra, Sri Bharata Muni acknowledges that in loving affairs, the
enjoyment of both the man (nayaka) and the woman (nayika) are equal, but he
knows nothing about my Vraja rasa. The happiness I feel when I am with Radha is
a hundred times greater than the joy I get from others. (1.4.254-7)
Sri Bharata Muni is the ädi-guru or the Natya
shastra, i.e., the shastra dealing with the various aspects of dramaturgy. In
this scripture, he has set up a formula listing all the ingredients that, when
combined together, cause rasa to be directly experienced between a hero and
heroine in a play. All of these transactions, however, take place between men
and women of this world. Therefore these opinions do not apply to the rasa
found in Sri Krishna’s transcendental Vraja Dham.
Sri
Krishna continues,
täte jäni
mote äche kona eka rasa
ämära
mohiné rädhä, täre kare vaça
ämä haite
rädhä päya ye jätéya sukha
tähä
äsvädite ämi sadäi unmukha
nänä yatna
kari ämi, näri äsvädite
sei
sukha-mädhurya-ghräëe lobha bäòhe citte
rasa
äsvädite ämi kaila avatära
prema-rasa
äsvädiba vividha prakära
räga-märge
bhakta bhakti kare ye prakäre
tähä
çikhäiba lélä-äcaraëa-dväre
It has
become quite clear to me that Radhika has been subjugated by a particular rasa
which even I cannot experience. Despite all my efforts, I am still not able to
experience her happiness, for the mere aroma of her happiness causes a great
hankering within my mind. Therefore, I will come as Chaitanya avatar to taste
the sweetness of these various mellows of prema. Then, through the example
of my own lila, I shall set the standard of raganuga bhakta and its
practitioner. (1.4.261-265)
Sriman Mahaprabhu’s unique feature compared to other Yuga avatars
Before relating the Lord’s preaching technique, it
will be helpful to first touch on another subject. Besides the fact that Rasika
Sekhar Sriman Mahaprabhu came specifically to taste the essence of Radha prema,
he also sampled dasya, sakhya, vatsalya and the other forms of madhura rasa
throughout his pastimes. Evidence of this is stated as follows:
yuga‑dharma
pravartämu näma‑saìkértana
cäri bhäva‑bhakti
diyä näcämu bhuvana
The first part of this verse states that Sriman
Mahaprabhu came to spread the yuga dharma—Harinam Sankirtan. This reason, however,
is subordinated to the main motive, which is boldly stated in the second
line—”Our Gauranga has specifically come to make the world dance with the four
mellows of Vrindavan devotion, namely dasya, sakhya, vatsalya and madhura
rasa.”
A question may be asked at this point: “How do we know
that the preaching of the sankirtan movement is secondary?” Krishnadas Kaviraj
answers by quoting Sri Krishna’s own words a little further on—
yuga‑dharma‑pravartana
haya aàça haite
ämä vinä
anye näre vraja‑prema dite
“I establish
the religious principles for each age through my plenary portions. I alone,
however, can bestow the kind of loving service found in Vraja.” (CC 1.3.26)
Sri Kaviraj Goswami also states—
avatari prabhu pracärila saìkértana
eho bähya hetu pürva kariyächi sücana
In this avatar, Sriman Mahaprabhu preached the
sankirtan movement. This, however, is the external reason for the Lord’s
appearance. (1.4.76)
From this evidence it may be concluded that Sri
Gauranga’s main intention is to give Vraja prema to all, while promoting the
sankirtan movement remains secondary.
Let us consult the Bhagavad Gita at this point and see
what Sri Krishna says in this connection, ”In order to deliver the pious
and to annihilate the miscreants, as well as to reestablish the principles of
dharma, I advent myself yuga after yuga.”
Kaviraj Goswami responds to this, however, by saying—
svayaà bhagavän brahmära eka dine teìho eka bär
avatérëa hoyen karen prakaöa vihära
In every yuga, Svayaà Bhagavan Sri Krishna personally
does not come. Rather, he descends once in a kalpa, or day of Brahma.
From this verse we learn that it is a yuga avatar who
descends in every yuga, and that he is only an aàça or plenary expansion of Sri
Krishna. His mission of relieving the burden of the earth and establishing the
yuga dharma is a function that does not concern Sri Krishna directly. It is for
this reason that Srila Kaviraj Goswami stated in a previous payar—
yuga dharma pravartana hoy aàça hoite
The preaching of the yuga dharma is done by Sri
Krishna’s aàça (partial manifestation). (1.3.26)
ämä binä
anye näre vraja-prema dite
But only I can give Vraja prema. (1.4.37)
Kaviraj Goswami also states—
avatari prabhu pracärila saìkértana
eho bähya hetu pürva kariyächi sücana
I have already
shown that preaching the sankirtan movement was the external cause for the
Lord’s descent. There is another, primary purpose for the Lord’s incarnation.
(1.4.102)
From this evidence, it may be concluded that Sri
Gauranga’s main intention is to give Vraja prema to all, while promoting the
sankirtan movement remains secondary. Let us consult the Bhagavad Gita at this
point and see what Sri Krishna says in this connection.
pariträëäya
sädhünäà
vinäçäya
ca duñkåtäm
dharma-saàsthäpanärthäya
saàbhavämi
yuge yuge
In order to deliver the pious and to annihilate the
miscreants, as well as to reestablish the principles of dharma, I advent myself
yuga after yuga. (Gita 4.8)
In response to this proposal, however, Srila Kaviraj
Goswami says,
pürëa
bhagavän kåñëa vrajendra kumära
goloke
vrajera saha nitya vihära
brahmära eka-dine tiìho
eka bära
avatérëa
haïä karena prakaöa vihära
The complete
form of the Godhead, Sri Krishna, the
son of Nanda Maharaj, remains eternally in his abode of Vraja, where he is engaged
in his pastimes. He appears in this world once in the day of Lord Brahma,
revealing those pastimes to everyone here. (1.3.5-6)
In other words, Svayam Bhagavan Sri Krishna does not
come personally in every age. Rather, he comes much more infrequently, appearing
once in a kalpa, or day of Brahma. From this we learn that it is a yuga avatar
who descends in every yuga, and that this is only a portion or aàça of Sri
Krishna. The mission of relieving the burden of the earth and establishing the
yuga dharma are functions that do not concern the Svayam Bhagavan directly. It
is for this reason that Srila Kaviraj Goswami goes on to state in the verse
already quoted above:
yuga dharma pravartana hoy aàça hoite
The preaching of the yuga dharma is done by Sri Krishna’s
aàça (partial manifestation). (1.3.26)
Sri Chaitanya Mahaprabhu is not just a yuga avatar; he
is identical with Svayam Bhagavan Sri Krishna. Thus Kaviraj Goswami states:
kintu
kåñëera jei hay avatära käla
bhära
haraëa käla täte haila miçäla
pürëa bhagavän
avatare jei käle
ära saba
avatära täte äsi mile
But when it
is time for Krishna to descend, this happens to coincide with the time for
taking away the burden of the world. When Svayam Bhagavan himself appears, all
his avatars descend along with him. (CC 1.4.9-10)
Therefore, just as previously Vishnu killed asuras on
behalf of Sri Krishna from within Krishna’s own form, the promotion of the
sankirtan yuga dharma was carried out by Vishnu from within Chaitanya
Mahaprabhu.
ata eva
viñëu takhan kåñëera çarére
viñëu-dväre
kåñëa kare asura-saàhäre
Therefore, Vishnu is present in Krishna’s body, and it
is through Vishnu that Krishna destroys the demons. (CC 1.4.13)
In summary, Chaitanya Mahaprabhu’s descent carries a
deeper, inner purpose besides promoting the yuga dharma. Each successive Kali
Yuga has its own yugavatar who comes to preach the sankirtan movement.
Gauranga’s avatar, however only occurs once in a kalpa, or a day of Brahma.
Hence, his mission is very special, because it reveals two most magnanimous
features.
1. His
being rasika-çekhara, or the greatest connoisseur of transcendental
mellows,
2. His
being parama-karuëa, or possessing gifts that he alone can mercifully
bestow.
This karuna is so rare that it had not been given to
anyone since Gauranga’s advent in a previous kalpa, for no other avatar could
bestow it, even if they so desired. For this reason, Srila Rupa Goswami calls
it anarpita-caréà cirät, etc., “a mercy long unoffered.” We will discuss
this important verse at greater length below.
Suffice it to say that Sriman Sri
Gaurasundaroswami<s karuna is causeless and dynamic. It does not hold back
and consider who is fit or unfit to receive it. Rather, our Gauranga is freely
distributing the most lofty and sublime mellow in the spiritual world to the
most fallen and least qualified persons. This distribution of mercy begins with
the previously quoted line from Chaitanya Charitamrita wherein Sri Krishna
says,
ämä binä
anye näre vraja-prema dite
But for me, no one can give Vraja prema. (CC 1.4.37)
Krishna and Gauranga are one and the same person.
Hence Gauranga can also give Vraja prema. In fact, he came specifically for
this purpose, thereby establishing his unique credentials. And while important
devatas such as Shiva, Brahma, Lakshmi and others have no access to Krishna’s
Vraja lila, our Gauranga has lead the path to Vraja Dham for all conditioned
souls to follow. So much mercy is inconceivable. Yet this is not to say that
any fallen rascal of Kali Yuga may simply walk right into Krishna’s lila. One
has to qualify by properly executing the right form of sadhana. Should we be
surprised, then, that Sriman Mahaprabhu came to deliver such a process?
Sriman Mahaprabhu’s scheme for preaching raganuga bhakti
The question arises how Sri Chaitanya Deva bestowed
Vraja prema bhakti to the jivas of the Kali Yuga. How can modern people like
you and I receive his special benediction today, more than five hundred years later? The answer is clearly outlined
in Srila Kaviraj Goswami’s previously quoted verse:
rasa
äsvädite ämi kaila avatära
prema-rasa
äsvädiba vividha prakära
räga-märge bhakta bhakti
kare ye prakäre
tähä
çikhäiba lélä-äcaraëa-dväre
I came to relish transcendental mellows. I
shall thus sample many forms of Vraja prema rasa. By the example of tasting
these mellows in my lila, I shall teach raganuga bhakti by setting the
standards of a raganuga bhakti myself. (1.4.264-265)
The mystery of Sri Gauranga’s appearance lies here.
Taking his confidential associates with him, the Lord tasted again and again
the essence of Vraja prema. His colorful lilas can steal the minds of the
fortunate ones who hear it. Simultaneously, Sri Sri Gaurasundaroswami has also
made us eligible to partake in tasting the divine rasa.
äpani karimu bhakta‑bhäva
aìgékäre
äpani äcari bhakti
çikhäimu sabäre
äpane nä kaile
dharma çikhäna nä yäya
ei ta siddhänta gétä‑bhägavate
gäya
Sri Chaitanya Mahaprabhu
said, “I shall take the part of a devotee, and I shall teach devotional service
to all by practicing it myself.” (CC 1.3.20)
A point of
interest here is that the Lord himself acted as a teacher of raganuga bhakti,
and by so doing he assumed the role of jagat guru. In the mood of a devotee,
Sriman Mahaprabhu performed all the limbs of sadhana that make one eligible to
taste Vraja prema bhakti. He also inspired his associates to do likewise, so as
to set an ideal example for all.
Through his
rasa lila and related pastimes, Sri Krishna had previously displayed what is to
be yearned for in the spiritual realm, whereas our Gauranga presented the means
to enter those pastimes. With this understanding, devotees would naturally
hanker after the sweet mellows of Vrindavan and realize the advantage of taking
up raganuga bhakti sadhana. Such is Sri Gaurasundaroswami’s merciful behavior.
While in Vraja lila, the Lord’s karuna had displayed its initial phase; that
same karuna now ripened as the mature fruit of Gauranga’s pastimes.
Someone may
ask, “What about the Kali Yuga dharma, Harinam sankirtan?”
The answer
to this important question is that the Lord has not taught the principles of
raganuga bhakti separate from the practice of Harinam. Indeed, he personally
performed sankirtan. This sankirtan yajna is a must for anyone seriously
coveting the Lord’s complete mercy. Let it be clear that sankirtan is an
essential limb of both vaidhi and raganuga sadhanas. In reality, kirtan takes
on a distinct style in the raganuga tradition, which is more powerful for
awakening prema in the heart of its practitioner. This siddhanta is supported
by Sanatan Goswami in his Båhad-bhägavatämåta as follows:
tad dhi
tat-tad-vraja-kréòä-
dhyäna-gäna-pradhänayä
bhaktyä
sampadyate preñöha-
näma-saìkértanojjvalam
täsäà vraja-kréòanaà
bhagavad-gokula-lélänäà dhyänaà cintanaà, gänaà saìkértanaà, te pradhäne mukhyä
yasyäs tayä bhaktyä nava-prakärayä prema sampadyate susiddhyate. gänety uktyä
näma-saìkértane präpte’pi nija-priyatama-näma-saìkértanasya
premäntaraìgatara-sädhanatvena punar viçeñeëa nirdeçaù.
Thought,
meditation, and kirtan of Sri Krishna’s Vraja lila are refered to as the prema-antaraìga-sädhana
or the best means for awakening prema. More specifically, regarding kirtan, the
names of one’s ishta-devata, the names of the Lord which have especially
attracted the devotee’s heart, are most effective in arousing prema. (Båhad-bhägavatämåta
2.5.118, with commentary)
In Part II
of this book, the topic of kirtan in relation to raganuga bhakti will be
discussed in more detail.
Of Aishwarya and Madhurya
worship, Sri Krishna prefers the latter
In the
third chapter of Chaitanya Charitamrita’s Adi-lila, Sri Krishna goes on to say—
aiçvarya-jïänete
saba jagat miçrita
aiçvarya
çithila prema nähi mora préta
In this
world people are enamored of opulence. Neither the worship nor love of such
persons particularly fascinate me, however. (CC 1.3.16)
Here
Krishna affirms his individual taste. Why does he say that aiçvarya-miçrä
bhakti, or devotion in a mood of awe and reverence, does not particularly
move him? The answer may be given as follows:
When a
devotee contemplates Sri Krishna as the supreme and all pervasive Lord of the
Universe, he thinks, “God is so great and I so small.” Then, even though
Krishna is standing in the doorway of one’s heart of awe and reverence creates
a vast separation, which prevents intimacy.
ämäre éçvara mäne
äpanäke héna
tära preme vaça ämi
nä hai adhéna
The love of one who
worships me as the Supreme Lord and who thinks of himself as inferior cannot
conquer me. (CC 1.3.18)
A good
example is that of Krishna’s queens in Dwaraka. Because their prema is tainted
with aishwarya jnana, these consorts fail to fully subjugate Krishna’s mind.
Sometimes, even while in their embrace, he would cry out for the Vraja gopis in
intense separation. So it is stated in Sri Sanatan Goswami’s Båhad-bhägavatämåta.
Sri Krishna
continues,
sakala jagate more
kare vidhi‑bhakti
vidhi‑bhaktye vraja‑bhäva
päite nähi çakti
The whole
universe may worship me by the process of vidhi bhakti, but vaidhi bhakti does
not have the potency to give one entrance into the mood of Vrindavan. (CC
1.3.15)
tähäte
dåñöänta lakñmé karila bhajana
tathäpi nä
päila vraje vrajendra‑nandana
What to
speak of this world, even in Vaikuntha, Lakshmi could not obtain Krishna’s
service in Vrindavan due to her attachment for the aishwarya mood of worship.
(CC 2.8.230)
Srila
Kaviraj Goswami uses this example to prove that Shyamasundar in Vrindavan is
unattainable through vaidhi bhakti alone. With this understanding, devotees
should naturally become disinclined to Lakshmi’s mode of worship and aspire to
follow in the footsteps of Sri Krishna’s Vraja associates.
Because
raganuga bhakti was not in practice before the time of Chakravarti Deva, vaidhi
bhakti alone could not provide the following:
1. An understanding of the mellows of
Vrindavan.
2. The attainment of Krishna’s direct
seva.
3. Entrance into Vrindavan Dham.
Hence Sri
Krishna’s desire to preach raganuga bhakti.
Sri Krishna
continues by quoting himself from the Bhagavad Gita—
ye yathä
mäà prapadyante
täàs
tathaiva bhajämy aham
mama
vartmänuvartante
manuñyäù
pärtha sarvaçaù
In whatever
way one surrenders unto me, I reciprocate accordingly. By this principle,
everyone follows me, O Partha! (Gita 4.11)
Let us now
examine why Sri Krishna should have mentioned this verse at this point in the discussion.
It has already been stated that Krishna is not subjugated by the love of his
aishwarya bhaktas, but by the love of his madhurya devotees. Surely someone
could object, “Aha! Here is an instance of Krishna’s partiality to one type of
bhakta over another. Why is he not equal to both, in accordance with his own
pledge?”
The purport
of this Gita shloka, however, is that Krishna responds equally according to
each and every person’s individual mood. The aishwarya bhakta may pray to the
almighty Lord as his insignificant part and parcel, and Krishna will surely
reciprocate that mood. In fact, the Lord will even give impetus to further
strengthen one’s conviction for this mode of worship. As for the form of prema
by which the Lord himself is subjugated, can there be any doubt that Krishna
shall award it to his raganuga bhakti? This is called Krishna’s svarüpänubandhi
dharma, or constitutional nature in fair dealings. Nevertheless, Sri
Krishna proceeds by wholeheartedly praising those who have captured his love.
mora putra mora sakhä mora präëa-pati
ei bhäve jei more kare çuddha bhakti
äpanäke baòa mäne ämäre sama-héna
sei bhäve hai ämi tähära adhéna
Devotees who
see me as their son, friend, or beloved, and worship me with pure devotion,
thinking of me as their equal or even inferior, they alone have the power to
subjugate me with their loving affection. (CC 1.4.21-22)
In this
verse, the term mora or “my” is significant because by thinking Sri
Krishna is my friend, my son, or my beloved, the devotee
causes his sambandha or loving relationship with Krishna to manifest.
Sri Krishna
continues to speak:
mätä more putra-bhäve karena bandhana
atihéna-jïäne kare lälana pälana
sakhä çuddha-sakhye kare, skandhe ärohaëa
tumi kon baòa loka, tumi ämi sama
priyä yadi mäna kari’
karaye bhartsana
veda-stuti
haite hare sei mora mana
My mother,
thinking me to be her naughty child, may bind me. She nourishes and protects
me, thinking me to be utterly helpless. My cowherd boyfriends may climb up on
my back and say with pure affection, “What makes you think you’re so big? You
and I are equals.” And if some gopi chastizes me in jealous loving anger, those
words steal away my mind, much more than any reverent recital of Vedic hymns.
(1.4.24-26)
Witnessing
such loving possessiveness in Krishna’s Vraja associates, the self-controlled
Sri Shukadeva Muni became struck with wonder. To Maharaj Parikshit he spoke as
follows:
na cäntar
na bahir yasya na pürvaà näpi cäparam
pürväparaà
bahiç cäntar jagato yo jagac ca yaù
taà
matvätmajam avyaktaà martya-liìgam adhokñajam
gopikolükhale
dämnä babandha präkåtaà yathä
He who has
neither inside nor outside, who is not limited by north, south, east or west,
he who fills up the universe in all directions, he whose very form is
the universe, that unfathomable supreme Bhagavan, or Adhokshaja, has been bound
to a grinding mortar like a punishable child by the pure affection of the
cowherd woman Yashoda. Here we find that the vast and all-pervading potency of
the Lord has been paralyzed. (SB 10.9.13-14)
In sakhya
prema also, after losing a sporting match with Sridama, Sri Krishna carries him
on his shoulders. Just see, the Supreme Lord whose lotus feet are not seen in
meditation even by the greatest sages and yogis is now running with a little cowherd
boy on his shoulders, whose two feet he grasps to his own chest.
In the
third verse quoted above (CC 1.4.26), the word mäna, or jealous loving
anger, applies to the Vraja gopis and not to the queens of Dwaraka or to the
Lakshmis of Vaikuntha. Of course, the queens of Dwaraka would become jealous
from time to time, but they would never dare to chastize the Lord for fear that
he might leave them. Yet, the madhurya aspect of the mana in Vraja is
unmatched. We find Priyaji, Srimati Radharani, in a kunja overtaken by mana.
She rebukes Sri Krishna who stands in the doorway like a beggar, guilty of some
grave offense. In the end, he will go so far as to bow and touch his peacock
feather to her feet. And even then he will still be unsuccessful in softening her
attitude toward him. Despite his being Svayam Bhagavan, Krishna falls at
Radharani’s feet, saying dehi päda-pallavam udäram—”O Priya! Please
kindly place your reddish lotus feet on my head.”
This
statement prompted Srila Kaviraj Goswami to write, vraje gopé-gaëera mäna
hoy rasera nidäna, “The mana of the Vraja gopis is the reservoir of all the
transcendental mellows.” (CC 2.14.138)
Sri Gaurasundar’s preaching method further
elucidated
Sri Krishna
concludes his discours in the fourth chapter of the Adi-lila as follows:
ei çuddhä bhakti laïä karimu avatära
karibo vividha-vidha adbhuta vihära
vaikuëöhädye nähi je je lélära pracära
se se lélä karibo jäte mora camatkära
Taking all
these shuddha bhaktas with me, I shall descend into this world and manifest
such sublime pastimes that not only the residents of Vaikuntha, but even I
shall become astonished! (CC 1.4.27-28)
ei saba
rasa-niryäsa kariba äsväda
ei dväre
kariba saba bhaktere prasäda
vrajere
nirmala räga çuni bhakta-gaëa
räga-märga
bhaje jeno chäòi dharma karma
As a result
of my tasting these mellows, my mercy will automatically bless the residents of
this world. By hearing about the pure sentiments of my Vraja associates, they
too will hanker to join in, and after giving up all other forms of religion and
activity, they shall take to the path of raganuga bhakti. (CC 1.4.32-33)
Here Sri
Krishna himself has stated the purpose of his avatar.
1) To taste new transcendental mellows.
2) To make such mellows available to
the world by teaching raganuga bhakti.
In this
two-fold purpose of the Lord’s the mainstay of Chaitanya Vaishnavism can be
found. Here also the personality of our
Sri Gaurasundar is revealed as even more magnanimous than Krishna. Indeed, this
fact is further established by the following analogy.
When he
concluded his instruction to Arjuna in Bhagavad Gita, Sri Krishna said,
sarva-dharmän parityajya mäm ekaà çaraëaà vraja
Abandon all
types of religion and surrender unto me. (Gita 18.66)
What
Krishna does not clearly define, however, is the process of surrendering to him
after one has abandoned all other religious processes. The point is that
Krishna cannot be reached merely through renunciation of religious activities.
One must also perform a specific type of sadhana. When Srila Ramananda Raya
quoted the above Gita verse to Sri Chaitanya as the highest truth of spiritual
perfection, Mahaprabhu replied eho bähya äge koho ära—”This is external,
please says something more.”
So, in the
verse quoted above from Chaitanya Charitamrita, besides the abandonment of
other processes of religion and activity, Sriman Mahaprabhu’s positive process
for awarding Vraja prema bhakti is mentioned:
vraja
nirmala räga çuni bhakta-gaëa
räga märga
bhaje jeno chäòi dharma karma
When devotees
hear about the mellows of pure attachement in Vrindavan, they shall hanker to
take up the process of raganuga bhakti after giving up all other forms of
religion and activity. (CC 1.4.33)
The
conclusion, then, is that hearing Vraja lila
katha through the process of raganuga bhakti constitutes Sri Chaitanya
Mahaprabhu’s prescribed method for attaining Vraja prema.
To still
further strengthen his statements, Srila Kaviraj Goswami next presents evidence
from the Bhagavatam—
anugrahäya
bhaktänäà mänuñaà deham äçritaù
bhajate
tädåçéù kréòä yäù çrutvä tat-paro bhavet
In order to
give anugraha (mercy) to the bhaktas, the Lord assumes a human form and
performs various colorful pastimes. The narration of these will attract the
minds of the jivas. Thus they become bhagavat-paräyaëa or lélä-paräyaëa, i.e., staunch
devotees addicted to hearing lila katha. (SB 10.33.36)
This verse
was spoken by Sukadeva Goswami to Maharaj Parikshit who, after hearing from him
the narration of the Rasa lila, had inquired, “If Krishna is äpta-käma (‘self-satisfied’),
then why did he engage in loving affairs with the gopis?” The answer given here
is “to give mercy to the bhaktas.”
In his
commentary to this Bhagavatam shloka, Srila Sanatan Goswami states that the
term bhakta does not only refer to the gopis or the other residents of
Vrindavan, but applies to all types of Krishna devotee in the past, present and
future. This prakaöa-bhauma-lélä was performed to give everyone mercy.
To the kripa siddha and the sadhana siddha bhaktas who are newly joining his
lila, it awards their desired siddha-deha and prema. To the Lord’s nitya
associates, Krishna’s mercy manifests in a still new and colorful form of lila
rasa. As for the bhaktas who are to take birth in the future, hearing about such
captivating pastimes will secure them a chance of becoming siddha themselves.
What to speak of the bhaktas, Sri Krishna’s lila has such an uncommon divine
potency that even non-devotees may become converted simply by hearing. So, it
is for these various reasons that Sri Krishna performs his pastimes. Yet,
beyond these reasons, and even beyond the fact that Krishna is äpta-käma, it
is for his own transcendental pleasure that the Lord engages in loving
pastimes.
After
presenting this Bhagavatam shloka, Krishnadas Kaviraj adds to it a brief
comment that further clarifies his intention:
bhavet
kriyä vidhi-liì, sei ihä kaya
kartavya
avaçya ei, anyathä pratyavaya
The use of
the verb form bhavet means “All bhaktas should strive to become
attached to the Lord through hearing his pastimes,” for it is in the injunctive
voice, or vidhi-liì. This further means that negligence of this
injunction will surely give rise to obstacles on the path of devotion. (CC
1.4.35)
By placing
his attention on relishing the ras found in Krishna’s Vrindavan pastimes,
Chaitanya Mahaprabhu set a trend into motion. Those who follow in his footsteps
will discover a divine spell and become lélä-paräyaëa, addicted to
hearing Vraja lila katha. As shravan, kirtan and smaran of Vraja lila form the
basis of raganuga bhakti, this is Sri Gauranga’s prescribed method of attaining
Vraja prema. Krishnadas Kaviraj thus includes the preaching of raganuga bhakti
in the main reasons for Chaitanya Deva’s descent.
räga märga
bhakti karite pracäraëa
The Lord has
come to give raganuga bhakti to the people.
The Bhagavatam concludes—
saàsära-sindhum
ati-dustaram uttitérñor
nänyaù
plavo bhagavataù puruñottamasya
lélä-kathä-rasa-niñevaëam
antareëa
puàso
bhaved vividha-duùkha-davärditasya
For people
desiring relief from the scorching agonies experienced in the ocean of
materialistic life, seva performed by hearing purushottam Sri Krishna’s lila
rasa katha is the best means. (SB 12.4.39)
Two forms of Raga Bhakti:
Ragatmika and raganuga
The terms
ragatmika and raganuga have often been confused with each other. There exists,
however, a vast difference of meaning between these two, which is essential to
clarify af this point of the discussion. One may wonder, for example, whether
the suddha bhaktas who descend along with Lord Krishna as his servants, friends, parents, or beloved, are
raganuga devotees. The answer is no. Being nitya parshads, the Lord’s eternal
associates such perfect beings need not practice raganuga sadhana. Rather,
their platform of service to the Lord in spontaneous attraction has been termed
ragatmika bhakti by Sri Rupa Goswami.
iñöe
svärasiké rägaù paramäviñöatä bhavet
tan-mayé yä bhaved bhaktiù sätra rägätmikoditä
tan-mayé yä bhaved bhaktiù sätra rägätmikoditä
The
spontaneous attraction for one’s ishta devata, Sri Krishna with complete
absorption in thoughts of him coupled with an intense love is called Ragatmika
bhakti. (BRS 1.2.272)
A
translation is seen where this verse is explained to mean raganuga bhakti. Such
an explanation puts raganuga bhakti out of reach for the bhaktas of this world,
as this shloka is directed to Krishna’s eternal Vraja associates. If we
mistakenly think, however, that Krishna s associates are raganuga bhaktas, then
we would never attempt to perform it. It is important to note that Sri Rupa
Goswami defines ragatmika as sadhya bhakti (devotion after attaining prema),
whereas raganuga is a limb of sadhana bhakti for practicing Vaishnavas. The
difference between ragatmika and raganuga devotion becomes clear in the
following two verses:
viräjantém
abhivyaktäà vraja-väsé janädiñu
rägätmikäm anusåtä yä sä rägänugocyate
rägätmikäm anusåtä yä sä rägänugocyate
Ragatmika
bhakti beautifully manifests itself in Krishna’s Vrindavan associates. The
devotion which follows in the wake of ragatmika bhakti (i.e., follows the moods
and mellows of the Vrajavasis is called raganuga. (BRS 1.2.270)
Srila
Kaviraja Goswami further elucidates:
rägamayé‑bhaktira
haya rägätmikä näma
tähä çuni lubdha
haya kona bhägyavän
lobhe vraja‑väséra
bhäve kare anugati
Spontaneous
bhakti is called ragatmika. If one should hear about this type of devotion and
then hanker to follow in the footsteps of the Vrajavasis, that person is truly
fortunate. (CC 2.22.147)
Let us now
examine in what context Srila Rupa Goswami introduces the topic of raganuga
bhakti in Bhakti-rasämåta-sindhu. ln the first wave of the book, the
subject of bhakti has been divided into three progressive stages:
1) Sadhan bhakti: devotion in practice (The vast majority of devotees fall into this
category).
2) Bhava bhakti: devotion after the attainment of rati.
(The Lord’s suddha-sattva potency which causes transcendental emotions.)
3) Prema bhakti: the final stage in love of God.
ln the
first category of sadhana bhakti, Sri Rupa has listed two types—vaidhi and
raganuga. Both of these paths are meant for conditioned bhaktas who are
aspiring to advance to the stage of bhava.
In his
presentation of sadhana bhakti Sri Rupa first describes the sixty-four vaidhi
bhakti and then directly proceeds into his explanation of raganuga bhakti
without any break in the flow. His handling of the topic of raga is direct and
simple. In Sri Rupa’s school, the vaidhi bhakti marga leads right into the raga
marga. Then, in turn, shravan, kirtan, smaran and almost all of the sixty-four
limbs of vaidhi sadhana also find their utility for the raganuga practitioner.
How does interest for raganuga bhakti awaken ?
With the evidence presented up to this point, we can
understand that the introduction of raganuga bhakti sadhana was surely intended
by Chaitanya Mahaprabhu. The question does arise, however, as to precisely what
point in our spiritual advancement can this process begin? After all, no one
should blindly jump into a more advanced system of sadhana. Otherwise, one
could later find oneself derailed. Sobriety is required in order to examine
precisely what the Gaudiya Vaishnava acharyas have said on this topic. Then one
should earnestly begin to apply their instruction. For such is the safe way to
genuine progress.
Anticipating the possible hesitation of future Gaudiya
Vaishnavas, Sri Rupa Goswami has answered this important question in a
straightforward manner in his Bhakti-rasämåta-sindhu as follows:
tat‑tad‑bhävädi‑mädhurye
çrute dhér
yad apekñate
nätra
çästraà na yuktià ca
tal
lobhotpatti‑lakñaëam
Explanatory translation: When the sweet pastimes of
Sri Krishna with his nitya Vraja associates are heard from the Bhagavatam and
other shastras describing the transcendental pastimes of the Lord, when by such
hearing there is an awakening in the heart, when there is a glimpse into the
sublime nature of the gopas and gopis, then one need no longer be swayed by
conflicting scriptural injunctions or opposing arguments. This is the sign that
a devotee’s craving for raganuga bhakti is awakening.
In this shloka it may appear that the necessity to depend
on shastric evidence or logical arguments has been played down. Srila Rupa
Goswami’s intention, however, is simply to show the distinctive quality of
lobha, or craving, which awakens to control the heart of the raganuga
practitioner. As doubts may arise after hearing this siddhanta from
Bhakti-rasämåta-sindhu, Srila Vishwanath Chakravarti comments on this verse as
follows:
In the system of vaidhi bhakti, shastric arguments and
logical reasoning are followed all the way up to the stage of bhava. From then
on, transcendental emotions take over. For the raganuga practitioner, however,
from the very point where lobha awakens, neither opposing shastric evidence nor
adverse criticism have any effect. Such is the unique quality of lobha, which
is nowhere to be found in the vaidhi school.
Srila Chakravarti Pada goes on to say:
One should not think that the proper execution of
raganuga bhakti is whimsical. Rather, just as lobha was first aroused by
hearing the shastras, it is by such hearing also that one makes progress on the
path.
Without following shastra, guru and the Mahajana
Vaishnavas, no one can make advancement, because the conditioned soul has no
direct experience in this realm. Concerning lobha, one should have a clear
understanding of its goal, lest the thirst for that goal never comes about. For
this reason Sri Rupa recommends in this verse that one read those shastras
where the topics of Vraja lila can be found.
During the time of Sri Gaurasundar’s manifest
pastimes, many fallen jivas received mercy in the form of prema through the
Lord’s direct darshan. After his departure, however, Mahaprabhu’s distribution
of mercy took on a different form. This is to say that after his manifest
pastimes, the emphasis has been placed on sadhana and bhajan. If one does not
perform sadhana, his kripa does not descend, as the Lord himself states—
sädhya
vastu sädhana vinä keha nähi päya
Without performing sadhana, no one can expect to reach
the goal of life. (CC 2.8.196)
As far as giving mercy to the jivas of future
generations, no words can describe how anxious Chaitanya Mahaprabhu was. With
the intention of giving mahat kripa to the people of our age, Mahaprabhu
especially empowered his closest associates, the Six Goswamis, to present the
pure bhajana paddhati of Vrindavan—
prabhura
äjïäya kaila sarva çästrera vicära
vraja
nigüòha bhakti karila pracära
Taking on Chaitanya Mahaprabhu’s order, Sri Rupa and
Sanatan studied very carefully the whole gamut of shastric knowledge.
Afterwards, they set out to preach the essence of such knowledge, i.e., the
confidential topics of Vraja prema bhakti. (CC 2.1.34)
Mahaprabhu himself taught Sri Rupa and Sri Sanatan,
and empowered them to propagate the Vraja bhakti shastras. In fact, the Lord
repeatedly blessed the two brothers before the assembly of his most prominent
associates. Once, Sri Chaitanya took Rupa by the hand before Sri Nityananda
Prabhu, Sri Advaita Prabhu, Sri Sarvabhauma Bhattacharya, Sri Svarupa Damodar,
Ramananda Raya and others, saying:
sabe kåpä
kari ihäre deho ei vara
vraja lélä
prema rasa varëe nirantara
Please, all of you give your merciful benediction to
Sri Rupa so that he may constantly narrate the topic of Vraja prema rasa. (CC
3.1.199)
What special role does Sri Rupa play in Sri Chaitanya
Deva’s mission, and why was the Lord so anxious to see him fully empowered?
Because Mahaprabhu wanted to make Sri Rupa
Prabhupada the Adi Guru of all future generations. Accordingly Sri Rupa
has manifested the Lord’s mano’bhéñöa, or inner desire, within this world.
Srila Kaviraj Goswami gives the gist of the Lord’s inner desire as follows:
våndävanéyäà
rasa-kelivärtäà
kälena
luptäà nija-çaktim utkaù
saïcärya
rüpe vyatanot punaù sa
prabhor
vidhau präg iva loka-såñöim
Just as the
Lord enlightened the heart of Lord Brahma with the details of the creation and
thus made the manifestation of the cosmos possible, so did Sri Chaitanya
Mahaprabhu eagerly impregnate the heart of Rupa Goswami with spiritual potency
so that he could revive Krishna’s confidential Vrindavan pastimes (våndävanéyaà
rasa-keli-värtäm),
which had almost been lost to memory. (CC 2.19.1)
As the tree of Sri Chaitanya’s mercy grew upon Sri
Rupa, it soon gave such ripened fruits as Sri Bhakti-rasämåta-sindhu. Ujjvala-nélamaëi,
Vidagdha-mädhava, Lalita-mädhava, Däna-keli-kaumudé, Govinda-lélämåta
(compiled under his order) and many others. It was Mahaprabhu’s wish that
future generations read this lila kavya, because by doing so, a hankering for
Vraja prema bhakti is bound to awaken in the heart. Sri Narottam Das Thakur
sings in praise of Sri Rupa and Sanatan as follows:
jaya sanätana rüpa,
prema bhakti rasa küpa
yugala ujjvala-maya
tanu
yähära prasäde loka,
päsarilo saba çoka,
prakaöa-kalapa-taru
janu
prema bhakti réti
yoto, nija granthe suvekata
likhiyächen dui
mahäçaya
yähära çravaëa hoite,
premänande bhäse cite,
yugala madhura
rasäçraya
yugala kiçora prema,
lakña bäëa yeno hema
heno dhana prakäçilo
yärä
jaya rüpa-sanätana,
deho more prema-dhana
se ratana more gale
härä
All glories to Sri Sri Rupa and Sanatan, who are
immersed in intense love for the yugala form of Radha Govinda. By your mercy, a
desire tree has been brought to this world that can relieve the distress of all
people. Your numerous writings have explained the essence of prema bhakti, by
hearing which one’s mind will surely experience yugala madhura rasa and float
in premänanda. Yugala kishora prema is as pure as gold that has been refined a
hundred thousand times. Jaya Sri Rupa! Jaya Sri Sanatan! I pray to you: Kindly
award this wealth to me. I shall wear it like a precious jewel around my neck!
(Prema-bhakti-candrikä, 8-10)
Further considerations about raganuga bhakti
Sri Rupa has labelled raganuga bhakti lobha-pravartita-dharma,
meaning a form of religion that is nourished by the hankering tendency. As Sri
Rupa previously mentioned, the awakening of lobha in regards to hearing Vraja
lila katha, in the next example, Sri Jiva Goswami, from his Bhakti-sandarbha defines lobha as a type of ruchi:
ato rägänugä kathyate yasya pürvokte räga-viçeñe rucir eva jätästi, na tu
räga-viçeña eva svayaà, tasya
tädåça-räga-sudhäkara-karäbhäsa-samullasita-hådaya-sphaöika-maëeù
çästrädi-çrutäsu tädåçyä rägätmikäyä bhakteù paripäöéñv api rucir jäyate.
Persons whose ruchi has been aroused, but whose
raga (spontaneous attraction) has not yet manifested, can certainly follow in
the footsteps of ragatmika bhaktas. Should a mere reflection (äbhäsa) of
raga appear in one’s heart, which acts as a reflecting crystal, the sadhaka
will become invigorated and ecstatic. This ruchi comes by hearing from shastra
topics which cause a longing to obtain the good fortune and the intimate seva
like the Vrajavasis. (Bhakti-sandarbha, 310)
As
previously stated by Srila Kaviraja Goswami, this type of hankering is to be
sought after, for those in whose hearts lobha has manifested are truly
fortunate.
In Bhakti-rasämåta-sindhu,
Sri Rupa says:
kåñëa-tad-bhakta-käruëya-mätra-läbhaika-hetukä
This type of fortune can arise from only two
causes: Sri Krishna’s mercy or the kripa of his devotee. (BRS 1.2.309)
The
priceless gift of lobha can be obtained in this lifetime or resurface from a
previous life. Those who have received his kripa from Krishna or his devotee in
their previous life will naturally and quickly develop attraction to raga marga
bhajan and Krishna seva.
From Sri
Rupa’s shloka defining the nature of lobha (BRS 1.2.292) it is often
misconstrued that Raganunga bhaktas no longer have to follow the rules and
regulations prescribed in sastra. In the following shloka, however Sri Rupa
does not support such an assumption as stated in B.R.S. 1.2.296:
çravaëotkértanädéni vaidha-bhakty-uditäni tu
yäny aìgäni ca täny atra vijïeyäni manéñibhiù
yäny aìgäni ca täny atra vijïeyäni manéñibhiù
As for shravan, kirtan, or any of the other
sixty four limbs of Vaidhi bhakti, the wise should know them to be useful in
raganuga bhakti as well.
In his
commentary on this verse Sri Jiva Gosvami says: “As in vaidhi bhakti, nearly
all of the limbs of seva beginning with shravan and kirtan, accepting a
spiritual master, fasting on Ekadasi, worshipping Tulasi, etc., are all
practiced on the raga marga. An experienced devotee will accept all types of
vidhi that are favorable for advancing in the direction of his lobha. But when
certain rules and regulations tend to curtail one’s lobha, they may be
omitted.”
In Bhakti-sandarbha,
Sri Jiva Goswami distinguishes two levels of raganuga bhaktas:
· jäta-ruci – those who have ruchi.
· ajäta-ruci – those who do not have ruchi.
Concerning
the jata-ruchi devotees, Sri Jiva presents evidence from Gautaméya-tantra:
na japo närcanaà naiva dhyänaà näpi
vidhi-kramaù
kevalaà santataà kåñëa-caraëämbhoja-bhävinäm
For those who have reached divine consciousness
and are constantly absorbed on Sri Krishna’s lotus feet alone, such vaidhi
practices as japa, archana, dhyana, etc., are not required.
Obviously,
this level of devotee is very rare, since at least ninety precent of the
raganuga practitioners belong to the
lower level (ajata ruchi). Sri Jiva Prabhu then directs his attention to them,
writing in Bhakti-sandarbha:
ajäta-tädåça-rucinä tu
sad-viçeñädara-mäträdåtä rägänugäpi vaidhé-saàvalitaivänuñöheyä.
tathä loka-saàgrahärthaà pratiñöhitena
jäta-tädåça-rucinä ca.
atra miçratve ca yathä-yogyaà
rägänugayaikékåtyaiva vaidhé kartavyä.
Devotees whose ruchi has not yet awakened, but
who feel inclined to perform raganuga sadhana, may do so combining it with
vaidhi bhakti (as do those who are on the platform of ruchi, but doing so for
the purpose of teaching others). It must be noted, however, that such mixing is
not equivalent to adding a few raganuga practices with vaidhi bhakti. Rather,
it corresponds to adopting the raga system fully, but maintaining the vidhi
practices for the sake of sustaining one’s equilibrium.
A relevant
question now arises: “At what stage of spiritual advancement can raganuga
bhakti begin?” In the last quote by Srila Jiva Prabhu, evidence was given that
raganuga sadhana may begin before ruchi. In his book Räga-vartma-candrikä,
Srila Viswanath Chakravarti discusses raga bhakti in further details and
informs us that the process can begin even before the stage of anartha-nivåtti.
atha
rägänugä-bhakti-majjanasyänartha-nivåtti-niñöhä-rucy-äsakty-antaraà
prema-bhümikärüòhasya säkñät-sväbhéñöa-präpti-prakäraù pradarçyate.
Therefore, how the practicing raganuga bhakta
advances to the stages of anartha nivritti, nishtha, ruchi, asakti, bhava, and
at last reaches the fulfilment of all desires in prema, will now be discussed.
(RVC 7)
From this
text it may be concluded that raganuga bhakti can begin at a stage even before
anartha nivritti. In other words, raganuga bhakti may begin from the stage of
bhajana kriya.
This
statement of Srila Chakravartipada also places raganuga bhakti sadhana within
the reach of most practicing Vaishnavas. And why should anyone be surprised
that such is the case? Has Sriman Mahaprabhu himself not presented raga marga
as his special gift of mercy to the fallen souls of this age?
räga märga bhakti loke karite pracäraëa
Chaitanya Mahaprabhu appeared to present raga
marga to the world. (CC 1.4.14)
Loka in this verse does not refer to
only the premika bhaktas, bhava bhaktas or uttama adhikari Vaishnavas. It’s
meaning is not even restricted to devotees; it includes everyone.
Our
Gaurasundar came to bestow Vraja prema on the whole world, and to make it
accessible, the Lord prescribed raganuga sadhana. Therefore Srila Kaviraja
Goswami systematically highlights Sri Chaitanya’s param karuna feature. The
only stipulation is that one must possess lobha, a hankering to follow
in the Vrajavasi’s footsteps. In fact, as soon as one realizes that this was
Sri Chaitanya’s specific intention for the jivas of this age, attraction for
raganunga bhakti becomes inevitable.
In the
light of Srila Vishwanath Chakravarti’s expert judgement of the Goswami shastras,
devotees anxious to get started in raga sadhana may be relieved from doubt as
the their own eligibility.
Srila Chakravartipada further confirms, “Those who
are impelled or set into motion on the bhakti path because of their attraction
to the madhura form of the archa-vigraha or to hearing lila katha from the
tenth canto of the Srimad Bhagavatam are raga-pada-vacya (suited for raganuga
bhakti).”
Positive answers
to negative arguments
In the context of Srila Vishwanath Chakravarti’s
previously quoted siddhanta, some people may raise an objection: For those who
are not free from the various anarthas beginning with lust, it is not possible
to take up raganuga bhakti sadhana. Furthermore, the topics of Krishna’s loving
affairs with the gopis should never be heard by such bhaktas.
This caution is taught in the vaidhi school of bhakti.
Indeed, every serious bhakti sadhaka should be cautious not to take Sri
Krishna’s Vraja lila cheaply, for to do so will certainly result in aparadha.
In the system of raganuga sadhana, however, kama or lust is conquered through
attraction to hearing Sri Krishna’s transcendental pastimes. In the first
chapter of Mädhurya-kädambiné, Srila Vishwanath Chakravarti writes—
If one is
not purified in mind, it is not possible to enter the jnana marga of yogic
practice. Even one who has not overcome the influence of kama, however, can
take up the bhakti marga.
To substantiate his position, Srila Chakravarti Pada
shows the evidence of the Bhagavatam—
vikréòitaà
vraja-vadhübhir idaà ca viñëoù
çraddhänvito
yaù çåëuyäd atha varëayed vä
bhaktià
paräà bhagavati parilabhya kämaà
håd-rogam
äçv apahinoty acireëa dhéraù
Srila Chakravarti Pada’s translation—
If one
continuously hears or speaks with faith the topics of Krishna’s rasa and other
pastimes with the gopis, such a person first attains parä bhakti, or supreme
devotion, then secondly, through the influence of that bhakti (and the
continuous hearing of Krishna’s pastimes with the gopis), he becomes completely
sense-controlled in the course of time and able to give up the heart-disease of
kama forever. (SB 10.33.39)
We may have heard that it is not proper to discuss
Krishna’s pastimes with the gopis unless one is free of lust. There may be some
truth to this statement, but here Srila Vishwanath Chakravarti is using
evidence from the Bhagavatam to present the other side. In his opinion, if a
person has faith in Sri Krishna, hearing these pastimes can act as the very
cause for destroying material lust. Just as a thorn is used to remove another
thorn from one’s body, one may use spiritual kama to remove the piercing lust
in one’s heart. It is in fact the only remedy, for no other process will
completely succeed. This is a basic difference between the vaidhi marga and
raga marga sadhana. Because raganuga practitioners have resolved to depend on
Radha Krishna for everything, they may also overcome lust through hearing those
topics which soothe their hearts’ yearning. In other words, hearing Radha
Krishna lila becomes their very source of liberation, or what Srila
ChakravartiP calls the cause of awakening parä bhakti, the form of devotion
which is the highest within the spiritual realm. Srila Vishwanath Chakravarti’s
verdict should not be considered an independent stand. Rather, his views follow
Chaitanya Mahaprabhu’s own commentary of this important Bhagavatam shloka,
found in Chaitanya Charitamrita—
vraja-vadhü
saìge kåñëera räsädi viläsa
jei jana
kahe çune kariyä viçväsa
håd-roga
käma täìra tat-käle haya kñaya
tina guëa
kñobha nahe, mahä-dhéra haya
ujjvala
madhura rasa prema bhakti päya
änande
kåñëa mädhurye vihare sadäya
je çune je
paòe, täìra phala etädåçé
sei
bhäväviñöa jei seve aharniçi
Sri Chaitanya Mahaprabhu said, “The heart disease of
lust will be destroyed in anyone hearing or reciting with devotion the topic of
Krishna’s rasa and other lilas with the gopis. Thus the three modes of material
nature will not affect such a self-contented person, and he shall obtain
ujjvala madhura prema bhakti. This is ultimate happiness, whereby one goes on
tasting Krishna’s incomparable sweetness constantly. Thus I declare that if one
hears or reads about these topics, he shall achieve perfection, and being
absorbed in divine mellows, render seva both day and night. (CC 3.5.45-47, 49)
Why is it illogical to restrict faithful Vaishnavas
from hearing Vraja lila katha on the grounds that they have still not conquered
lust? Because if one must be free from sex desire to hear Sri Krishna’s Vraja
pastimes, Sriman Mahaprabhu’s most special gift of mercy for the fallen people
of this age becomes inaccessible. Freedom from sex desire is such a high stage
indeed that even Brahma, the creator of the universe, can fall prey to it—what
to speak of ordinary persons like you and me. After searching throughout the
universe, we may find at most a handful of nishkama candidates. And we may be
further surprised that such rare sadhus may not even be Krishna lila parayana,
or attracted to hearing Sri Krishna’s pastimes. In Bhagavad Gita, Sri Krishna
says—
manuñyäëäà
sahasreñu
kaçcid
yatati siddhaye
yatatäm
api siddhänäà
kaçcin mäà
vetti tattvataù
Out of many thousands among men, there may be one who
endeavors to become siddha. And of those who have achieved siddhi, hardly one
knows me in truth. (Gita
7.3)
Yet, is it reasonable to believe that the Six Goswamis
of Vrindavan spent so much time and energy writing volumes of books for such a
limited audience? Were they not fully aware of the people’s fallen condition in
this Kali Yuga? Establishing Sri Chaitanya’s dharma by expounding Sri
Vrindavan’s prema-rasa-sudhä-sindhu is the Goswamis’ foremost
contribution to human society. Therefore, anyone desiring to adopt the Rupanuga
mode of worship would benefit by carefully studying this literature, which
forms the basis of Chaitanya Vaishnavism.
nänä-çästra-vicäraëaika-nipuëau
sad-dharma-saàsthäpakau
lokänäà
hita-käriëau tri-bhuvane mänyau çaraëyäkarau
rädhä-kåñëa-padäravinda-bhajanänandena
mattälikau
vande
rüpa-sanätanau raghu-yugau çré-jéva-gopälakau
The Six Goswamis very expertly researched the essence of all shastric
knowledge and presented the most suitable dharma for all people. Thus they are
truly worshipable and, remaining ever intoxicated in Radha Krishna’s yugala
bhajan, they set the ideal example. I carefully offer my humble obeisances to
the feet of Sri Rupa, Sri Sanatan, Sri Jiva, Sri Gopala Bhatta, Sri Raghunath
Bhatta and Sri Raghunath Das Goswami.
We learn from Narottam Das Thakur’s padavali what
nistha for Radha Krishna is. The following stanza conveys his mood.
rädhä
kåñëa präëa mora yugala kiçora
jévane
maraëe gati ära nähi mora
Radha Krishna, the Yugala Kishora, are my life. I have
no other shelter than them, either in life or in death.
As the creeper of devotion grows upward toward the
sun, it strives to find a place at the lotus feet of Radha Krishna. The
sadhana, or watering process, is shravan, kirtan and smaran of Radha Krishna’s
names, qualities, forms and pastimes. If we neglect to nourish our bhakti lata
in this way, however, it will never grow properly.
In his Gurvañöakam, Srila Vishwanath Chakravarti describes how
the guru teaches this process—
çré-rädhikä-mädhavayor
apära-
mädhurya-lélä-guëa-rüpa-nämnäm
pratikñaëäsvädana-lolupasya
vande
guroù çré-caraëäravindam
I offer my
respectful obeisances to the lotus feet of my spiritual master, who is filled
with enthusiasm for relishing at every moment the unequalled sweetness of Radha
and Krishna’s pastimes, qualities, forms and names. (Gurvañöakam, 5)
Gaudiya Vaishnavas should aspire to come to the stage
of pratikñaëäsvädana-lolupa, i.e., to hanker at every moment for a
taste. What taste? The unlimited sweetness from the ocean of Sri Radha
Madhava’s yugala names, forms, qualities and madhurya lilas. Because the
Rupanuga guru teaches this art by his own example, we offer our prostrated
obeisances unto his lotus feet.
Here again, the Six Goswamis have established the
standard of worship for all future generations by skilfully presenting Sri
Krishna’s madhura pastimes.
ei chaya
gosäi jabe braje koilo väsa
rädhä
kåñëa nitya lélä karila prakäça
The Six Goswamis went to Vrindavan and broadcasted to
the world Radha Krishna’s nitya Vraja lila.
Sriman Sri Gaurasundar is dätä çiromaëi, the supreme
donor, because he came to give Radha Krishna prema to anyone and everyone. As
the rain pours down on the rock, on the ocean, the beaches, the plains, etc.,
without considering where water is needed, Sri Gaurasundar has showered his
mercy of Vraja prema indiscriminately to all. “Here it is, take it!” says the Lord.
Should we reply, “No. We must not discuss Radha Krishna lila”? What a
misfortune! With tears of remorse, let us rather culture the mood of Narottam
Das Thakur—
mänuñya
janama päiyä rädhä kåñëa nä bhajiyä
jäniyä
çuniyä biña khäinu
I have come to this human form of life, such a rare
opportunity, but instead of hearing the glories of Radha Krishna bhajan, I
preferred to drink poison.
Sri Narottam also laments as follows—
hari hari!
ki mora karma ati manda
vraja
rädhä kåñëa pada nä bhajinu tila ädha
nä bujhinu
rägera sambandha
O Lord Hari! My activities are simply a waste! Not for
a moment have I performed bhajan to Radha Krishna’s lotus feet. So how will I
understand our relationship which is based on raga?
After their discussion of the goal of life and the
means to attain it, Sriman Mahaprabhu asked Srila Ramananda Raya a number of
questions, to which Ramananda gave quick answers.
çravaëa-madhye kon çreñöha çravaëa
rädhä kåñëa prema lélä karëa rasäyana
1) “What is the best type of shravan for the jivas?”
“Radha Krishna’s conjugal lila will give pleasure to the ears. “ (CC 2.8.254)
kähära
smaraëa jéva karibe anukñaëa
kåñëa näma
guëa lélä pradhäna smaraëa
2) “What type of smaran should the jivas continually
perform? “ “Sri Krishna’s names, qualities and pastimes are foremost. “ (CC 2.8.251)
dhyeya madhye jévera kartavya kon dhyäna
rädhä kåñëa padämbuja dhyäna pradhäna
3) “What form of meditation should the jivas commit
themselves to?” “Meditation on Radha Krishna’s lotus feet is the essence.” (CC 2.8.252)
gäna-madhye kona gäna jévera nija dharma?
rädhä-kåñëera prema-keli yei gétera marma
4) “What type of songs should the jivas sing as their
own dharma?” “The songs describing Radha Krishna’s conjugal pastimes.” (CC 2.8.249)
If kirtan of Radha Govinda’s pastimes is thus
confirmed by Mahaprabhu himself as being the sanatan dharma for all jivas, who
would want to argue the point?
Another drawback in objecting to the hearing of Vraja
lila katha is that it makes one doubtful about the very path which was
outlined, exemplified, and preached by Sri Sri Rupa and Sanatan, Krishnadas
Kaviraj, Narottam Das Thakur and Sri Vishwanath Chakravarti, as well as all the
other rasika Gaudiya Vaishnava acharyas. To think that reading the lila rasa
kavya written by these important Vaishnavas is not proper, or that by doing so
one may become a Sahajiya is itself dangerous. In fact, this mentality will
seriously damage one’s anugata mood, or submission to following in the
footsteps of the previous acharyas. Just how important it is to read their
books cannot be overstated, for these writings are the mahat kripa of the
acharyas. Why should anyone hesitate to receive what has so generously been
bestowed? The Goswamis themselves have placed no restriction on reading their
books.
Certainly we must acknowledge the existence of the
Sahajiya sampradayas. Yet, they are quite separate. Their siddhanta and
behavior are so different from that of the Rupanuga sampradayas that no serious
follower of the latter is likely to adopt a Sahajiya line by dint of reading
the books of the Rupanuga acharyas. Moreover, if such a follower becomes
addicted to reading about Vraja lila katha in such authorized books, no one
should dare call him a Sahajiya on that basis, for this would be a grave
offense.
In Prema-bhakti-candrikä, Narottam Das Thakur
prays,
lélä rasa
sadä gäna, yugala kiçora präëa,
prärthanä
koribo abhiläña
jévane
maraëe ei, ära kichu nähi cäi
kohe déna
narottama däsa
My vow is to always sing the lila rasa of my
Prana-devata, Sri Sri Yugala Kishor. Whether I live or die, this is my only
desire. Thus prays the fallen Narottam Das. (Prema-bhakti-candrikä, 100)
manera
smaraëa präëa, madhura madhura dhäma,
yugala
viläsa småti sära
sädhya
sädhana ei, iha boi ära näi,
ei tattva
sarva tattva sära
Lila smaran is my life, a madhura abode of delight
wherein Radha Krishna’s yugala vilasa forms the cream. No other sadhana can be
so attractive, for this is the essence of all the regulative principles. (Prema-bhakti-candrikä,
61)
jaya jaya rädhä
näma, våndävana yära dhäma,
kåñëa
sukha viläsera nidhi
heno rädhä
guëa gäna, na çunilo mora käna,
vaïchita
korilo more vidhi
tära
bhakta saìge sadä, rasa lélä prema kathä,
ye kore se
päy ghanaçyäma
ihäte
vimukha yei, tära kabhu siddhi näi,
nähi yeno
çuni tära näma
All glories to Radha’s name! All glories to her abode
of Vrindavan! She is the ocean in which Krishna finds his joyful pastimes. I am
most unfortunate. Providence has condemned me, for I cannot saturate my ears
with Sri Radha’s guna kirtan. But surely those who always discuss her lila,
rasa and prema in the company of her devotees shall attain the shelter of Sri
Shyamasundar. On the other hand, those who criticize this process shall never
attain perfection. May we never even hear the names of such persons! (Prema-bhakti-candrikä,
108-109)
One should have the firm conviction that Radha
Krishna’s lilas are completely transcendental. Sri Krishna is the embodiment of
religion, and the original source of all incarnations. Besides, he is Rasa Brahman—the
ultimate form of the divine mellows in person. Therefore, Sri Krishna’s
parakiya rasa of Vrindavan has no comparison with any romance of this world,
for this is the verdict of shastra.
Rupanuga Vaishnavas never wish to imitate these
pastimes, but rather strive to enter them by adopting the proper moods and
mellows. This system is directly opposed to the abominable behavior of the
Prakrita Sahajiyas who wish to emulate Radha Krishna’s pranaya keli on the
material platform. It is by striving with faith and by the right means along
the Rupanuga marga, therefore, that one’s character and inclinations will
become purified. In fact, it is the all-auspicious nature of the lilas
themselves, which acts as the purifying agent.
The example is given in shastra that although impure
elements float on the sanctified waters of the Mother Ganges, the spiritual
potency of the Ganga remains the same. In fact, she cleanses all impurities.
Likewise, Sri Krishna’s madhura lilas have the potency to cleanse all dirty elements
in the heart. One need only hear them with faith and devotion.
To the degree that one becomes attracted to the
qualities found in divine lila rasa, one will automatically lose attachment to
the so-called pleasures of this world. One’s attention cannot be directed on
two objects at once. The level of ecstasy experienced by Radha Krishna and
their gopi associates is so far beyond the meager enjoyment found in this world
that the fortunate devotees who have become attached to hearing their pastimes
can also relish such ecstasy to some extent. In fact, a single drop of that
mahananda is powerful enough to make the happiness of this world appear
insignificant. As Sri Krishna states in the Bhagavad Gita—
viñayä vinivartante nirähärasya dehinaù
rasa-varjaà raso’py asya paraà dåñövä nivartante
The jiva may be restricted from sense enjoyment,
though the taste for sense objects remains. But by experiencing a higher taste,
he will definitely give up all previous attachments. (Bhagavad Gita, 2.59)
As per nature’s law, every human being is attracted to
sense enjoyment, the chief object of which is the opposite sex. It is therefore
recommended to rid oneself of the sex desire by practicing celibacy, control of
the senses, regulation of diet, yoga asanas, etc. Yet, because these methods
alone cannot procure one a taste higher than sex pleasure, they may at best
loosen the tight knot of lust in the heart for some time, but not undo it
forever. Being the highest taste in this world, sex life can only be suppressed
by tasting transcendental pleasure. But it is only after hearing about the
divine loving affairs of Radha Krishna and the gopis in Vrindavan that one
understands the real nature of kama. It is because kama is central to Radha
Krishna’s relationship that every male and female of this world possess in his
or her heart the all-consuming desire to enjoy loving affairs with the opposite
sex. Such attraction must be understood as constitutional in all beings because
it springs from the supreme kama between the original purush and prakriti.
Therefore, if one is actually serious in experiencing not only a higher, but
the highest spiritual taste, he needs only to redirect his attraction from the
perverted romance of this world to the sublime loving affairs of Sri Sri Radha
Govinda. Then, surely the path of nivritti, or abstinence (celibacy, sense
control, etc.) shall be most effective. One’s highest material taste will be
drowned in its direct spiritual counterpart—the pure Vraja madhura rasa. This
is the paraà dåñövä (higher taste) meant by Sri Krishna in the Gita.
There is one restriction
Previously we quoted Sriman Mahaprabhu and Vishwanath
Chakravarti’s comments on the vikréòitaà vraja-vadhübhiù verse of the
Bhagavatam wherein they both supported that whoever engages with faith in
hearing, reciting or remembering Sri Krishna’s pastimes with the gopis would
attain param bhakti, and within a short time, the disease of lust in the heart
would gradually disappear. Quoting the same verse in his Bhakti-sandarbha,
Sri Jiva also supports this siddhanta, but does attach a warning at the end of
his commentary:
kintu
rahasya-lélä tu pauruña-vikäravad-indriyaiù
pitå-putra-däsa-bhävaiç
ca nopäsyä svéya-bhäva-virodhät
Persons who are still engrossed in sensual pleasures,
who are excessively attached to wife, children, servants and other worldly
fascinations should not hear rahasya lila--the more confidential pastimes that
Radha and Krishna perform. The reason is that the mentality of such
materialists is virtually opposed to proper cultivation of Vraja bhakti. (Bhakti-sandarbha
338)
This reference is often quoted by steadfast adherents
of the vaidhi marga to dissuade aIl aspirants from hearing Vraja lila katha.
This however, was not Sri Jiva Prabhu’s intention. This restrictive statement
obviously refers to non-devotees and to casual devotees who shamelessly engage
in sinful activities. Besides, it is probably the most conservative stricture
found throughout the Goswami literature. Yet, the instruction does not even
suggest that the worldly- minded people in question should not hear about Radha
Krishna or Vraja lila. They should only refrain from hearing the most
confidential pastimes (rahasya lila). Srila Jiva Goswami’s point is this:
Persons having no intention to develop nishtha for Radha Krishna’s nitya seva
need not hear rahasya-lilas because the mentality of such persons wiIl surely
be virodha, or opposed, to the moods of Radha-Krishna bhakti. This is such a
noteworthy point that our essay would have been “one-sided” if we had omitted
it. More than any other Gaudiya Vaishnava acharya, Sri Jiva Goswami often took
a conservative stand in order to protect the treasure of Radha Krishna’s lilas
from materialists who blaspheme religion and from pseudo-bhaktas who perform
debauchery. Perhaps the best example of this is how Sri Jiva Goswami, though
fully aware that parakiya rasa is the eternal mood of Radha Krishna’s lila,
nonetheless introduced the conception that Radha and Krishna’s eternal
relationship is svakiya rasa. This conception, obviously, was meant for the
non-devotees who think of Krishna as being immoral and lascivious, and for the
pseudo-devotees who wish to imitate Krishna’s pastimes by sporting with young
women in the name of religion. In other words, to stop such people Sri Jiva
introduced the concept that Krishna is eternally married to Radha.
In his commentary to Ujjvala-nélamaëi, Srila
Vishwanath Chakravarti first humbly offers his obeisances to Srila Jiva Prabhu
as his superior. Next, however, he states that for the sake of presenting pure
Rupanuga philosophy he must defeat the so-called svakiya-rasa conception of
Radha Krishna. Purport after purport, Srila Chakravarti Pada then proceeds to
re-establish the supreme splendor of the parakiya rasa.
Let us now say a word about Gaudiya Vaishnava authors.
Sri Rupa, Sri Sanatan, Raghunath Das, Sri Kavi Karnapur, Sri Prabodhananda and
other prominent writers in this tradition are all Sriman Gaurasundar’s nitya
parshads (eternal associates). They not only could see Radha-Krishna’s lila
first hand, but they are the self-same gopis who participate in and taste these
pastimes. Their authority and discretion are beyond question; they describe Sri
Krishna’s intimate lila with the gopis in such an expert way as to not arouse
material lust in their reader’s minds. Yet, if some devotees are stiIl
reluctant to hear Radha Krishna’s more confidential pastimes, there are so many
other exceedingly colorful pastimes of Sri Sri Radha Krishna. Indeed they
unfold daily in unlimited varieties.
Here are some:
(1)
Vipralambha rasa (pastimes in
separation ), which includes purva-raga, the stage before meeting; abhisara,
the secret journey to meet one’s beloved; väsaka-sajjä, the preparation
for meeting; prema-vaicittya, separation in union; mäna, jealous
loving anger; praväsa, the period when the beloved lives far away, etc.
All these pastimes can be contemplated without fear of agitation.
(2)
Even amongst the sambhoga lilas (pastimes
in union), vaàçé-haraëa (stealing the flute), jhulan, holi,
päça-khelä (a board game played with dice), sürya-püjä (worshiping
the Sun), vana-bhojana (forest picnic), yoga-péöha-milana, etc.,
can be considered “safe” to read and hear.
(3)
Besides these nitya-lilas, pastimes that happen
daily, there are also naimittika lilas (special pastimes taking place on
rare occasions) such as Govardhan Puja, Radhashtami, Janmashtami, Dana-lila,
and many others. None of these are overly sensuous.
Note: For those who are inclined to perform lila
smarana sadhana, Gaura lila will precede each corresponding Radha Krishna lila.
In this vast topic there is certainly no reason to feel any hesitation.
A vivid example
We shall now study a specimen of the Goswamis’
expertise in describing Radha Krishna’s loving affairs without inciting
material lust.
The excerpt we have selected is from Sri Rupa
Goswami’s Vidagdha-mädhava, which has been compared to a premänanda-rasottäla-taraìga-maya-mahä-sägara—”a
great churning ocean of prema rasa filled with many high rising waves of
variegated transcendental mellows.” Here, all the sixty-four kalas, or
intricate aspects of the natya shastra combine together to elucidate the
siddhanta behind the numerous expressions of Vraja prema dharma. For example,
the system in the rasa shastra is to first describe the heroine or nayika’s
purva raga, i.e., the first stage of love which comes before the lovers
actually meet. Thus, in the first act of the play, Sri Rupa depicts Radharani’s
anuraga, or extreme anxiousness for union with Krishna, in three aspects.
(1) Nama anuraga: Sri Radhika’s intense
attraction for the two syllables of Krishna’s name.
tuëòe
täëòaviné ratià vitanute tuëòävalé-labdhaye
karëa-kroòa-kaòambiné
ghaöayate karëärbudebhyaù spåhäm
cetaù-präìgaëa-saìginé
vijayate sarvendriyäëäà kåtià
no jäne
janito kiyadbhir amåtaiù krñëeti varëa-dvayé
I do not know out of how much nectar
the two syllables of Krishna’s name have
been composed:
dancing madly on my tongue,
they awaken in me the desire to possess
many mouths;
as they sprout in my ears, they give me the
hope
that I may one day have millions of ears;
and as they enter into the garden of my
heart
they overcome the activities of every one
of my senses,
leaving me inert! (Vidagdha-mädhava
1.15)
Indeed after hearing this verse, even Haridas Thakur became
struck with wonder before such an extreme captivation for Krishna’s name.
(2) Guna anuraga: Radharani’s mind is stolen by
Sri Krishna’s numerous qualities, beginning with the melodious call of his
flute.
(3) Rupa anuraga: Radharani’s acute and forceful
captivation for Krishna’s form as shown to her in a picture drawn by Vishakha
Sakhi.
Due to the extreme force of Krishna prema’s attack on
her, Srimati asks her sakhis, “How is it that I, a newly wedded woman, have
suddenly become driven by a madness for three different men at once? First of
all, I have been attracted to the person whose name is Krishna. Secondly, an
alluring flute player has stolen my heart. And, O Vishakha, you drew the
picture of this charming youthful cowherd boy to calm down my fever, but alas!
my pain only increased a thousand times. What can I do now? Certainly my only
recourse is to commit suicide!”
Seeing Radharani’s plight, Sri Lalita tenderly
comforts her as follows: “O sakhi! The three men you mentioned with so much
guilt are in fact one and the same person, Sri Gokulananda!”
Later, when Paurnamasi
and Mukhara, Radharani’s grandmother, examine Srimati’s highly uncommon
moods and bodily symptoms, they conclude that the cause is none other than
Vrindavan’s navina Cupid, Sri Madan Mohan. Paurnamasi says,
“Just see how amazing is the effect of nava anuraga!
It assails its victim, enters into her heart, and simultaneously causes many
colorful effects, both crooked and sweet.”
Paurnamasi then turns to Nandimukhi and says, “The
exceptionally deep nature of Radha’s anuraga for Krishna breaks in waves which
trouble her mind and heart. Just consider this: after detaching their minds
from worldly thoughts, munis and sages try so hard to fix their meditation on
Sri Krishna for even a single moment, but cannot. This young girl, on the other
hand, though desperately trying to forget Krishna and to engage her mind on
ordinary household duties, cannot find success. This is truly amazing!”
Meanwhile, Sri Krishna’s purva raga is also taking
place. Krishna enters, anxious and deeply thoughtful:
Krishna: “Ever since that lovely form suddenly
appeared and illumined my eyes like a streak of lightning, from that first
moment of Sri Radhika’s darshan, my mind has been reeling. I have become like a
yogi who has sacrificed all forms of attachment for his goal.”
Madhumangal enters, bringing a flower garland. Seeing
Krishna, he thinks, “Why is my dear friend feeling so downtrodden? Let me try
to learn the reason for this.” He walks in front of Krishna for a moment and
then comes to the following conclusion: “Whenever Krishna gazes upon a golden
champak creeper, his body shakes. It is my guess that the golden form of Sri
Radhika has become impressed on his heart like tilak.”
Madhumangal then offers the flower garland to Krishna
and says, “Hey sakha, take this pushpa mala.”
Krishna, murmurs to himself, as though he has heard
nothing. “Sri Radhika’s effulgent bodily luster may be compared to a soft
golden mountain of fragrant flowers. When will she become the ornament on my
cloud-like chest?”
Madhumangal ponders, “Krishna has just confirmed what
I was thinking.” Aloud, he says, “Hey sakha! I am right here in front of you.
Don’t you see me?” As Krishna still seems to ignore him, he shouts even louder,
“Can’t you see what’s going on?”
Krishna suddenly notices Madhumangal and immediately
tries to pretend that nothing is going on. “O Madhu, I was marvelling at the
beauty of the flowers. Excuse me for ignoring you.”
Madhumangal: “I know you are speaking the truth, but
the champak flower garland you are really admiring is not an inanimate object.
She is in fact a moving entity.”
Sri Krishna: “O sakha! How could a flower garland move
about from place to place?”
Madhumangal: “Dear friend, why don’t you give up your
deceiving nature for a moment and let me know what thoughts are on your mind?
Just frankly admit what has troubled you so much.”
Sri Krishna (manifesting a smile): “O sakha ! I was
expecting your flower mälä…”
Madhumangal: “It’s not the mälä (garland) you
were thinking of, but the bälä (young girl). It is she who is the cause
of your distress. Why don’t you come right out and admit it?”
Sri Krishna: “O Madhu, your suspicions are baseless.”
Madhumangal: “My dear friend! Your peacock feathers have
fallen from your crown and lay scattered on the ground. When I placed this mala
around your neck, you didn’t even notice it. You romantic elephant-like lover
of Vrindavan forest! I can just see that the two bumblebee eyes of Srimati
Radharani have caused you to lose your equilibrium!”
Sri Krishna (thinking): “This clever fellow has
understood everything. Oh well, I guess I had better just tell him the truth.”
Aloud, he said, “O my dear friend! You have guessed correctly. Just as the full
moon of summer makes the current of the Ganga flow backward, constant thoughts
of Radha are causing my mental anguish.”
Madhumangal: Certainly you must have gotten a good
look at Sri Radhika?”
Sri Krishna: “Yes, and I have also heard all about her
qualities from Subal.” Then speaking with great zeal, “O sakha! Radharani was
standing there on the pathway and her bodily effulgence illumined all
directions. Then, as if to instruct the deer how to make attractive eye
gestures, her beautiful glance fell upon me. As soon as I began to admire
Radharani’s irresistable loveliness, Cupid got angry with me and pierced me
with his flower arrows.”
Madhumangal: “So did you get to meet her yet?”
Sri Krishna: “No, no, sakha! I could only place my
eyes on her moon-like face from a distance. Then, suddenly, my mother arrived
and took me home for dinner.”
Madhumangal: “Dear friend, there are countless
beautiful young gopis in Vrindavan. Why should you care only for Sri Radhika?”
Sri Krishna: “O sakha! She possesses a highly uncommon
sweetness. To tell you the truth, ever since I saw the loveliness of Sri
Radha’s bright face and eyes, the inferior beauty of the moon or of a lotus
flower upsets me.”
Madhumangal: “It seems to me that your anuraga for her
has taken birth from the first darshan, but why go on and on talking about
her?”
Sri Krishna: “O sakha! What can I say? After fixing my
mind on Sri Radhika, I have realized a great wonder. Since even the most
exalted man could not resist her, I conclude that she must also be highly
exalted. Who would question the purity of the place where the black (kåñëa)
male deer wanders?”
In the meantime, Lalita and Vishakha enter the forest
carrying a letter Radha has written for Krishna. Just outside of his view,
Lalita asks Vishakha whether she has seen the son of Nanda Maharaj anywhere.
Krishna hears the sound of their voices and tells Madhumangal to be quiet.
Just then the two sakhis enter and Lalita says, “What
good fortune! Just look, Krishna is right here in front of us. Let us go to
him. Jaya Gokulananda! All glories to you!”
Sri Krishna: “Lalita! May I guess that you have
descended into this Vrindavan forest to collect some affectionate message.”
(This statement contains a double meaning: “I can guess that you have come to
deliver an affectionate message.”)
Lalita: “Since you know the reason for our arrival,
why are you pretending to conceal the matter? Here, take this letter written
from the compressed liquid pollen of the karnika flower.” And, so saying, she
placed Radha’s love letter in Krishna’s hand.
Krishna thinks, “O bereaved heart! Be still, be still,
for here lies the seed that will sprout into a blooming vine that will fulfill
all your desires.”
Madhumangal: “Lalita! Why are you only offering a
letter? Where is the plate of sweets?”
Krishna: “O Madhu, why don’t you read this letter out
loud. Let us see if it brings any pleasure to our ears.”
Madhumangal: “My dear friend, I can just see the
hospitality of your cowherd society. On the other hand, I must duly honor the
Brahmins who feed me sumptuously with the four kinds of delicious foodstuffs.”
Saying this, Madhumangal reads the letter aloud, “O
handsome one! You are residing in my home in the form of a portrait of you.
Whenever I glance at it with interest, however, you manifest in person and
capture me by force, no matter to which direction I flee.”
Krishna: “O sakha, the meaning of this poem is quite
difficult to fathom. Perhaps you had better read it again.”
Madhumangal reads the verse a second time. Krishna is
overtaken by pleasure and says to himself: “By nature, girls who have taken
birth in noble families remain chaste and fearful of breaking religious
principles. But still I shall test the strength of her attraction for me by
pretending to be disinterested.” Then, aloud, he quickly said, “O Madhu! Look!
Did you hear this? Just think: I wander about in the Vrindavan forest grazing
cows with these affectionate cowherd boys. Where is the time for thinking about
women? Now, if these bold young gopis should try to pollute my mind, I shall
have no other recourse but to report their misbehavior to the older womenfolk
of Vrajabhumi.”
Pretending to be upset, Krishna prepares to leave.
Madhumangal covers his smile and says, “Right you are,
O king of the brahmacharis! I think you should chastize these daring young
girls with some well-chosen words.” Saying this, he grasps Krishna by the hands
and pulls him back.
Meanwhile, the two sakhis look at each other in total
confusion.
Krishna: “O Vishakha! Does Radharani have eyes in the
back of her head? How can she claim that I obstruct her movements in every
direction? It must be some other flirtatious romantic who has confused her
mind.
Vishakha: O lotus-eyed one! Within Vraja Mandal, is
there any other such famous and strong fellow who can cause the high mountain
of a virtuous woman’s chastity to topple? We have all witnessed your natural
strenghth when you lifted Govardhan Hill.”
Madhumangal: O Vishakha! You really talk too much.
Stop all this unnecessary prattling. I saw with my own eyes all the cowherd men
holding up Govardhan with their sticks. So why praise my friend’s prowess
exclusively.”
Krishna: “O Lalita! Is there anything more to say? You
may both go on your way now.”
Lalita: “O sundara! When you bring auspiciousness to
all the residents of Gokula, why should you give distress to one person alone,
the highly qualified and most beautiful Sri Radhika!”
Krishna: “Hey naive one! My companion Madhumangal
cannot bear to see me deviate from the path of religion. Sridama is also constantly
trying to uncover my faults. And again, the spies of Kamsa Maharaj are always
on my case. So how can I afford to waste my time pondering over beautiful young
women?”
Lalita, manifesting anger: “This is scandalous! Our
troubled hearts are burning! Therefore, today we shall become the prey of
Yamaraj. This will surely be a fit punishment for us. But alas! O Srimati
Radharani! How unfortunate it is that your magnificent love had to rest on this
number one cheater and debauch from the cowherding community.” And saying this,
she burst into tears.
Madhumangal: “O inexperienced Lalita! Do you think for
a moment that Sri Krishna will give up his strict religious vows when he has
accepted such a vastly learned scholar as myself for a friend? Therefore, your
crying in this forest will lead you nowhere.”
Vishakha becomes thoughtful and says to herself, “Let
me offer Krishna Radharani’s gunja mala to test his actual disposition.” Aloud,
she says, “Let this mind-alluring, flaming red gunja necklace, which is further
enhanced by glossy black spots, adorn your chest.” And with those words,
Vishakha places Radhika’s mala around Krishna’s neck.
Vishakha’s statement contains a double meaning. “Sri
Radhika is filled with anuraga, deep attachment, and she is constantly uttering
the name of Krishna. She also possesses all good qualities and is enchanting to
the mind. So let Sri Radhika adorn your chest.”
Krishna cannot help smiling, but nevertheless he again
feigns anger and says, “These gunja beads may have a lovely reddish color, but
they are hard. Though the garland is shapely, it is crooked. In these ways, it
reminds me of the Vraja gopis and so I want nothing to do with it.”
This statement also has an inner meaning. “Radha may
have anuraga for me within her heart, but outwardly she is hard to deal with.
Furthermore, even though she may be innocent, her external dealings are all
very crooked.”
Upon saying this, and still pretending that he does
not notice it, Krishna removes his own rangan mala as if by mistake and places
it in Vishakha’s hands.
Vishakha (to herself): “Sri Krishna’s mistake is a
sign of auspiciousness for us.” With
this thought, she carefully hides the mala under her cloth.
Lalita: “O Vishakha, have you not witnessed the
behavior of this brahmachari imposter who sports with millions of gopis in the
forest kunjas of Vrindavan? Let us return to Radha and advise her not to
maintain affection for this debauch!”
Vishakha: “O sakhi! You have rightly spoken!”
And with that, the two of them leave. Once they are
alone, Lalita says to Vishakha, “Take this prasadi rangan mala to Radhika and
try to pacify her. I shall now proceed to Paurnamasi Devi and inform her of the
situation.” And they both set off in separate directions.
Meanwhile, Madhumangal says to Krishna: “My dear
friend, why did you chase the two gopis away? They only came to submissively
offer Radha’s affection. By this action, you have only constructed a stairway
that leads to the peaks of a lofty mountain of suffering.”
Krishna: “O sakha! How right you are! I have no doubt
performed a great injustice through my smiles and joking!”
Madhumangal: “Look, the girls are out of sight now.”
Lamenting, Krishna says with great regret, “Oh no!
When the moon-faced Radha hears of my cruel behavior, her sprouting love for me
will be crushed! And even if she pulls through the ordeal, she will be deeply
hurt, no doubt. Then again, if sinful Cupid should succeed in frightening her
with the sound of his bow-string, who knows, she might even commit suicide! Alas!
What a rash thing has been done! I have uprooted the soft creeper of Radha’s
love, just when it was about to bear fruit!”
Madhumangal: “What should we do now?”
Krishna:
“The only recourse is to give an answer to her love letter.”
Madhumangal:
“Yes, and what will you use to write your letter?”
Krishna:
“To subjugate the beloved, one should use the juice from a pulverized red jaba
flower.”
Madhumangal:
“Yes, let us proceed to Praskandan Tirtha. There is a whole forest of jaba
flowers over there.”
Saying
this, Madhumangal and Krishna depart. Meanwhile, Sri Vishakha Devi arrives
before Radha to give Her solace.
Radha
(crying in lamentation): “Hey Sakhi, I
have sacrificed the fear of my superiors, given up the respectable dharma of
chaste women, and caused so much distress to you and my other sakhis who are
all more dear to Me than My very life; still I have not succeeded in obtaining
the shelter of Sri Krishna’s sweet embrace. Therefore, I can only condemn my
patience which is keeping alive such a sinful person as Myself!”
Saying
this, Sri Radhika falls to the ground unconscious.
Vishakha:
“Oh Priya-sakhi! Please hold on to your patience and try to regain your
composure.”
Saying this
she places Sri Krishna’s rangan mala near to Srimati’s nose.
Radhika
(suddenly returning to consciousness): “Oh sakhi! What is this amazing object
which casts a spell on whoever looks at it?”
Vishakha
(offering the mala to Radha): “Oh Sakhi, this mohan-mala is mixed
with the bodily fragrance from the Husband of that alluring flute. Therefore it
is the jewel of all objects of attraction, its name alone is a mantra of subjugation, and, simultaneously, it is
a great medicine for hypnotic obsessions. Oh Radhe, because of these three
inconceivable potencies, who will not praise its qualities?”
Radhika,
thinking to herself: “I am shameless, because despite my being rejected by the
highly qualified son of Maharaj Nanda, this useless body remains alive.
Consequently, my only shelter is the deep waters of the Yamuna.
Then, aloud:
“O Vishakha, inform the elders that I want to perform Surya puja at Dvadash
Aditya Tirtha.”
Vishakha:
“O dear one! It is good that you remind me, because Jatila just gave me the
same order. Let’s go.”
Saying
this, they both depart. Radhika, speaking in trance: “Sakhi, even though
Mukunda has rejected me, my desire is like an enemy who is setting my heart
ablaze. Now let my sister Sri Yamunaji bring my sufferings to an end forever.”
Vishakha: O
sakhi! Have you not observed all the auspicious omens on the path since we left
home? So why not cheer up for a moment?”
Radhika
(looking ahead): “O Vishakha, just see! It appears that the sun is setting in
the East, and it is not even the right time of day!”
Vishakha:
“Silly, that is not the sun, but the bright jaba flowers blooming at Praskandan
Tirtha. Let’s go there and pick some of them for our Surya puja.”
Saying
this, they both proceed to pick flowers. Meanwhile, Sri Krishna and Madhumangal
enter.
Krishna: “O
sakha! The red color of these jaba flowers reminds me of Sri Radha’s bright
lips, which stole my mind.”
Madhumangal:
“Alright then, why don’t you extract the juice from a few flowers for your love
letter.”
Krishna
(Walking about, and then with great astonishment): Look here! How is it that
the golden peak of Mount Sumeru should appear in this forest. What is this
bright effulgence that lights up all directions? (After hearing the jingling
sound of anklebells): Oh, now I understand. The very form of beauty
personified, Sri Radha, must be approaching in the company of her sakhis.”
Madhumangal:
“O friend! The deer which you were trying so hard to catch has come herself to
fall in your net.”
Krishna
(feeling elated): “O Madhu, right you are. Let us hid behind the bushes to hear
what they are saying.” They both hide.
Radhika
(embracing Vishakha, with tears streaming from her eyes): “Sakhi, after I go,
please remember this friend of yours from time to time.”
Vishakha
(also shedding tears): “O Radhe! You are known to many for being tranquil and
calm. So why should you be overcome by distress?”
Radhika:
“That cheater has emptied my heart of all good qualities. He whose broad chest
is expert in diverting the river of patience of respectable women, whose
moonlike face causes the lotus flowers of religious chastity to dry up, and
whose strong arms are like two sticks of incense that inaugurate the puja to
destroy young women’s modesty. Hey sakhi! What a tragedy that we were swallowed
up by his snake-like sidelong glances.”
Krishna
(talking to himself, remaining hidden): “O Priye! Madhava’s qualities also have
been reduced to nothing by the power of your sweetness.”
Radhika
(folding her hands and looking to the sky): O destroyer of Putana! Due to my
youthful inexperience, I always stay at home to play, unaware of right and
wrong. Is it becoming of you to abandon me in this way without shelter? O
killer of Putana, how do you dare remain indifferent?” Here Radharani has
addressed Krishna as Putana-ghatin, hinting that just as Krishna killed Putana,
he is also killing her, for it is his habit since childhood to kill women who
take shelter of him.
Krishna
(answering Radha’s statement murmuring to himself): O dear Radhe, in desiring
to live, should anyone neglect to take the life rejuvenating medecine from the
divinely potent forest creeper?”
Radhika
(exhaling deeply): “O Vishakha, take this precious necklace of mine and place
it around your own neck.” (Radha takes off her necklace and gives it to
Vishakha.)
Vishakha
(forcefully returning the necklace): “O sakhi, why are you tormenting me with
this behavior? Oh, I can’t decide what to do without Lalita.” (She begins to
sob.)
Radhika: “O
Vishakha! It is no fault on your part that Krishna is being so cruel to me, so
please stop crying. Since I am now on the verge of death, you may outstretch my
golden creeper-like arms, placing them around a black tamal tree. Let me remain
in Vrindavan eternally in this position. This is my last request.”
Krishna
(with tears pouring from his eyes): “O Madhu, please witness the intensity of
her love for me.”
Radhika (to
herself): “What extreme anxiousness has made me so impatient? (then speaking
aloud), “By worshiping Surya Deva, I have gained a special boon. So Vishakha,
go on picking flowers until I return from my bath in the Yamuna.”
Then, after
going down the steps leading to the water, Radhika stops and thinks: “Oh wait!
Let me once more see that exquisite moonlike face before I enter the Yamuna.”
Turning around, she hurries back to Vishakha. “Sakhi, would you be kind enough
to show me once again the picture you drew.”
Vishakha:
“But Radhe, that picture isn’t here.”
Radhika,
heartbroken, “Then I shall cause that form to manifest through my samadhi
meditation.” She sits down to meditate.
Krishna:
“Hey sakha, did you hear that? Those words were like nectar for my ears. Now is
the time to appear to them.” They both proceed forward.
Vishakha
(looking on with astonishment and joy): “O sakhi! Due to good fortune, the
object of your meditation has appeared before you. You may now open your eyes.”
Radhika
slightly opens her eyes in wonder.
Vishakha:
“Sakhi, he for whom Cupid has scorched your delicate youthful body in the
blazing fire of prema, that youthful prince whose head is bedecked with an
array of peacock feathers has appeared before you like the very master of your
renewed life.”
Radhika:
“How astonishing is the sweetness of this dream.”
Vishakha:
“O disbelieving one! This wonderful dream has become manifest without your even
falling asleep.”
Krishna:
“How amazing that the attractive step and shapely hips of this Vraja sundari
has put to shame the progressive movements of the intoxicated king of the
elephants. Then, her eye movements have joined forces with Cupid’s flower
arrows, and the luster of her face has completely defeated the splendor of a
soft lotus flower!”
Radhika
(piercing Krishna’s heart with darting sidelong glances and contemplating to
herself) “O sadhu-like heart! O sadhu ! What a good turn of luck that you
hesitated just for a moment.”
Krishna
(manifesting a clever smile): “Hey swindling Vishakha, I have been searching
all over for you. Fortunately, I caught you this time. Today you cheated me by
trading this inferior gunja necklace for my rare and precious rangan mala, but
I won’t let you get away with it.”
Madhumangal:
“Look, O priya sakha! There is your valuable rangan mala placed around
Radhika’s neck. Just go ahead and remove it yourself.”
Krishna: “O
Madhu! What type of nonsense are you proposing? You know very well that I never
touch young women, not even in my dreams.”
Radhika
(thinking to herself): “Even though he is joking, his frivolous behavior has
captured my shy heart.”
Vishakha
(manifesting a smile): “Hey Krishna, you are like the great ocean, where the
high rising waves of shapely women find their refuge. Now stop where you are.
Remain at a distance, for we can still see the love marks of those damsels on
your body.”
“Hey
kajjal-colored Krishna, since you capture the minds of the Vraja gopis and make
them anurakta, or attached to you, the red rangan mala you wear around your
neck is quite fitting. Besides, since the young girls of Vrindavan look upon
you with unblinking eyes, your peacock feathers are symbolic of that. Thus you
remain ever contented in this Vrindavan forest.”
Krishna,
amused, thinks: “Aha! Radhika’s engladdened cheeks are enhanced by a smile like
a high breaking wave of bliss. Her beautiful eyebrows are dancing and defeat
the prowess of Cupid’s bow. And, from within her long and tapered lotus-petal
eyes, maddened black bumblebees soar out to strike my heart.”
A voice is
suddenly heard from a distance. “O grand-daughter Vishakha!”
Krishna:
“What a disaster! Why is this old pale-faced Jatila always showing up just at
the wrong moment?”
Jatila
enters and looks about. She thinks, “What is Krishna doing here?” Aloud she
says, “O Vishakha! Why have you both left home without taking the necessary
items for Surya puja, such as incense, scented oils and red chandan?”
Krishna
thinks, “Hay! Just when my chakora eyes had received the good fortune to drink
the nectar from Radharani’s moon-like face, this unfavorable white cloud named
Jatila has come and covered the moon!” Aloud, he says, “O affectionate mother
Jatila! I offer you my pranams.”
Jatila: “O
stealthy-eyed one! Don’t allow your crooked glance to fall upon the Vrindavan
kishori gopi community.”
Madhumangal
laughs aloud and says, “You yoghurt churning old prune! The glance of my friend
is always magnanimous. It is rather your glance that is crooked. So keep your
good blessings to yourself.”
Jatila,
addressing Krishna, says, “O flirtatious one, what are you doing here anyway?”
Krishna,
“Respected Jatila, who would not be captivated by the charm of this garden of
blooming jaba flowers.”
[Here the
words sujava lakñmé or beautiful jaba garden has a double meaning. That
person who has the beautiful java or marks of fortune on the body, meaning
Radharani.]
Jatila (to
herself), “Krishna must have acquired some special perception by the grace of
Paurnamasi, otherwise how could he have known in advance to come here?” Then,
speaking aloud, she says, “O deceiver! Why don’t you be on your way now?”
Krishna,
“You talkative old biddy! Why are you so fidgety? I was just getting ready to
leave on my own accord.”
Jatila,
looking sharply at Krishna: “Hey Krishna, you may have noticed that the crown
jewel of all universal beauty is standing beside me as my auspicious
daughter-in-law. So you can guess why I should be a little worried to see you
wandering carefree in these woods, with your roaming eyes.”
Krishna:
“You are overly suspicious, old woman. You need not worry. From the moment I
heard that Radha was your daughter-in-law, I have treated her with the utmost
respect and the highest regard.”
Jatila: “O
Vishakha, why have you wasted so much time?”
Vishakha,
softly smiling, “O respected Jatila, we became momentarily immobilized when we
saw a beautiful deer in the woods.” [Meaning that by seeing Krishna we have
become unable to move.] Then, speaking in equivocal words while looking up at
the sky, “O cruel stag! Why have you ignored Lalita’s lovely doe, who is
overcome with love for you? Why do you waste so much time wandering about in
these woods and speaking eloquent, heart-piercing words?”
Madhumangal:
O priya sakhi! Just see how the male parrot is neglecting the pomegranates,
which he normally relishes with gusto.”
Krishna,
manifesting a sweet smile, while he directs secretly to Radha, “Hey luscious
pomegranate! Seeing your soft reddish color, the male parrot has become
attracted to you. But since he is unable to guess whether you are ripe inside
or not, the parrot has become indifferent.”
Vishakha
looks toward Radha with an eye gesture.
Radha (to
herself): “O restless heart, be patient. Be patient.” Then, whispering into
Vishakha’s ear: “O sakhi, out of fear I could not even drink the sweetness of
Hari’s ambrosia-like words. Neither was I able to carefully place my glance
upon his beautiful face. Then, when a soothing moment finally came along, after
such a long wait, what a misfortune that everything was spoiled by this old
prune.”
Jatila:
“Aha! How astonishing is the effect of Krishna’s darshan. Except for this, I
see no other disturbing element for my daughter-in-law.” Aloud, she said, “O
Vishakha! Just look, noontime has already passed. Let us proceed quickly to the
Surya mandap and perform puja.”
With those
words, the three of them leave.
Krishna: “O
priya sakha! This moonray, Sri Radha, follows the full moon (Sri Paurnamasi
Devi). So let us also go and take her shelter.”
Thus ends
the second act of Sri Rupa Goswami’s play, Vidagdha-mädhava.
-o)0(o-
We have
inserted this portion of Vidagdha-mädhava here in our discussion about
controlling the senses to show how Vraja rasa can transform one’s lusty
desires. Our readers may first of all appreciate the expertise with which Sri
Rupa Goswami conveys the depth and uncommon tie between Radha and Krishna at
the stage of purva raga. The narration takes the reader far beyond the glitter
of ordinary romance. This glimpse into the splendor of Vraja lila will cut down
one’s lower attraction for mundane love. On the other hand, a positive
attachment, or shall we say, a thirst to taste Vraja prema rasa is awakened
within one’s heart. Indeed Mahaprabhu’s formula of compassion lies here. And Srila
Rupa Goswami, having understood Chaitanya’s mano’bhista or inner desire,
established the Lord’s mission by writing books such as Vidagdha-mädhava.
Attentive
readers will notice how Srila Rupa Goswami combines all the necessary rasa
siddhanta, lila tattva and prema bhakti tattva together to provide the
knowledge one requires to awaken Vraja prema. Through his lila narration, Sri
Rupa introduces his readers to the personalities and behavior of Sri Krishna’s
most intimate associates: Lalita, Vishakha, Madhumangal, Subala, Jatila,
Chandravali, etc. Being himself a direct associate and an eye witness, Sri Rupa
is the ideal person to take shelter of. Indeed, it is as though Sri Rupa
herself personally takes the reader by the hand to introduce Vrindavan’s exalted
residents.
To
summarize, let us quote the following verses from Chaitanya Charitamrita in
praise of Vidagdha-mädhava.
eta çuni
räya kahe prabhura caraëe
rüpera
kavitva praçaàsi sahasra vadane
kavitva nä
haya ei amåtera dhära
näöaka
lakñaëa saba siddhäntera sära
prema
paripäöé ei adbhuta varëana
çuni citta
karëera haya änanda-ghürëana
On hearing
all these verses, Sri Ramananda Raya exclaimed to Chaitanya Mahaprabhu, “I wish
I had a thousand tongues to glorify Rupa’s poetic ability. This is not poetry,
but a waterfall of ambrosia. He has exactly followed the classical tradition in
composing his play, which contains the essence of transcendental siddhantas.
Moreover, the numerous expressions of Vraja prema bhakti are amazingly
described. My ears and mind are spinning with delight upon hearing them.
(Chaitanya Charitamrita 3.1.192-4)
Chaitanya’s foremost gift
(unnata-ujjvala-madhura-prema-bhakti)
In the
mangalacharan or beginning invocation of Vidagdha-mädhava, Srila Rupa
Goswami composed one verse where Chakravarti Deva’s main contribution to the
fallen people of this age is stated. Interestingly, the subject of the shloka
and the theme of Vidagdha-mädhava go hand in hand. This most weightly
shloka is the basis of all the siddhantas presented so far in this booklet. It
reads as follows:
anarpita-caréà cirät karuëayävatérëaù kalau
samarpayitum unnatojjvala-rasäà sva-bhakti-çriyam
hariù puraöa-sundara-dyuti-kadamba-sandépitaù
sadä hådaya-kandare sphuratu vaù çacé-nandanaù
He who
descends in the Kali Yuga as the avatar of mercy to bestow his most precious
treasure, namely the highest aspect of madhura prema rasa, which had not been
awarded since his descent in a previous kalpa, and whose form is dazzling like
molten gold, let that Supreme Lord Sri Sachinandan always be manifest in the
innermost chamber of your heart.”
Earlier in
this discussion, it was stated that Sri Gaurasundara had come to give the four
major mellows of Vrindavan, namely sakhya, dasya, vatsalya and madhura rasas.
In this verse, however, Sri Rupa Goswami exclusively directs his attention to
madhura rasa. Why? Because conjugal love is Sri Krishna’s most cherished
possession. Srila Kaviraj Goswami states:
taöastha
haiyä mane vicära yadi kari
saba rasa
haite çåìgäre adhika mädhuré
Speaking
objectively, the rapture of madhura rasa far surpasses the sweetness found in
the other transcendental mellows. (CC 1.4.44)
Sri
Krishnadas Kaviraj also comments on the anarpita-carém shloka under
discussion here as follows:
çré-kåñëa-caitanya
gosäïi vrajendra kumära
rasa-maya-mürti
kåñëa säkñät çåìgära
sei rasa
äsvädite kaila avatära
änuñaìge
kaila saba rasera pracära
Sri Krishna
Chaitanya is non-different from the son of Maharaj Nanda, the reservoir of all
transcendental mellows. But, because Sri Chaitanya has specifically come to
taste madhura rasa, he is a rasamaya sringar murti. As such, the propagation of
all other forms of rasa merely followed in that wake.
Because
Chaitanya Mahaprabhu has focussed his attention on tasting madhura rasa, this is
the mellow he desires most to bestow upon others. Further evidence of this is
found when one examines the mantra Gaudiya Vaishnavas are initiated with. All
bonafide Sri Guru paramparas descending from the various eternal associates of
Chaitanya Mahaprabhu give kama-bija and kama-gayatri at initiation. This system
has been followed since the time of Lord Gauranga Deva. What we need to
acknowledge then is the “who” the devata of the Kama-gayatri is. This is stated
in Chaitanya Charitamrita-
våndävane
apräkåta navéna madana
käma-gäyatré
käma-béje jäìra upäsana
puruña yoñit kibä
sthävara jaìgama
sarva cittäkarñaka
säkñät manmatha madana
In Vrindavan
resides an ever-youthful, divine Cupid. His worship is conducted with the Kama
bija and Kama gayatri mantra. This form of Krishna subjugates males, females,
and even moving and non-moving objects, what to speak of attracting the mundane
God of Love himself. (CC 2.8.137-138)
Those who
worship with the Kama-gayatri mantra will attain nava-kishor Shyamasundar
because it is he whom they are calling by their daily utterances. Krishna is
Vrindavan’s divine Kamadeva, or Cupid. He is the one who shoots the five type
of flower arrow (puñpa-bäëäya) into the hearts of the Vraja gopis. And,
as Krishna appears to theim in his most confidential aspect, he is called upon
as Ananga.
In this
way, it is by calling Sri Krishna by the names that designate him in his
ultimate form and mood that one can best achieve him. Therefore, Chaitanya
Mahaprabhu himself promoted the use of Kama-gayatri in the worship of Sri
Krishna, and all bonafide Gaudiya sampradayas have continued to pass it on down
to this very day. More specifically, the destination of those who utter the
Kama-gayatri is indicated by the statement of Vishwanath Chakravarti in the
opening statement of his Kama-gayatri commentary:
gäyatré sä
mahä-mantraù käma-pürvatayä kathyate
sädhakaà
yä gåhétvaiva jäyante vraja-maëòale
That maha
Kama-gayatri mantra, which the sadhakas chant to attain birth in the womb of a
Vraja gopis, will now be discussed…”
Kamanuga raganuga bhakti
The best
and most suitable path of sadhana for attaining perfection by chanting
Kama-gayatri is kamanuga raganuga bhakti. This ishta mantra and ishta sadhana
complement each other, like a well-tapered glove worn on the hand. Through the
proper daily practice of raga bhakti combined with Kama gayatri, the ishta
devata Sri Madana Mohanji can factually reveal himself to the sincere sadhaka
in a very short time.
In the
sadhana bhakti section of Bhakti-rasämåta-sindhu, Sri Rupa has divided
the subject of raganuga bhakti into two divisions, sambandhänugä and kämänugä.
Krishna’s servants, friends and parents in Vrindavan all have a specific
sambandha or relationship with the Lord. Devotees who desire to follow in their
footsteps are technically termed sambandhänuga-rägänugä-bhaktas.
The Vraja
gopis, however, have no socially acknowledged relationship with Krishna because
their love is parakiya. The prema of the gopis is unadulterated and does not
depend on any type of conventional status. Thus the gopis are attracted to Sri
Krishna’s supreme beauty on the basis of kama alone. This kama is actually the
highest degree of pure love, because it is free of all desire for personal
gratification. The rushing river of the gopis desire to please Krishna’s senses
has broken through all the barriers—patience, modesty, personal
happiness—everything has been sacrificed. Without hesitation, the gopis have
overruled all religious conventions to plunge into the ocean of Krishna’s loving
service. Sri Rupa has thus designated those who aspire to follow in the
footsteps of the Vraja gopis as kämänuga-rägänugä bhaktas. It is this
mode of worship in particular that is the mainstream of Chaitanya Vaishnavism.
ramyä
käcid upäsanä vraja-vadhü-vargeëa yä kalpitä
This method
of worship conceived by the Vraja gopis is the topmost.
Adhikära: Eligibility
Who has the
adhikara to perform raganuga sadhana in either its sambandhanuga or kamanuga
aspects? Sri Rupa Goswami clearly answers this question in Bhakti-rasämåta-sindhu.
Before consulting his statements, however, let us carefully examine the
following verses from Chaitanya Charitamrita:
pürve
vraja viläse jei tina abhiläñe
yatneha
äsväda nä haila
çré
rädhära bhäva sära äpane kare aìgékära
sei tina
vastu äsvädila
äpane kari
äsvädane çikhäila bhakta-gaëe
prema-cintämaëira
prabhu dhané
nähi jäne
sthänästhäna yäre täre kaila däna
mahäprabhu
dätä çiromaëi
ei gupta
bhäva sindhu brahmä nä päya eka bindu
hena dhana
biläila saàsäre
aiche dayälu
avatära aiche dätä nähi ära
guëa keha
näre varëibäre
Three
desires remain unfulfilled in Krishna’s relationship with Radharani. As
Gauranga Deva he accepted Radha’s bhava to taste these mellows, but also to
share them with his devotees, hence he is a touchstone of Vraja prema bhakti.
Not considering time or place, Mahaprabhu distributed this treasure to anyone
and everyone. Thus he is the dätä çiromaëi, the supreme donor. The
confidential mellows of Vrindavan are so secret that even Lord Brahma cannot
taste a drop of their sweetness. Yet Gauranga has showered these mellows upon
the fallen people of the Kali Yuga. Could such karuna be given by any other
avatar? Who can describe the wonderful qualities of Sri Chaitanya Mahaprabhu?
(CC 2.2.80-82)
One may
ask: It may be true that Sri Chaitanya showered the most inaccessible mercy on
everyone. But who is able to take it up? Indeed, we may wonder: On one hand the
karmis are too busy with fruitive activities and sense gratification. On the
other hand, jnanis seek after dry knowledge and impersonal liberation. As for
the bhaktas, even they usually remain entangled in the practices of vaidhi
bhakti. So who shall take advantage of Sri Gauranga’s parama karuna? Sri
Krishnadas Kaviraj answers this question in his next statement:
kahibära
kathä nahe kahile keha nä bujhaye
aiche
citra caitanyera raìga
sei se
bujhite päre caitanyera kåpä jäìre
haya täìra
däsänudäsa saìga
Chaitanya
Mahaprabhu’s mercy is beyond description, even when put into words. Most people
fail to grasp it. The only person who can realize the purport of the Lord’s
astonishing and colorful pastimes is one who has actually attained his mercy
and has obtained the association of the servants of his servants however. (CC
2.2.83)
rägätmikäika-niñöhä ye
vraja-väsi-janädayaù
teñäà bhäväptaye lubdho
teñäà bhäväptaye lubdho
bhaved aträdhikäravän
Anyone who hears about the unflinching nishtha of
Krishna’s ragatmika Vraja associates, and from such hearing becomes anxious to
attain such mellows, he alone is eligible to perform raganuga bhakti sadhana.
(BRS 1.2.291)
In the
following verse, Sri Rupa turns his attention to kamanuga raganuga bhakti.
çré-mürter mädhuréà prekñya tat-tal-léläà niçamya vä
tad-bhäväkäëkñiëo ye syus teñu sädhanatänayoù
puräëe çruyate pädme puàsam api bhaved iyam 300
tad-bhäväkäëkñiëo ye syus teñu sädhanatänayoù
puräëe çruyate pädme puàsam api bhaved iyam 300
Those who, after seeing
the yugala madhuri of the archa vigraha, or after hearing the madhura katha of
Radha Krishna’s pastimes, become lubdha, or anxious, they alone are eligible to
take up kamanuga raganuga bhakti. In the Padma Purana, it is stated that even
males may become attracted to these bhavas and wish to attain them. (BRS
1.2.300)
From the
second shloka, Sri Jiva Goswami comments on the words çré-mürter mädhuréà
prekñya saying that besides the archa vigraha form, the darshan of
portraits depicting Radha Krishna’s pastimes with the gopis may also induce
lobha in the heart of a devotee. If such
is the case, it will also render one eligible.
Is so much
emphasis on lobha excessive? No. The importance of lobha cannot be overestimated.
Without lobha, one’s relationship with madhura bhagavan shall never develop.
The yearning to join Sri Krishna’s associates in Vrindavan and to engage in
nitya seva there is a devotee’s most natural asset. And, as one nurtures this
yearning. will his heart not be softened by hearing Vrindavan pastimes? By
considering the good fortune of Sridam and Sudama, of Mother Yashoda and Nanda
Maharaj, and of the Vraja gopis, one may naturally start to think, “Aha! How
beautiful! When will I get the same privilege and direct service to Krishna
and his close associates? Let me adopt
the process that is most suited to bring about this goal.” At this stage, the
sadhaka is eligible to begin. raganuga bhakti will become the natural craving
of his heart. Rupa Goswami has therefore refered to this path as lobha-pravartita-dharma,
or “the religion that is born from a hankering sensation.”
In
principle, even a small amount of lobha can give one entrance to the raga
marga. But eventually lobha must develop to full maturity before taking one to
Sri Krishna’s direct darshan and nitya seva. Such is the opinion of Srila
Krishnadas Kaviraj, as stated in the mangalacharan of his Govinda-lélämåta,
where the gist of raganuga sadhana is given in a nutshell.
çré-rädhä-präëa-bandhoç
caraëa-kamalayoù keça-çeñädy-agamyä
yä sädhyä
prema-sevä vraja-carita-parair gäòha-laulyaika-labhyä
sä syät
präptä yayä täà prathayitum adhunä mänasém asya seväà
bhävyäà
rägädhva-pänthair vrajam anucaritaà naityikaà tasya naumi
The special
goal of prema seva directed to the lotus feet of Radha’s beloved Sri Krishna is
unattainable by such devatas as Brahma, Shiva or Ananta Sesha. Only those who
follow in the footsteps of the Vrajavasis with a deep hankering can achieve
such a treasure. And for such deep lobha to arise, one should daily perform the
manasi seva of
Krishna’s ashta kala lilas according to the process of raganuga bhakti path. I
offer my obeisances to such delightful pastimes, which constantly unfold in the
land of Vraja bhumi. (GLA 1.3)
Now let us
consider the oft-made inquiry that if Brahma, Shiva, Ananta Sesh, or even
Lakshmi do not enjoy the privilege of knowing Krishna lila, then how can fallen
people like us read Govinda-lélämåta? This argument is sometimes
presented by those who wish to avoid reading this important book and to
discourage others from doing so. But is this the mentality Chaitanya Mahaprabhu
came to promote? Understanding the Lord’s intention, Srila Kaviraj Goswami
writes—
ei gupta
bhäva sindhu brahmä nä päya eka bindu
hena dhana
biläila saàsäre
aiche
dayälu avatära aiche dätä nähi ära
guëa keha
näre varëibäre
The gupta
bhava sindhu (ocean of Vraja prema rasa) is secret, for even Brahma cannot
taste a drop of it. Nonetheless, Chaitanya Mahaprabhu has distributed this
treasure to those who are struggling in samsara. Not considering time or place,
Mahaprabhu came to give this wealth to anyone and everyone, which earned him
the reputation of dätä çiromaëi, the supreme donor. (CC 2.2.82)
By
Chaitanya Deva’s mercy, the exalted prema which is durlabha or inaccessible for
Brahma becomes sulabha, easily attainable for the fallen people in the Kali
Yuga. One need only have the anxious desire to have it.
Sri
Vrindavan’s gupta bhava sindhu is especially found in Govinda-lélämåta.
The seed of this book sprouted when Sri Rupa Goswami composed ten sutras
entitled Smaraëa-maìgala-stotra, which present the basis of Radha
Krishna’s ashta-kala lilas. When Sri Rupa observed Sri Krishnadas Kaviraj’s
exceptional writing prowess, he ordered and blessed the Kaviraj to elaborately
expand the lila narration found in these ten original verses. Thus , the
detailed presentation of Sri Sri Radha Govinda’s eight-fold daily pastimes have
become known as Govinda-lélämåta. At the conclusion of each chapter,
Srila Krishnadas says—
çré-caitanya-padäravinda-madhupa-çré-rüpa-sevä-phale
diñöe
çré-raghunätha-däsa-kåtinä çré-jéva-saìgodgate
kävye
çré-raghunätha-bhaööa-varaje govinda-lélämåte
As a result
of Sri Rupa Goswami’s mature seva aroused by drinking the madhu at Sri
Chaitanya Deva’s lotus feet, the request of Sri Raghunath Das, through the
association of Sri Jiva and the benediction of Sri Raghunath Bhatta, this Çré
Govinda-lélämåta has advented.
Thus,
through the mahat-kripa of these original acharyas, lobha may awaken in the
heart of all readers for the attainment of Radha Govinda’s nikunja seva. Then,
by daily bathing the mind in the nectarean ocean of Govinda-lélämåta, the art
of manasi seva to Radha Krishna’s eightfold daily pastimes can be understood.
This sacred book is the cream of the Goswami literature and will surely destroy
the disease of lust in the heart. The Kaviraj, taking the role of a divine
physician, prescribes Govinda-lélämåta as the ideal medicine for anyone
desiring to overcome the bhava-roga, or disease of material attachment.
yat pétaà
çruti-väì-manobhir aniçaà tåñëä-pradam adbhutaà
saàsärämaya-häry
api praëayajonmädändhya-mohädi-kåt
çaçvac
carvitam apy analpa-rasadaà dehädi-håt-puñöidaà
taj jéyäd
amåta-spåhä-haram idaà govinda-lélämåtam
Govinda-lélämåta is amazing because as one
unceasingly hears, recites or contemplates it, the fascination of one’s ears,
tongue, and mind simply keep on increasing! And although these lilas are the
mahaushadha (great medicine) that cures the bhava roga (material disease), they
also produce effects that appear like a disease, namely bewilderment, blindness
and a madness for prema! And though one goes on relishing these pastimes again
and again, they go on producing profuse amounts of nectar which so soothe one’s
body and heart that even the desire to sip the gods’ elixir of immortality
becomes forgotten! (GL 1.5)
When tasted
again and again, the nectar of Govinda-lélämåta supplies a growing
outpour of joy to the mind, ears and speaking facility. This mahauñadha, great
medicine, will cure the bhava-roga, material disease, because it
wonderfully awakens the intoxicating influence of Krishna prema. Thus, the
nectar-defeating and life-giving qualities found in this divine book are
indescribable.
A deeper conception of
Gaura karuëä
Vasudeva
Ghosh, an intimate associate of Sri Chaitanya, is also the incarnation of
Vraja’s Sudevi Sakhi (one of Radha’s Ashta-sakhis). Being a direct eye-witness
of both Navadwip and Vraja lila, he is an ideal person to define Sri Gauranga’s
karuëä. He has done so in the following well known kirtan pada that
begins as follows.
jadi gaura na hoto, kemoni
hoito,
kemone dhoritäm de ?
çré rädhär mahimä, prema rasa sémä,
jagate jänäto ke ?
If Gaura
hadn’t come, aha! what would have happened? Could would I have been able to
live? Who would have broadcast the superlative prema rasa of Srimati
Radharani to the world?
By making
everyone the object of His compassion, Sri Gaurasundar preached the greatness
of Radha prema. By doing so, the highly exalted mahä-bhäva, which not
only Radha but Her sakhis and manjaris also possess, became attainable for
those who follow in His footsteps. Before Chaitanya Mahaprabhu’s appearance
such mercy was inconceivable, even within the four previous Vaishnava
sampradayas. Vasudeva Ghosh continues:
madhur våndä, vipina mädhuré,
praveça cäturé sära
brajera jubaté, bhäver bhakati,
çakati hoito kära ?
To gain
access into the enchanting forests of madhura Vrindavan constitutes the essence
of all cleverness. But if it were not for Gaura, who would have had the ability
to follow in the footsteps of the Vraja gopis?
By adhering
to Sriman Mahaprabhu’s bhajan-paddhati, whoever adopts the moods and
mellows of the Vraja gopis will surely reach their lotus feet. As bhakta-vatsala,
Sri Gaurahari shall certainly keep the promise of His premika bhakta Sri
Vasudeva Ghosh, for otherwise the Lord’s reputation of being subordinate to the
desires of His devotees would be proven false. And Vasudeva Ghosh further
reveals the best method to receive Sri Gaurasundar’s afore-mentioned karuëä:
gäo puna puna, gauräìgera guëa,
sarala koriyä mon
ei tina bhuvane, emona doyäla,
ära nähi kono jon
Sing
Gauranga’s qualities again and again with an innocent heart, for within the universe
His mercy is incomparable.
No other
sadhana can match Gaura kirtan. Here the term saral koriyä mon (“with an
innocent heart”) indicates the tåëäd api sunécena mood. By placing the
garland of this shloka from Çikñäñöakam around one’s neck, constant
singing or recitation of Sri Gauranga’s names, qualities and pastimes will
fructify, as described in Vasu Ghosh’s next stanza:
gauräìga boliyä, na genu goliyä,
nä jäni vä kibä äche?
In uttering
the name of Gauranga, my heart has not melted. What is wrong with me?
Constant
Gaura kirtan performed in the right frame of mind will melt one’s heart,
causing the çuddha-sattva potency, which is compared to the rays from
the sun of prema, to illuminate the devotee’s life. By thus experiencing
transcendental emotion, the fortunate bhakta will soon progress to the stage of
prema. Sri Narottam Das Thakur also supports this siddhanta:
gouräìga bolite hobe pulaka çaréra
On chanting
the names of Gauranga, one’s body will experience pulaka, the eruption of
goose-pimples.
Pulaka is a sattvic emotion influenced by
bhava. Sri Vasudeva Ghosh concludes by saying:
väsu ghoña hiyä, päñäna diyä,
vidhätä goriäche
Since the
creator has molded Vasu Ghosh’s heart from stone, it fails to melt.
Typically,
Vasudeva Ghosh presents himself as a neophyte devotee, for it is the trait of
premika bhaktas to feel themselves devoid of prema — na prema-gandho’sti daräpi me harau. Sriman Mahaprabhu would say, “I
have not acquired a trace of prema for Krishna.” Thus it is said, dainya sädhura
bhüñaëa — humility is the ornament of a sadhu. But Vasu Ghosh’s submissive
entreaty contains an instruction that will benefit everyone: Should one’s heart
indeed fail to melt, even upon performing Gaura kirtan, it is to be understood
that one must still be desiring something other than Mahaprabhu’s special
karuna; otherwise, the melting process would have already taken place. This
song is exceedingly valuable for those who take heed of its purport.
The Glories of Srimati Radharani
“If Gauranga had not come, who would have revealed the
greatness of Sri Radhika?” said Vasu Ghosh. And what are those glories? Srimati
Radharani is sarva-bhakta-çiromaëi — the crown jewel of
all Krishna devotees, in both the spiritual and material worlds.
In his Båhad-Bhägavatämåta
2.1.16, Srila Sanatan Goswami describes the dearness of Krishna’s various
devotees in progressive stages. He begins with the jnani bhakta, Sri Bharat
Maharaja. More dear to Krishna than the jnani is the shuddha bhakta, Maharaja
Ambarish. Situated above the shuddha bhaktas is Hanuman, who possesses prema.
Due to their greater prema, the Pandavas are more dear. Above the Pandavas is
the chief of the Yadu vamsa, Sri Uddhava Mahasaya. On his visit to madhura
Vrindavan, however, Uddhava’s pride of being Sri Krishna’s topmost devotee
faded into oblivion when he witnessed the anguish of the gopis’ viraha-vyädhi
(disease of separation).
Sri
Uddhavaji became so overwhelmed that he desired to relinquish his privileged
position and take birth as a blade of grass. He thought, “Under the maddening
influence of their prema, the gopis rave in continuous delirium, running
from kunja to kunja in search of their prana-vallabha Sri Govinda, as though He
had never departed for Mathura. If somehow I could receive the dust of their
lotus feet upon my head, my life would be glorious!” Nurturing this desire, the
best of the Yadu vamsa, Sri Uddhavaji, submissively prayed for the privilege of
taking birth in Vrindavan as a blade of grass.
Amongst the countless millions of gopis who reside in
the transcendental realm of Ananda-Vraja, Srimati Radharani is unequalled in
every respect.
sei gopé-gaëa madhye uttamä çré rädhikä
rüpe, guëe, saubhägye, preme sarva adhikä
Of all the
Vraja gopis, Sri Radhika is the best in terms of beauty, qualities, good
fortune and prema. (CC 1.4.215)
Sri
Radhika’s supremacy among all Krishna bhaktas including the Vraja gopis is
explained by Sri Kaviraj Goswami as follows:
kåñëa käntä gaëa dekhi
trividha prakära
lakñmé gaëa eka pure mahiñé-gaëa ära
vrajäìganä rüpa ära käntä-gaëa sära
çré-rädhikä hoite käntä-gaëera vistära
avatäré
kåñëa joiche kore avatära
aàçiné
rädhä hoite tin gaëera vistära
Krishna’s
consorts belong to three categories, i.e., the Lakshmis in Vaikuntha, the
queens of Dwaraka, and the Vraja gopis. As Krishna is the source of all
incarnations, so is Sri Radhika the source from which all the abovementioned
consorts of Krishna expand. (CC 1.4.75-77)
govinda-nandiné radha, govinda-mohiné
govinda-sarvasva, sarva-käntä-çiromaëi
Srimati
Radharani is the pleasure-giver of Govinda, the enchantress of Govinda. She is Govinda’s all-in-all and the crown
jewel of all His dearest preyasis. (CC 1.4.82)
Such is the
unanimous opinion of all Gaudiya Vaishnava Acharyas. And now let us hear of Radharani’s
qualities in Krishna’s own words:
ämä
haite jära haya çata çata guëa
sei-jana
ählädite päre mora mana
ämä
haite guëé baòa jagate asambhava
ekali
rädhäte tähä kori anubhava
koöi-käma jini rüpa yadyapi ämära
asamordhva-mädhurya sämya nähi jära
mora rüpe äpyäyita haya tribhuvana
rädhära darçane mora juòäya nayana
mora vaàçé-géte äkarñaye tri-bhuvana
rädhära vacane hare ämära çravaëa
yadyapi ämära gandhe jagat sugandha
mora
citta-präëa hare rädhä-aìga-gandha
yadyapi
ämära rase jagat sarasa
rädhära
adhara-rasa ämä kare vaça
yadyapi
ämära sparça koöéndu-çétala
rädhikära
sparçe ämä kare suçétala
ei mata jagatera
sukhe ämi hetu
rädhikära
rüpa-guëa ämära jévätu
If
there were someone who has hundreds of times more qualities than I myself
possess, then such a person could surely give pleasure to My mind. In this
universe it is impossible to find such a person. I consider this to be possible
only in the case of Srimati Radhika.
My
form is incomparably sweet and can defeat the beauty of millions of Cupids, and
even though this beauty of mine can enchant everyone in the three worlds,
seeing Radharani soothes my eyes.
Even
though the song of my flute attracts the residents of all three worlds, the
sound of Srimati Radharani’s sweet words steals away my ears. Even though the
fragrance of my body makes the whole creation smell sweet, the fragrance of
Radharani's limbs captivates my mind and heart.
Even
though the entire universe is flavourful because of me, the nectarean taste of
Radha’s lips completely subjugates. Even though my touch is as cooling as a
million moons, Radhika’s touch is able to soothe me. In this way I am the only
cause of happiness in this universe, but Sri Radhika’s beauty and qualities are
the very means of my existence. (CC 1.4.240-9)
All
Vaishnavas desire Krishna’s mercy. Sri Krishna’s karuna, however, is to be had
from His devotees. As Sri Krishna Himself declares in Chaitanya-bhägavata:
ämära bhakta püjä ämä hoite boro
The worhip
of My bhakta is even greater than My worship. (CBh 1.1)
We may then
conclude that, Srimati Radharani, being Krishna’s topmost bhakta, Her worship
is one’s best chance of receiving Krishna’s mercy. As Sri Krishna informs
Narada:
satyaà satyaà punaù satyaà satyam eva punaù punaù
vinä rädhä-prasädena mat-prasädo na vidyate
Oh Narada,
let this truth be spoken again and again, then once again, and yet again, again
and again: Without Sri Radha’s mercy, My mercy cannot manifest.
A statement
emphasized three times is taken as final. This six-fold repetition, therefore,
constitutes Sri Krishna’s double sanction.
A Commentary of the ‘Anarpita-carim’ Sloka
Let us now
examine how becoming a devotee of Sri Radha fits in with Chaitanya Mahaprabhu’s
mission. This is discussed in Sri Rupa Goswami’s previously mentioned
mangalacharan verse.
anarpita-caréà
cirät karuëayävatérëaù kalau
samarpayitum
unnatojjvala-rasäà sva-bhakti-çriyam
hariù
puraöa-sundara-dyuti-kadamba-sandépitaù
sadä
hådaya-kandare sphuratu vaù çacé-nandanaù
He who
descends in Kali Yuga as the avatar of mercy to bestow His most precious
treasure, namely the highest aspect of madhura prema rasa, which had not
been awarded since His descent in a prevous kalpa, and whose form is dazzling
like molten gold, let that Supreme Lord Sri Sachinandan always be manifest in
the innermost chamber of your heart. (Vidagdha-mädhava 1.2, CC 1.1.4)
The Gaudiya
Vaishnava Acharyas have placed special emphasis on the inner meaning of this
shloka. Sri Rupa originally composed as the mangalacharan of his Vidagdha-mädhava
play. Then Srila Kaviraja Goswami also used it in his Caitanya-caritämåta
as a blessing to all his readers:
se
maìgaläcaraëa hoy trividha prakära
vastu-nirdeça,
äçérväda, namaskära
caturtha çlokete kori jagate äçérväda
sarvatra mägiye kåñëa-caitanya-prasäda
There are
three types of mangala-acaran, i.e.
1. To establish the topic of dialogue
2. To offer benediction
3. To offer obeisances
Let the
subject matter of Sri Rupa’s shloka be given as a benediction to all by the
mercy of Sri Chaitanya Deva! (CC
1.1.22,25)
What type
of benediction does Srila Kaviraja Goswami specifically refer to? All
Vaishnavas would certainly be benefitted to know. At first glance it is clear
that Sri Gauranga came to distribute His most personal possession: unnata
ujjvala madhura bhakti rasa. But, Sri Rupa also describes this karuna as
anarpita-caréà cirät – a mercy that had been unavailable
for a long time, that is, since Mahaprabhu’s last descent in a previous kalpa.
A question naturally arises: How can it be stated that previous to Gaura avatar,
Vraja madhura rasa was not available?
We may cite
the example of the sages of Dandakaranya, who, by Lord Ramacandra’s grace,
received gopi forms to serve Lord Krishna in the Dvapara Yuga. The Shrutis also
received the same type of perfection as stated by the Bhagavata and Caitanya-caritämåta.
So what does Sri Rupa mean by this statement?
The answer
is that Sriman Gaurahari descended to distribute a madhura rasa that is
different from the conjugal love of Sri Radha, Sri Chandravali and their other
sakhis. In fact, this shloka promotes a new type of madhura rasa that aims at
the service of Vrindavaneshwari Srimati Radharani. The target of this love is
not Sri Krishna alone, but Radha and Krishna combined. This love is called Rädhä-däsya
prema or manjari bhava. It is Chaitanya Mahaprabhu’s unique and
special gift of mercy: anarpita-caré mahä-karuëära däna!
Manjari Tattva
Rädhä-däsya means service to Radharani in the
form of a manjari gopi. This sthayi-bhava or permanent mellow, being
unavailable since Chaitanya Mahaprabhu’s previous Avatara, is most rare.
Sri Rupa labels the type of mercy required to receive it anarpita-caré
mahä-karunä. Being the ultimate conjugal mellow, Radha-dasya is
called unnata ujjvala madhura rasa. In Bhakti-rasämåta-sindhu (2.5.128),
Sri Rupa further categorizes it as bhavolläsä rati:
saïcäré syät samäno vä kåñëa-ratyäù
suhåd-ratiù
adhikä puñyamäëä ced bhävolläsä ratiù
Explanatory
translation: In madhura rasa when a devotee’s affection for Krishna is equal to
or greater than affection to any other person, it is a sthäyi-bhäva
known as çré-kåñëa-rati. Such a devotee’s love for other Krishna bhaktas
is a saïcäré bhäva, i.e. subordinate mellow.
But, if a
devotee’s permanent affection for Radha ever exceeds one’s amount of love for
Sri Krishna, this type of prema is no longer termed saïcäré bhäva,
but attains permanent status as the sthäyi-bhäva termed bhavolläsä
rati.
To clearly
understand this bhavolläsä rati shloka, it is necessary to consult Ujjvala-nélamaëi.
In this text Sri Rupa describes five types of sakhis in Sri Radha’s group. They
are as follows.
1. The parama-preñöhä sakhés
(Radha’s eight chief gopis)
2. The priyä sakhés (sixty-four
in number)
3.
General sakhis (unlimited)
4.
Präëa-sakhés (unlimited)
5.
Nitya-sakhés (unlimited)
Sri Rupa
informs us that the above groups of gopis may have more affection for Krishna,
equal affection for both Radha and Govinda, or more affection for Radha. The Parama-preñöhä
sakhés headed by Lalita and Vishakha and the Priya-sakhés retain
equal affection for both Radha and Krishna. Sri Radha’s general sakhis have
more affection for Krishna than they do for Her.
As Sri Rupa
explains in the bhavolläsä rati shloka, these two types of affection
constitute the most common aspect of madhura rasa, termed çré-kåñëa-rati.
In Bhakti-rasämåta-sindhu this mellow is labeled sambhogecchätmikä
madhura bhakti, as it is born from the desire to enjoy conjugal loving affairs
with Sri Krishna. This type of madhura rasa was previously attained by the
sages of Dandakaranya and the Shrutis.
The special
aspect of madhura bhakti which Chaitanya Mahaprabhu introduced called bhavolläsä
rati belongs to the prana sakhis and nitya sakhis, who are otherwise known
as manjaris.
One
characteristic that distinguishes the manjaris is their anugata-mayi
mood: they humbly serve and follow in the footsteps of the parama-preñöhä,
priyä and general sakhis, who for their part are svatantra, serving
Radha and Krishna as they please.
In Bhakti-rasämåta-sindhu,
the manjaris’ prema is termed tad-bhävecchätmikä, which means that
they do not personally unite with Krishna. Rather, their sole ambition is to
serve Radha. The manjaris become happy by uniting Radha with Krishna. By thus
seeing them united, and by doing the seva that is called for at the time, the
manjaris experience even more pleasure than Radha and Krishna.
Literally,
the term maïjaré designates the stamen or pollen-producing part of a
flower. It can be observed that when a bee extracts honey from a flower it
leaves its manjari intact. The manjari serves the purpose of alluring the bee.
Likewise, Radharani’s maidservants stimulate and induce the “black-bumble-bee”
Sri Madhusudan to enjoy the beautiful golden champaka flower, Sri Radha. It is
therefore because of their very nature and by their mood of service that these
gopis are called manjaris.
In Ujjvala-nélamaëi,
the manjaris are described thus:
tadéyatäbhimäninyo yäù snehaà sarvadäçritäù
sakhyäm alpädhikaà kåñëät sakhé-snehädhikäs
tu täù
Those sakhis
who declare, “We are Radha’s,” and thus remain slightly more affectionate to Radha than to Krishna are
classified as sakhé-snehädhikä. (UN 8.131)
The präëa-preñöhä,
priyä and general sakhis belong to the svarüpa-çakti or internal
potency of the Lord, and as such they are svatanträ, or independent to
serve Krishna as they like. They are not required to follow in anyone’s
footsteps. Conversely, the jivas, by virtue of their belonging to the Lord’s taöastha-sakti,
or marginal potency, are only eligible to anugata-mayi sevä, serving in
others’ footsteps. They are not eligible to svatantra-mayé or
independent seva, and therefore it is not proper for a conditioned soul
to hanker after the position of a präëa-preñöhä, priyä or general sakhi.
In the
following pada, Sri Narottom Das Thakur desribes how a Rupanuga
Vaishnava should formulate their desires.
sama-snehä viñama-snehä, no korio dui lehä,
kohi mätra adhika-snehä gaë
nirantar
thäki saìge, kåñëa kathä lélä raìge,
narma
sakhé ei sab jana
çré rüpa maïjaré ära, çré
rati maïjaré sära,
lavaìga maïjaré
maïjulälé
çré rasa maïjaré saìge, kasturikä
ädi raìge,
prema
sevä kore kutühali
ei
sabära anuga hoiyä, prema sevä nibo cäiyä,
iìgite bhujibo sab käje
One should
not desire to become a sakhi and have more affection for Krishna or equal
affection for Radha and Krishna. Rather, let us aspire to discuss Krishna katha
in the mood of the priya-narma sakhis or manjaris. In this group,
Sri Rupa Manjari is the chief (Sri Rupa
Goswami), followed by Sri Rati Manjari (Sri Raghunath Das Goswami), Sri Lavanga
Manjari (Sri Sanatan), Sri Manjulali (Sri Lokanath), Sri Rasa Manjari
(Raghunath Bhatta), and Sri Kasturi Manjari (Krishna Das Kaviraja), as well as many other gopis.
They all engage in prema seva at Radharani’s lotus feet. Let us serve these
manjaris so closely that we may take their orders from their gestures
alone. (Prema-bhaki Candrika 51-53)
Sri
Raghunath Das exclaims:
ämära éçvaré våndävaneçvaré
tära präëanätha jäni bhaji giridhäré
Vrindavan-ishwari
Sri Radha is the goddess of my life; and because Giridhari Sri Krishna happens
to be Her heart’s beloved, we worship him too.
Further:
ämi jära däsé, tära pratyäçé
ämi kåñëera kåpära bhikhäré noi
Being
Radha’s dasi, I only depend on Her, for I am not a beggar of Krishna’s mercy.
As
confidential maidservants of Radha, the manjaris are the äçraya-vigrahas
of Radha prema. Because Krishna depends on Radha for His ultimate happiness, He
often takes shelter of the manjaris to reach the object of His affection, Sri
Radha. Thus, the manjaris do not need to beg for Krishna’s mercy; rather,
Krishna frequently approaches them as a beggar to fulfill His innermost
desires.
And
further:
tomär känta bole-i çyämasundara-ke bhälo läge
kintu paripürëa ätma-samarpaëa tomäte-i
Oh Radhe,
because Shyamsundar is Your beloved, I’m also fond of Him. But my full
surrender is at Your feet.
The
manjaris say ämarä räi-er (“We belong to Radha”). And with their breasts
radiating the pride of Radha’s dignity, they inform Shyamasundar--räi
ämäder, ei kathä tomär hådaye lege thäkuk!’
“Radha is ours. Let these words be engraved on Your heart!”
They
continue: “Shyam, do You know why You are so beautiful? Because
Your Priya is seated by Your side.* Be forewarned, however, that if You cause any
trouble, we as Radha’s dasis shall escort You out of the kunja!”
In Caitanya-caritämåita it is stated:
kåñëa däsa abhimäne je änanda sindhu
koöi brahma sukha nähi tära eka bindu
The joy of Krishna’s servants is like a vast ocean;
the pleasure experienced by a million Brahmas cannot compare with a single drop
from it.
Could it be that after all there exists a relish even
beyond the happiness of Krishna’s devotees? Obviously, Sri Raghunath Das does
affirm it when he prays:
äçä-bharair amåta-sindhu-mayaiù kathaïcit
kälo mayätigamitaù kila sämprataà hi
tvaà cet kåpäà mayi vidhäsyasi naiva kià me
präëair vrajena ca varoru bakäriëäpi
Oh benevolent Radhe! My heart is burning with the
intense desire to merge into the nectarean ocean of Your nitya seva. If you
remain indifferent, what will be the meaning of my life, of my home Sri
Vrindavan, or even of Sri Krishna to me?
(Viläpa-kusumäïjali, 102)
In Stavävalé, Sri Raghunath also says:
anärädhya rädhä-padämbhoja-reëum
anäçritya vrndäöavéà tat-padäìkäm
asambhäñya tad-bhäva-gambhéra-cittän
kutaù çyäma-sindho rasävagähaù
Without worshiping the dust of Radha’s lotus feet,
without taking shelter of the Vrindavan kunjas where Her footprints are
displayed, and without mixing with Her maidservants who possess such deep
composure, how could anyone qualify to bathe in the confidential lila-rasa
sindhu of Sri Shyamasundar? (Sva-saìkalpa-prakäça-stotra, 1)
In his Våndävana-mahimämåta, Srila
Prabodhananda Sarasvati recommends the following:
çré-rädhä-päda-padma-cchavi-madhuratara-prema-cij-jyotir
ekä-
mbodher udbhüta-phena-stavaka-maya-tanüù
sarva-vaidagdhya-pürëäù
kaiçora-vyaïjitäs
tad-ghana-rug-apaghana-çré-camatkära-bhäjo
divyälaìkära-vasträ anusarata sakhe
rädhikä-kiìkarés täù
Let us take shelter of the gorgeously decorated maidservants
of Srimati Radharani. The manjaris take birth from the deep ocean of madhura
prema issuing from Radha’s effulgent lotus feet. Appearing in lusterous kishori
forms, they are the most clever and delightful beauties in all creation. (Våndävana-mahimämåta
2.8)
Sri Narottam Das Thakur similarly sets an example for
how Gaudiya Vaishnavas should formulate their highest ambitions. In the
following pada he prays to Radharani as follows:
präëeçvari ! ei bära karuëä kara more
daçaneti tåëa dhari aïjali
mastake kari
ei jana
nivedana kare
priya
sahacaré saìge sevana kariba raìge
aìge veça
kari diba sädhe
räkha ei
sevä käje nija pada paìkaje
priya
sahacaré gaëa mäjhe
sugandhi
candana maëimaya äbharaëa
kauñika
vasana nänä raìge
ei saba sevä
jäìra däsé yena haì täìra
anukñaëa
thäki täìra saìge
jala
suväsita kari ratana bhåìgäre bhari
karpüra
väsita guyä päna
e saba
säjäiyä òälä lavaìga mälaté mälä
bhakñä
dravya nänä anupäma
sakhéra
iìgita habe e saba äniyä kabe
yogäiba
lalitära käche
narottama
däse kaya ei yena mora haya
däìòäiyä
rahu sakhéra päche
O
Praneshwari! Please be merciful just once. Placing a straw between my teeth and
folding my hands to my head I pray: kindly hear my entreaty.
Let me dress
you in the company of your priya sahacharis, please reserve this seva for me. I
shall become the dasi of those sakhis who decorate you with scented chandan,
jewelled ornaments and fine silken cloth. I hanker to always remain in their
company. I shall prepare pan, adding camphor, string garlands made of labanga
and malati flowers, placing them in a special flower basket.
Next, I
shall arrange for numerous delicious edibles along with freshened rose-water
kept in a jewelled lota. When the sakhis give the cue, I shall bring all of
these items, placing them near to Lalitaji. Sri Narottam concludes by saying:
In this way I shall stand anxiously waiting behind the sakhis! When will such a
privilege be mine? (Prärthanä, 33)
The right
for Radha Krishna’s nikunja seva can only be earned by following in the
manjaris’ footsteps. Although Radharani has an unlimited number of prana sakhis
and nitya sakhis in her manjari battalion, there are eight chief maidservants.
Just like the ashta sakhis especially predominate, these ashta manjaris direct
the other manjaris in the performance of all lila seva.
In the most
secret realm of Ananda Vrindavan’s enchanting forests of desire trees is the
Yoga Pitha mandir. This exquisite mandir, made of numerous gems and precious
stones is shaped in the pattern of an immense, thousand-petalled lotus. In the
centermost whorl of this lotus stand Sri Sri Radha Govinda on a jewelled
singhasan. Amidst countless millions of Vraja sundaris who perform seva, the
eight chief manjaris form the innermost circle, clustered around the Divine
Couple in the nucleus of the lotus formation.
If one
should desire to follow in the footsteps of the ashta manjaris, it will be
required to become familiar with each one of them personally. For this reason,
Dhyana Chandra Goswami reveals their names, ages, bodily color, dress, seva and
Gaura lila svarupa in his Arcana-paddhati.
Ashta Manjari
1) Sri Rupa Manjari
(Sri Rupa Goswami)
age: 13½
Bodily color: gorocanä (bright
yellow)
Dress: peacock feathered
Seva: pan and foot massage
|
5) Sri Guna Manjari
(Sri
Gopala Bhatta Goswami)
age: 13
years, 1 month, 27 days
bodily
color: lightning
dress:
jaba flower (deep crimson)
seva: pan
and foot massage
|
2) Sri Rati Manjari
(Sri
Raghunath Das Goswami)
age: 13
years, 2 months
bodily
color: lightning
dress
:star-clusters
seva:
foot massage
|
6) Sri Vilasa Manjari
(Sri Jiva
Goswami)
age: 12
yrs, 11 months, 26 days
bodily
color: golden ketaki flower
dress:
bumblebee
seva:
foot massage
|
3) Sri
Lavanga Manjari
(Sri Sanatan Goswami)
age:13
years, 6 months, 6½ days
bodily
color: lightning
dress:
star cluster
seva:
making lavanga garlands
|
7) Sri Manjulali Manjari
(Sri
Lokanath Goswami)
age: 13
yrs, 6 months, 6 days
bodily
color: molten gold
dress:
jaba flower (deep crimson)
seva: dressing
|
4) Sri Rasa Manjari
(Sri
Raghunath Bhatta Goswami)
age:13
years
bodily
color: champak flower
dress:
swan white
seva:
duti (messenger)
|
8) Sri Kasturi Manjari
(Sri
Krishnadas Kaviraj)
age: 13
bodily
color: golden
dress:
crystal
seva:
sandalwood paste
|
After
discovering the identities of Radha’s eight chief manjaris, the mystery of
Gaura avatar will be easier to understand, because Sri Gaurasundar especially
empowered these great personalities to lead his sampradaya. It was his
intention that future Vaishnavas perform sadhana following in their footsteps.
As these Goswamis are the ashta manjaris in Vraja lila, Sri Gaurasundar
selected them to promote manjari bhava upasana, or worship in the mood of the
manjaris. Amongst the ashta manjaris, Sri Rupa is second to none and therefore
Chaitanya Mahaprabhu’s followers are known as Rupanuga devotees. Their ultimate
perfection will come by developing nishtha to his mood. In the following four
kirtan padas, Sri Narottam Das Thakur presents the conclusion of Rupanuga
sadhana—
(1)
çuniyächi
sädhu-mukhe bale sarva-jana
çré-rüpa-kåpäya
mile yugala-caraëa 1
hä hä
prabhu sanätana gaura parivära
sabe mile
väïchä pürëa karaho ämära 2
çré-rüpera
kåpä jena ämä prati haya
se-pada
äçraya jära sei mahäçaya 3
prabhu
lokanätha kabe saìge laiyä jäbe
çré-rüpera
päda-padme more samarpibe 4
hena ki
hoibe mora narma-sakhé-gaëe
anugata
narottame karibe çäsane 5
(1) I have
heard from the sadhus and everyone else that Sri Rupa’s kripa is the sure way
to Radha Krishna’s yugala charan. (2) O Sanatan Prabhu! O associates of
Gauranga! When will you fulfill my desire? (3) Anyone who surrenders to Sri
Rupa is a great mahatma. I pray to such a person for Sri Rupa’s mercy. (4) O
Gurudeva! When will you take me with you
and place me in the care of Sri Rupa Goswami? (5) Only then will Sri Narottam
become eligible to reside with the priya narma sakhis[2],
who shall direct her[3]
seva.
(2)
ei nava
däsé bali çré-rüpa cähibe
hena çubha
kñaëa mora kata dine habe 1
çéghra
äjïä karibena däsi hethä äya
sevära
susajjä kärya karaha tvaräya 2
änandita
haïä hiyä täìra äjïä bale
pavitra
manete kärya kariba tat-käle 3
sevära
sämagré ratna thälete kariyä
suväsita
väri svarëa jhärite püriyä 4
doìhära
sammukhe laye diba çéghra gati
narottamera
daçä kabe ha{i}be emati 5
When will
Sri Rupa Manjari personally call me? How many days shall I endure before she
says to me, “O dasi! Come here and quickly bring the articles for serving Radha
Krishna.” Hearing this order, overjoyed in renewed consciousness, I shall
swiftly take up the task. Then, bringing a golden lota of purified rose water
on a jeweled tray, I shall promptly appear before the Divine Couple. When will
Narottam Das become so fortunate?
(3)
çré-rüpa
paçcäte ämi rahiba bhéta haïä
doìhe
punaù kahibena ämä päne cäïä 1
sadaya
hådaye doìhe kahibena häsi
kothäya
päile rüpa ei nava däsé 2
çré-rüpa
maïjaré tabe doìhä väkya çuni
maïjulälé
dila more ei däsé äni 3
ati namra
citta ämi ihäre jänila
sevä kärya
diyä tabe hethäya räkhila 4
hena tattva
doìhäkära säkñäte kahiyä
narottame
seväya dibe niyukta kariyä 5
While I am
meekly standing behind Sri Rupa Manjari, Radha Krishna notice me and, with a
compassionate smile, say, “Rupa, where did you find this young handmaid?” She
replies, “Manjulali brought her, and because of her modesty, I have kept her by
my side and gave her some service to perform.” Thus speaking to Radha and
Krishna, Sri Rupa Manjari will engage Narottam in seva.
(4)
çré rüpa
maïjaré pada sei mora sampada
sei mora
bhajana püjana
sei mora
präëa-dhana sei more äbharaëa
sei mora
jévanera jévana
sei mora
rasa-nidhi sei mora väïchä-siddhi
sei mora
vedera dharama
sei
vrata sei tapa sei mora mantra japa
sei mora
dharama karama
anuküla
habe vidhi se pade haibe siddhi
nirakhiba
ei dui nayane
se rüpa
mädhuré-räçé präëa-kuvalaya-çaçé
praphullita
habe niçi-dine
tuasyaä
adarçana ahi garale järala dehi
cira-dina
täpita jévana
hä hä
prabhu kara dayä deha more pada-chäyä
narottama
laila çaraëa
The lotus
feet of Sri Rupa Manjari are my only possession, my only bhajan, and my only
puja. They are the jewel of divine rasa, the perfection of my desires, and the
only meaning of the Vedic dharma for me. If favored by Providence, I shall see
the gem-like opulence of those two feet. And, as their effulgence shines in the
core of my heart, I shall remain ever joyful through day and night. Without the
darshan of those lotus feet, a burning fever has overtaken my body, giving
distress to my life. Ha ha Prabhupada! Sri Rupa! Please give me a place under
the cooling shade of your lotus feet. Narottam prays for your shelter.
This kirtan
pada is well known, but is justly appreciated by a rare few. Indeed, here is
described the proper nishtha that Gaudiya Vaishnavas require to enter the nitya
lila. The three padas leading up to this conclusion are also very noteworthy.
Even though Sri Thakur Mahashay was initiated by Sri Lokanath Prabhu (who is
Manjulali Manjari of the ashta manjari group), he nevertheless prays that his
guru may take him by the hand and surrender him to Sri Rupa’s lotus feet. This
conviction of Sri Narottam’s is very instructive to us all. For it is the
essence of Vedic dharma, the aim of bhajan and puja, and a devotee’s life
source.
The
definitions of both Rupanuga and raganuga are very closely related. Anuga
means following in the footsteps. Thus räga-anuga means following in the
footsteps of those who have räga (deep attachment), i.e., the ragatmika
nitya Vraja associates. And rüpa-anuga can be defined as following the
specific ragatmika associate Sri Rupa Manjari, who is Sri Rupa Goswami in Gaura
lila. As the father of raganuga bhakti also, Sri Rupa Goswami is the embodiment
of all perfection. Such is the one-pointed nishtha we all need to develop.
Chaitanya Charitamrita states that the distinguishing
quality of madhura rasa from other forms of transcendental mellow is that one’s
own body is offered to Krishna in seva. nijäìga diyä karena sevana (CC
2.19). One may then wonder if the manjaris, being fully engaged in Radha’s seva
and having discarded the desire to enjoy Krishna personally are in fact in the
mood madhura rasa. Wouldn’t it rather be a form of dasya rasa?
The answer to this reflection is no, but before
disclosing how the manjaris factually taste Krishna’s anga madhuri (bodily
sweetness), let us present two examples from Ujjvala-nélamaëi that
illustrate their one-pointed nishtha.
tvayä yad
upabhujyate murajid-aìga-saìge sukhaà
tad eva
bahu jänaté svayam aväptitaù çuddha-dhéù
mayä
kåta-vilobhanäpy adhika-cäturé-caryayä
kadäpi
maëi-maïjaré na kurute’bhisära-spåhäm
One day Srimati Radharani requested a sakhi to arrange
a private meeting for Krishna with Mani Manjari. Sometime later, however, that
sakhi returned, saying, “O Radhe! According to your order, I approached Mani
Manjari with the following enticing words: ‘O sakhi! Can any pleasure within
the three worlds compare to Sri Krishna’s anga-sanga? Why don’t you try it just
once? Consider that Lalita and Vishakha share a friendly relationship with
Radha and still enjoy pastimes with Krishna as nayikas. You may now also take
up this mood. Why should you remain behind the others?’ After hearing my words,
Mani Manjari replied, ‘O sakhi! The darshan of Radha’s pastimes with Krishna is
the greatest form of happiness for me.’ O Radhe! From this statement I conclude
that Mani Manjari’s heart is pure, because even after obtaining a chance to
experience conjugal union with Krishna, she turned it down!” (UN 8.89,
following to Vishwanath Chakravarti Thakur’s commentary)
rädhä-raìga-lasat-tvad-ujjvala-kalä-saïcäraëa-prakriyä
cäturyottaram
eva sevanam ahaà govinda samprärthaye
yenäçeña-vadhü-janodbhaöa-mano-räjya-prapaïcävadhau
nautsukyaà
bhavad-aìga-saìgama-rase’py älambate man-manaù
Once, after noticing a manjari picking flowers in the
forest, Krishna approached her saying, “Hey attractive one! Why not make your
life successful and enjoy with me in this kunja?” Hearing Krishna’s proposal,
that manjari replied, “Hey Govinda! The romantic arts which you cleverly
display with Radhika fascinate me even more. Besides, so many Vraja kishoris
have satiated their desires by rendering service in that spirit. Therefore,
Gokulendra, my mind never seeks personal union with you. Rather, grant me that
I too may engage in that service.” (UN 8.88)
Vishwanath Chakravarti Thakur comments on this verse,
saying,
Peeking
through the forest foliage, achieving the darshan of Radha Krishna’s most
confidential pastimes, the manjaris experience a pleasure incomparable even to
direct union with Krishna. Thus, by tasting a superior standard of relish, all
inferior types of pleasure may easily be given up.
These two examples lead to the discovery of the most
rare and exalted standard of divine rapture. What to speak of Krishna’s
servants, even Sri Radha’s closest sakhis like Lalita and Vishakha cannot
experience such enchantment. Only the manjaris, because they have wholly
dedicated themselves to the pleasure of Sri Radha, are eligible to receive this
reward.
In his Stavävali, Raghunath Das Goswami praises
the manjaris’ good fortune as follows—
tämbülärpaëa-päda-mardana-payo-dänäbhisärädibhir
våndäraëya-maheçvaréà priyatayä yäs toñayanti priyäù
präëa-preñöha-sakhé-kuläd api kiläsaìkocitä bhümikäù
kelé-bhümiñu rüpa-maïjaré-mukhäs tä däsikäù saàçraye
våndäraëya-maheçvaréà priyatayä yäs toñayanti priyäù
präëa-preñöha-sakhé-kuläd api kiläsaìkocitä bhümikäù
kelé-bhümiñu rüpa-maïjaré-mukhäs tä däsikäù saàçraye
I take shelter
of the manjaris headed by Sri Rupa, who are expert in various kinds of service,
like preparing pan, feet massaging, offering fragrant water, and arranging
Radharani’s abhisar (i.e., the journey to meeting with Krishna). In these ways
they satisfy Vrindavaneshwari, Sri Radha, in every respect. And, during
Radharani’s most confidential affairs with Krishna, they are free to enter the
vilasa kunj for intimate seva. Such a privilege is never granted even to
Radha’s parama prestha sakhis headed by Lalita and Vishakha.
In his Alaìkära-kaustubha, Sri Kavi Karnapur
also says,
na
saìkocaà yayä yäti käntena çayanotthitä
ätmano
mürtir anyeva priya-narma-sakhé tu sä
Even while lying undressed by Krishna’s side, Srimati
will not feel embarrassed if a manjari should suddenly appear on the scene. The
reason is that she relates to them as her very own second form, expanded for
the purpose of seva. (Kärikä 159)
In terms of seniority, age and position, the manjaris
are the least important amongst Radha’s sakhis. As they receive orders from
Radha, they also carry out the orders from Lalita, the priya sakhis, or Vrinda
Devi, because their constitutional position is to serve, and so they are most
inclined to do so.
In regards to tasting lila rasa, on the other hand,
the manjaris’ aptitude is most congenial to Radha’s feelings. Let us now
attempt to enter the mystery of how the manjaris are eligible to relish the
highest form of conjugal ecstasy.
spåçati
yadi mukundo rädhikäà tat-sakhénäà
bhavati
vapuñi kampä-sveda-romäïca-bäñpam
adhara-madhu-mudäsyäç
cet pibaty esa yatnäd
bhavati
bata tad äsäà mattatä citram etat
If Mukunda touches Radha, tears, sweating, shaking and
standing of the hairs on end will also manifest in the bodies of the manjaris.
And, if Krishna should kiss Radha’s lips, then the manjaris will also
experience Radha’s intoxication. This is a most astonishing phenomenon. (GLA
11.137)
As the manjaris peep through the windows of the
nikunja mandir to witness Radha Krishna’s vilasa madhuri, they become
overwhelmed in rapture. Due to extreme intimacy with Radha, their minds, hearts
and feelings become merged together with hers. In Ujjvala-nélamaëi Sri
Rupa terms this viçrambha, indicating that the manjaris’ deep faith and
love for Radha have become so merged with hers that they completely identify
with her (abheda-buddhi). Thus Radha’s symptoms of happiness or distress
also manifest on their faces and bodies. In kandarpa-keli, it is
explained that the manjaris experience Radha’s feelings in their every bodily
limb, simply by watching. The love marks inflicted by Krishna upon Radha
simultaneously appear on their bodies as well.
Evidence of this can be found in the first verse of
Raghunath Das Goswami’s Viläpa-kusumäïjalé. There, in the mood of Rati
Manjari, Raghunath Das jests as follows:
tvaà
rüpa-maïjari sakhi prathitä pure’smin
puàsaù
parasya vadanaà na hi paçyaséti
bimbädhare
kñatam anägata-bhartåkäyä
yat te
vyadhäyi kim u tac chuka-puìgavena
O Rupa Manjari, in Vraja Mandala, you have the
reputation of being chaste. But I wonder how your lips have become bruised,
even though your husband is absent. Certainly this must be the work of an
exalted male parrrot who mistook your bright red lips for a bimba fruit.
From this riddle, one may think that here is an
example of the manjaris having conjugal pastimes with Krishna, as the “exalted
male parrot” here is a reference to Krishna. Such an assumption is incorrect,
however, and goes against the rasa siddhanta of our Gaudiya acharyas. In the Viläpa-kusumäïjalé
edition of Ananta Das Babaji of Radha Kund, a six page commentary on this
shloka appears, the gist of which is as follows:
At the last stage of his life on the banks of Radha
Kund, Raghunath Das Goswami used to cry incessantly in separation from Radha.
Due to the influence of prema, from moment to moment different sphurtis, or
momentary visions of Radha Krishna’s lila would come to him. When these visions
suddenly ended, Raghunath’s external consciousness would return. Then he would
break into tears and pray to Radha for the same seva he had just witnessed in
his vision. One after another, various lila sphurtis are described in Viläpa-kusumäïjalé.
The word viläpa means an outcry of lamentation. Kusumäïjali means
a handful of flowers given as a worshipful offering. Thus every one of
Raghunath’s verses represent a handful of flowers of heartfelt tears and desire
for seva being offered to Radharani’s lotus feet.
The context of this particular verse is as follows: A
lila has just taken place at Govardhan. Sri Rupa Manjari has arranged a meeting
between Radha and Krishna in a secluded cave on Govardhan Hill. Then, from a
short distance away, she witnesses the divine intoxication of Kishor Kishori’s madanänanda-keli.
What a spectacular scene to behold! Shyamasundar has bruised Srimati’s delicate
lips. Radha dasi Sri Rupa, awestruck and lost in amazement, looks on agape and
completely spellbound. Due to total absorption in Priyaji’s festival of
jubilation, Sri Rupa is unaware by then that those same marks have also
appeared on her lips!
Meanwhile, Sri Raghunath Das Goswami’s heart-piercing
cries come into the memory of Sri Rupa, “Ah, Sri Rati could not see such
amazing yugala vilasa. Where is she now? I must bring her here at once.” Sri
Rupa then leaves Govardhan in search of Rati Manjari. Soon Sri Rupa appears to
Raghunath Das in lila sphurti. It is then that Raghunath Das in the mood of
Rati Manjari offers the verse under discussion, playfully teasing Sri Rupa
about the bruising on his lips.
“O sakhi Rupa! Your chaste reputation is known all
over Vraja bhumi. You never, ever look at any man other than your own husband.
How, then, in your husband’s absence have your bright red lips become bruised?”
In his Alaìkära-kaustubha, Srila Kavi Karnapur
describes the oneness of Radha and her manjaris as follows:
pataty
asre säsrä bhavati pulake jäta-pulakäù
smite
bhäti smerä malimani jäte sumalinäù
anäsädya
svälér mukuram abhivékñya sva-vadanaà
sukhaà vä
duùkhaà vä kim api kathanéyaà måga-dåçaù
Krishna exclaimed, “O deer-eyed manjaris! In your
sakhis’ absence, a mirror is needed to reveal Radha’s facial expressions. But
in your presence, no mirror is needed, because Srimati’s face is automatically
reflected in yours. In other words, when tears roll down her cheeks, I see the
same tears on your faces. If her hairs stand on end in jubilation, so do yours.
If she smiles, your faces also light up with a grin. And if she falls into
despair, so do you!” (AK 3.32)
As the manjaris are so closely attuned with Radha,
their standard of pleasure is even higher. For this reason, Prabodhananda
Saraswati says—
rädhä-nägara-keli-sägara-nimagnälé-dåçäà
yat sukhaö
no
tal-leça-laväyate bhagavataù sarvo ‘pi saukhyotsavaù
If the sum total of Krishna’s many festivals of
pleasure could be measured, that mahänanda should still only be a fraction of
the bliss that the manjaris experience when plunged into Sri Sri Radha
Nikunja-nagara’s prema keli samudra!” (Våndävana-mahimämåta 1.54)
In his Nikuïja-rahasya-stava, Sri Rupa Goswami
says,
praëaya-maya-vayasyäù kuïja-randhrärpitäkñéù
kñiti-talam anu labdhvänanda-mürcchäà patantéù
prati rati-vidadhänau ceñöitaiç citra-citraiù
smara nibhåta-nikuïje rädhikä-kåñëa-candrau
In a
mind-enchanting nikunja mandir, the rati keli pastime has reached a newly
colored expression and height. Thus, after seeing it, the manjaris are now
lying unconscious on the ground due to excessive ecstasy. Let us meditate on
Sri Sri Radhika and Krishna Chandra as they appear in this way. (Verse 24)
How is so much pleasure possible? The following verses
give us the answer:
rädhära svarüpa kåñëa prema kalpa latä
sakhé-gaëa haya tära pallava-puñpa-pätä
kåñëa-lélämåte yadi latäke siïcaya
nija-sevä haite pallavädyera koöi sukha haya
In this
verse, Krishna may be compared to a black tamal tree, while Radha is
kåñëa-prema-kalpa-latä, i.e., a wish-fulfilling creeper of Krishna prema.
Radha`s sakhis and manjaris are comparable to the leaves and flowers of that
creeper. And as leaves and flowers are direct products of a vine, Radha`s
sakhis and manjaris are non-different from Radha in svarupa, being her direct
expansions. Therefore, when in the course of Krishna lila, the manjaris
sprinkle the svarna-lata named Radha by uniting her with Tamala Krishna, they too
become drenched in a rainstorm of ambrosia. In this way, the leaves and flowers
experience a superior pleasure, a million times greater than that experienced
by the golden lata herself. This is astonishing! (CC 2.8.208-9)
Chaitanya Charitamrita further describes:
sakhéra svabhäva eka akathya kathana
kåñëa saha nija léläya nähi sakhéra mana
kåñëa saha rädhikära lélä je karäya
nija-keli haite tähe koöi sukha päya
The nature of the manjaris is indescribable because
they have no desire to personally intermingle with Krishna. Rather, by setting
the scene of Radha Krishna`s yugala milana, they experience more pleasure, one
million times greater, than Radha Krishna themselves experience. (CC
2.8.206-207)
Purport: The word sakhi in this verse refers to the priya-narma
sakhis, or manjaris. Because Radha`s pleasure is superior to Krishna`s for
being able to taste his sweetness, Krishna had desired to adopt her
perspective. This, we have already explained. Now what we are in the process of
demonstrating presently is that the manjaris’ pleasure surpasses even Radha’s
pleasure. The simple reason is that Radha’s object of love is Sri Krishna
alone, whereas the manjaris’ love is direct to Radha Krishna combined. Radha
may have Krishna, the source of all pleasure (akhila-rasämåta-mürti),
but the manjaris have not only Krishna, but Radha as well, who is the
personification of prema (mahä-bhäva-svarüpiëé, prema-lakñmé).
Considered individually, Radha and Krishna are both unequalled, but when
united, their splendor multiplies without limit. And as the ingredients of
prema and ananda are thus directly combined by the manjaris, who can begin to
estimate the latter’s supreme good fortune!
A relevant question may arise: As the manjaris’ love
favors Radha, would Krishna not feel some displeasure about their mood towards
him? This question is answered in the sakhé-prakaraëa chapter of the Ujjvala-nélamaëi—
vayam idam anubhüya çikñayäma
kuru cature saha rädhayaiva sakhyam
priya-sahacari yatra bäòham antar-
bhavati hari-praëaya-pramoda-lakñméù
One day Mani Manjari instructed a novice manjari:
“Hey, clever one! Let me offer you some advice from my experience: Just fix up
your relationship with Radha. If you are thinking that without loving Hari,
there is no use in loving Radha, then I say to you. Only when your prema for
Radharani matures, will the treasure of Krishna prema avail itself. (UN 8.133)
Sri Jiva Goswami’s commentary on this verse is also
very instructive. The essence of this advice is as follows: Krishna sees the
manjaris’ love for Radha as follows: “She is most dear to my priyatama (most
beloved).” On the strength of her sambandha with Srimati she received even more
affection from Krishna than if she had directed her love to him alone.
Therefore, by the influence of Radha prema, Krishna’s love comes automatically.
Krishna is rädhämaya, always absorbed in Radha.
While in the company of his mother, his friends, his servitors, or with any
other Vrajavasi, Krishna’s thoughts are always fixed in Radha. Even in
Chandravali’s association, he remembers Radha. Besides, the manjaris also know
Radha’s mind better than anyone else. She is kåñëamayé, always absorbed
in Krishna.
In a book entitled Muralé-viläsa, much
information is found about the manjaris in a conversation between Jahnava
Thakurani and her disciple Sri Ramai THakur. That excerpt reads as follows:
Thakur Ramai asked, “Please explain to me where bhävolläsa-rati
can be found?” Sri Jahnava Thakurani answered, “Listen carefully, my son. In
Vrindavan alone, and beyond the purview of the devatas, Sri Sri Kishora Kishori
reside. This Divine Couple is served day and night by Sri Rupa Manjari, Sri
Ananga Manjari and their followers. Only they are the reservoirs of this bhävolläsa-rati.
Knowing nothing other than Radha Krishna’s happiness, they lose themselves
in an ocean of pleasure, which is beyond time.
The manjaris’ love for Krishna is a sanchari bhava (subordinate mellow)
which nourishes their love for Radha. Indeed, in every respect their atma and
prana are akin to Radha’s. Their bodies are the only difference. When Radha’s
hairs stand on end during the time of union with Krishna, so do the manjaris’.
In fact, the manjaris enjoy Radha’s pleasure with Krishna seven times more than
she. The manjaris unite Radha with Krishna whenever possible, experiencing
pleasure many times over. Thus I have described bhävolläsa-rati, which
cause the Lord himself to admit: ‘I am unable to repay your debt in service to
me.’”
Sriman Gaurasundar’s Manjari bhava
Sri Rupa Goswami has prayed to Chaitanya Mahaprabhu, namo
mahä-vadänyäya—”O most generous Lord!” Srila Kaviraj Goswami similarly
refers to him as parama-karuëä-maya, “supremely merciful.” The meaning
of such benevolence is completely fulfilled in that Gaurasundar has blessed the
people of this age with the priceless gift of manjari bhava sadhana. This is
the underlying purport to Sri Rupa’s anarpita-caréà cirät verse.
Previously, the topic of Gaurasundar’s tasting Radha bhava was described to
some extent. While Chaitanya Mahaprabhu descended to taste the essence of Vraja
prema, however, he surely did sample for himself the manjari bhava. After all,
Sri Jahnava Thakurani did describe the pleasure of manjari bhava as seven times
greater than Radharani’s own pleasure. If Sriman Mahaprabhu had omitted to
taste this most excellent form of divine relish, the title of “rasika sekhara”
would no longer have been befitting. Evidence of Chaitanya Mahaprabhu’s tasting
manjari bhava need not be far-fetched. It is found in the pages of no other
than the Chaitanya Charitamrita. Though there are many biographers of
Chaitanya, none is so insightful in portraying Chaitanya’s inner movements as
Krishnadas Kaviraj. Being himself Sri Kasturi Manjari in Vraja, Krishna Das
detected Mahaprabhu’s incredible behavior. The saying, “It takes one to know
one” surely applies here. Indeed, we will never be too grateful to Sri Kasturi
Manjari for revealing to us the following secrets:
ärdha
bähya daçäya praläpa vacane
äkäçe
kahena prabhu çunena bhakta-gaëa
kälindé
dekhiyä ämi geläm våndävana
dekhi’
jala kréòä kore vrajendra-nandana
rädhikädi
gopé gaëa saìge saba meli
yamunära
jale mahä raìge kare keli
tére bosi
dekhi ämi sakhé-gaëa saìge
eka sakhé
dekhäya more ei saba raìge
The following words were spoken in half-external
consciousness by Mahaprabhu after he had fallen into the ocean, which he had
mistaken for the Yamuna. “I went to Vrindavan and witnessed the water sporting
of Vrajendra Nandan. There, in the waters of the Yamuna, Radharani and her
sakhis were sporting in great ecstasy with Krishna. While standing on the bank,
one sakhi (manjari) showed me all these activities. (CC 3.18.79-82)
Purport: During jala-keli or water sporting, Sri
Krishna splashes water in rivalry with Radha and her sakhis. Taking advantage
of the situation, Krishna often kisses or touches the sakhis’ bodies. The
manjaris, however, enjoy these conjugal affairs by watching them from the bank.
These verses clearly reveal that Sriman Gaurasundar prefered to remain on the
bank of the Yamuna along with the manjaris to watch along with them rather than
take the mood of Radha or her sakhis in the water itself.
Elsewhere, Chaitanya Mahaprabhu speaks in the mood of
a manjari—
sakhi he!
dekho kåñëera jala-keli raìge
kåñëa
matta kari-vara, caïcala kara-puñkara
gopé-gaëa
kariëéra saìge
jähä kari
äsvädana, änandita mora mana
netra
karëa yugma juòäilo
“Hey sakhi! Just see the sporting of Krishna’s jala
keli. Acting like an intoxicated elephant, Krishna’s restless lotus-like hands
are moving towards the gopis, who are also like padminis, or female elephants,
in the water. This sight is giving great pleasure to my mind, as my eyes and
ears have both become completely satisfied.” (CC 3.18.84, 99)
After jala keli, the manjaris dress Sri Sri
Radha-Madhava in flower outfits and ornaments, serve them their evening meal,
and lastly, tend to them while they retire for rest. This narration, which
Mahaprabhu relates in half-external consciousness, is spoken in manjari bhava.
At the end of the dialogue, this becomes even more obvious—
saìge
laiyä sakhé-gaëa, rädhä kailä bhojana
dohe kailä
mandire çayana
keho kare
vyajana, keho päda-saàvähana
keho kare
tämbula bhakñaëa
rädhä
kåñëa nidrä gela, sakhé-gaëa çayana kaila
dekhi
ämära sukhé haila mana
Chaitanya Mahaprabhu said, “In the company of her
sakhis, Radha enjoyed the evening bhojan of Sri Krishna’s prasad. Then, Radha
Krishna retired to their shayan mandir. Someone began to fan them, while
another massaged their feet, while yet another offered them delicious pan. As Radha
Krishna fell asleep, the sakhis also took rest. Seeing this, my mind became
contented.” (CC 3.18.107-108)
Purport: The term sakhi can mean Radha’s lady friends or
her dasis, the priya narma sakhis. Srimati Radharani sometimes accepts bhojan
in Krishna’s company; at other times, she will serve him and then take his
prasad with her sakhis. In this reference, the latter situation has occurred.
After late evening bhojan, Radha retires with Govinda to rest in Hemambuja
Kunja. Radha’s lady friends do not follow them there, but retire to their own
respective kunjas. Govinda’s svayaà-rüpa or original form remains with
Radha, even while he expands in many similar präbhava-prakäça forms to
accompany each sakhi for amorous pastimes. It is the priya narma sakhis or
manjaris who follow Radha Madhava into the shayan mandir to fan, offer pan and
massage their feet. As Mahaprabhu witnesses their seva, he too is in manjari
bhava, because only the manjaris enjoy the privilege of seeing Radha Govinda
happily fall asleep after performing their most confidential lila.
In another example, we find Sriman Gaurasundar picking
flowers for Radha Krishna’s seva. Once in Puri, upon observing a sand dune that
reminded him of Govardhan, Chaitanya Mahaprabhu fainted. Returning again to
half-external consciousness, he related the following sphurti (vision):
govardhana
haite more ke ihäte änila
päiyä
kåñëera lélä dekhite nä päila
ihä haite
äji mui genu govardhana
dekhi jadi
kåñëa kare go-dhana cäraëa
govardhana
chäòi bäjäila veëu
govardhanera
cau-dike care saba dhenu
veëu-näda
çuni äilä rädhä öhäkuräëé
tära rüpa
bhäva sakhé varëite nä jäni
rädhä
laiyä kåñëa praveçila kändarate
sakhé-gaëa
kahe moke phula uöhäite
I was seeing Krishna’s lila at Govardhan. Why have you
all brought me back here again? Today I went to Govardhan where Krishna was
grazing the cows while playing his flute. Hearing the melodious sound Srimati
Radharani suddenly appeared. Her charming beauty and mental disposition is
beyond description even for her sakhis. Taking Radha with him, Krishna then
entered a cave. At that instance, the sakhis came asking me to pick flowers.”
(CC 3.14.105-109)
Elsewhere, Sriman Gaurasundar speaks in the mood of a
manjari as follows:
kåñëa guëa
rüpa rasa, gandha çabda paraça
se sudhä
äsväde gopé gaëa
tä sabära
gräsa çeñe, äni païcendriya çiñye
se
bhikñäya räkhena jévana
Krishna’s divine form, his wonderful qualities, his
soft touch, his charming voice, the taste of his lips and the smell of his body
are relished by Radha and the other gopis. After they enjoy, my five senses beg
for their nectarean remnants, ever remaining their submissive disciples. (CC
3.14.49)
Purport: For Radhika and the sakhis, Krishna’s form,
qualities, taste, smell, voice and touch are their vital means of existence. This
prasad, however, becomes maha-prasad for the manjaris, because the intoxicating
taste of Krishna’s transcendental characteristics increases manifold within the
manjaris’ netrotsava (“festival for the eyes”). Realizing the fortune of
the manjaris, Sriman Mahaprabhu sent his five disciple-senses to Vrindavan to
beg from Radha and the gopis.
Up to this point, we may remind our readers that all
the topics under discussion have been presented to serve as a commentary to the
following verses from Chaitanya Charitamrita, which prompted the discussion.
je lägi
avatära kahi se müla käraëa
prema rasa
niryäsa karite äsvädana
räga märga
bhakti loke karite pracäraëa
rasika
çekhara kåñëa parama karuëa
ei dui
hetu haite icchära udgama
Now let me
speak about the principal reason for Sri Chaitanya Mahaprabhu’s appearance (1)
to personally taste the essence of prema rasa, and in connection with this, (2)
to distribute raganuga bhakti to the devotees. (1.4.13-15)
Sambandha, abhidheya and
prayojan
This last
section of Part One of this book is meant to tie all the previous evidence into
a conclusion.
Sambandha, our relationship with God.
jévera
svarüpa hoy nitya kåñëa däsa
All jivas
are Krishna’s eternal servants.
Though this
statement is true, it is not complete in itself. Because Krishna has unlimited
forms, such as Narayan, Nrisingha, Vaman, Rama, or even Dwarakadhish,
Mathuranath and Sri Nandanandan, etc., each one of these bhagavat-svarüpas also
has unlimited numbers of devotees of various kinds. Therefore, our next
relevant question should be, “Which servant of which Krishna am I?” Regarding
this philosophy, Sri Jiva Goswami is the Adi-acharya of Chaitanya Mahaprabhu’s
sampradaya. His renowned Ñaö-sandarbha in six volumes deals elaborately with
the sambandha, abhidheya and prayojan tattvas. In particular, the first four
volumes—the Tattva, Bhagavat, Paramatma and Çré-kåñëa-sandarbhas—deal
exclusively with sambandha-tattva. At the end of Çré-kåñëa-sandarbha,
however, Sri Jiva Prabhu adds the crowning touch to his dissertation on this
subject by saying—
ataù sarvato’pi
sändränanda-camatkära-çré-kåñëa-prakäçaù çré-våndävane’pi paramädbhuta-prakäçaù
çré-rädhayä yugalitas tu çré-kåñëa iti.
Among the
unlimited forms of God, Sri Krishna’s rupa is the original, possessing the
greatest sändränanda-camatkäritva, the universal power to amaze with
intense joy. Among Krishna’s many manifestations, his Vrindavan svarupa is the
most wonderful. And, in Vrindavan, Krishna’s yugala form embraced by Srimati
Radharani reigns supreme.[4][1]
When Radha
Krishna are the vishaya or target of a devotee’s prema, the ashraya or shelter
of that love will be found in the manjaris. For this reason Sri Gaurasundar
promoted manjari bhava upasana through his chief followers, the Six Goswamis. Rupanuga
Vaishnavas therefore, in nearly all cases, attain perfection as maidservants of
Sri Sri Radha Madhava. This is their nitya sambandha. So, Thakur Bhaktivinoda
revises the basic formulation of the jiva’s identity, jévera svarüpa hoy
nitya kåñëa-däsa, with this beautiful affirmation of his eternal identity
as a manjari.
ämi to
svänanda-sukhada-väsé
çré-rädhikä-mädhava-caraëa-däsé
I am the
maidservant of the lotus feet of Sri Sri Radhika Madhava and the eternal
resident of Svananda-sukhada Kunja at Radha Kund. (Çaraëägati)
Abhidheya, or the means to attain God.
In
Chaitanya Charitamrita, Gauranga Mahaprabhu declares sadhana bhakti to be the
only abhidheya—
abhidheya
sädhana bhakti çunaha vicära
sarva jana
deça käla daçäte vyapti jära
dharmädi
viñaya jaiche ei cäri vicära
sädhana
bhakti ei cäri vicärera pära
Sri Chaitanya Deva said, “O Sanatan! Listen to my verdict: To properly perform religious duties or related pious activities, the
appropriateness of the performer, the place, time and circumstances, must
always be taken into consideration. Sadhana bhakti, however, transcends all
such considerations, because any person, at any time, at any place or in any
situation, may perform it.” (CC 2.25)
There are
two types of sadhana bhakti—
ei to sädhana bhakti dui to prakära
eka vaidhé bhakti, rägänugä bhakti ära
Vaidhi and
raganuga are the two forms of sadhana bhakti. (CC 2.22)
Previous
examples have shown that vaidhi bhakti lacks the potency to awaken Vraja prema.
Thus raganuga bhakti is prescribed for jivas desiring to attain Krishna in
Vrindavan.
In the
opinion of the Gaudiya Vaishnava acharyas, lila smaran is the main limb of
raganuga bhakti—smaraëasyätra rägänugäyäà mukhyatvaà, rägasya
mano-dharmatvät. “As raga, deep attachment, is a function of the mind,
smaran is the main limb of devotional practice on the raga marga.” (Vishwanath
Chakravarti, Räga-vartma-candrikä)
The
conclusion is that anyone desiring to attain Vrajendra Nandan Sri Krishna can
perform Krishna bhajan at any time or in any circumstance. No shastric
restriction is either needed nor desired here, because such is Chaitanya
Mahaprabhu’s direct shastra vidhi that lila smaran should always be performed.
Because the
mind controls the activities of the body and senses, lila smaran can influence
all other devotional activity on performs, cleansing both the mind and the
intelligence. Indeed lila smaran is the bridge linking the sadhaka with the
splendor of Goloka Vrindavan. When one enters that world through manasi seva,
all forms of external sadhana become säsaìga, or complete, with the
potency to reach their connecting point.
In Goloka
Vrindavan, Gaura and Govinda’s nitya lilas unfold in regular sequences
throughout the day and night. The Gaudiya Vaishnava acharyas therefore
recommend that one meditate on each lila at the prescribed time it happens.
Thus, ashta kala lila smaran has been introduced, and Çré-Govinda-lélämåta by
Kaviraj Goswami, Çré-Kåñëa-bhävanämåta by Vishwanath Chakravarti, and Çré-Kåñëähnika-kaumukdé
by Kavi Karnapur are the most authoritative books to learn about how to follow
the Lord’s ashta kala lilas.
Srila
Kaviraj Goswami advises:
caitanya
lélämåta püra, kåñëa-lélä sukarpüra
dohe meli
hoy sumädhurya
sädhu guru
prasäde , tähä jei äsväde
se jäne
mädhurya-präcurya
je
lélämåta bine, käya jadi anupäne
tabu
bhaktera durbala jévana
jära eka
bindu päne, utphulla tanu mane
häse gäya
karaye nartana
ei amåta
koro päna, jähä sama nähi äna
citte kori
sudåòha viçväsa
nä paro
kutarka garte, amedhya karkaçävarte
jäte
parile hoy sarva-näça
The nectar
of Chaitanya lilamrita mixed with the camphor of Krishna lilamrita makes the
most tasteful combination. Whoever savors this nectar, by the grace of guru and
sadhu, comes to know the greatest abundance of sweetness.
Do not
neglect this lilamrita and rely on other forms of nourishment, lest your
spiritual life weakens. On the other hand, if you drink a single drop of this
lila rasa, it will invigorate your mind and body and make you laugh, sing and
dance in ecstasy.
Therefore,
relish the lila rasa and keep strong faith in the process. Though nothing
compares to such a sadhana, you must beware not to fall into the ditch of
conflicting arguments, because if you do, everything will be lost. (CC
2.25.270-272)
Purport:
While feasting, an anupäna is a drink taken as a digestive. Here, in the
second of the three verses quoted, Srila Kaviraj Goswami has compared
Gaura-Govinda lilamrita with the meal itself, or the main diet for nourishing
one’s sadhana. The anupana is compared with all other forms of sadhana. In
short, he means that if one takes the digestive aid without the actual meal,
weakness will surely result—tabe hoy bhakter durbala jévana. The
doctor’s (kaviräja’s) advice is very clear and to the point: Vaishnavas
who disregard such clear instruction are indeed unfortunate. Let us not fall
into the ditch of conflicting arguments, but follow resolutely the diet and
medecine prescribed by the kaviräja.
ei amåta
koro päna, jähä sama nähi äna
citte kori
sudåòha viçväsa
“Therefore
always drink the incomparable nectar of Gaura-Govinda lila, keeping strong
faith in this process.”
In his famous Chaitanya Charitamrita commentary, Sri
Radha Govinda Nath has explained the meaning of Sri Rupa’s verse quoted
earlier—sevä sädhaka-rüpeëa siddha-rüpeëa cätra hi—in the following way:
raganuga sadhana has two parts: external and internal. Since smaran is the main
limb, it is poñya, to be maintained, while shravan, kirtan or any of the
other sixty-four types of sadhana bhakti are the poñaka, or maintainers.
In other words, all types of vidhi are simply meant to nourish lila smaran and
protect one from falling down. This version is supported by one of Sri Rupa’s
most prominent verses in Bhakti-rasämåta-sindhu, which runs as follows:
smartavyaù
satataà viñëur vismartavyo na jätucit
sarva-vidhi-niñedhäù
syur etayor eva kiìkaräù
Lord Vishnu (Sri Krishna) is always to be remembered
and never to be forgotten. All the rules and regulations in the shastra are the
servants of this overriding vidhi (rule) and niñedha (prohibition).
(BRS 1.2.8)
Now it is important to say a word about sankirtan and
its relation to smaran sadhana. Sri Vishwanath Chakravarti has given the
following reminder in Räga-vartma-candrikä to raganuga sadhakas:
atra
rägänugäyäà yan mukhyasya tasyäpi
smaraëasya
kértanädhénatvam avaçyam.
Even though smaran is the main limb for those who
practice raganuga bhakti, it should still remain subordinate to kirtan. (Räga-vartma-candrikä,
14)
Smaran and kirtan are both extremely important limbs
of bhakti sadhana. raganuga bhaktas who have become attached to smaran sadhana
should always perform kirtan as well, remembering that Sri Chakravarti Deva
himself promoted the sankirtan movement. On the other hand, however, those who
only emphasize chanting should also remember that as our Gauranga chanted, his
mind was fixed on Sri Vrindavan! Experienced devotees make no distinction
between smaran and kirtan. They relate to the two processes as ideally one form
of sadhana. That is to say, smaran is contained within offenseless chanting
and, within extensive lila smaran, the Name goes on as well.
Let us now consult Sri Thakur Bhaktivinoda’s Harinäma-cintämaëi,
which is a manual devoted exclusively to Nama sadhana. In the last chapter, Sri
Bhaktivinoda compares the Name to a budding flower. The näma-kusuma
blossoms in stages revealing Krishna’s rasa, rupa, guna, and lila madhurya. The
lila represents the full blooming splendor of the Name.
pürëa
prasphuöita näma-kusuma sundara
añöa-käla
nitya-lélä prakåtira para
The flower of the Name completely reveals the beauty
when Krishna’s divine ashta kala nitya lilas are included. (HNC 15.28)
From this statement we learn that exclusive Nama
sadhana is never complete without lila smaran. Indeed, Srila Vishwanath
Chakravarti also affirms this when he winds up his ashta kala lila kavya
entitled Kåñëa-bhävanämåta with the statement—
Radha Govinda’s eightfold daily pastimes are like a
jeweled japa mala when combined together, for each lila represents a gem-like
bead.
Thus, the most experienced sadhaka will not only chant
the Maha Mantra on his japa mala, but also contemplate within the mind the japa
mala of Radha Govinda’s ashta kala lilas.
Srila Bhaktivinoda recaps the essence of all advice,
saying:
lajjä chäåi kåñëa näma sadä gäna kore
kåñëera mädhurya lélä sadä citte smare
Ward off cowardice! Always chant Kåñëa’s names while
remembering his madhura lilas. (Bhajana-rahasya, 6)
How can the sweetness of Krishna’s names or lilas be
tasted? Chaitanya Mahaprabhu instructs—
karma japa yoga jïäna, vidhi-bhakti tapa dhyäna
ihä hoite mädhurya durlabha
kevala je räga märge, bhaje kåñëa anuräge
täre kåñëa mädhurya sulabha
“O Sanatan! Krishna’s madhurya cannot be realized by
karma, neither by silent mantra recital, nor by yoga sadhana. Nor can this
sweetness be known through vidhi bhakti, tapasya, or impersonal meditation.
Only by worshiping with deep attachment (anuraga) and following the process of
raganuga bhakti can one experience the taste of Krishna’s madhurya.” (CC
2.21.119)
Prayojana: The
goal of life.
Krishna says, ämäte je préti, sei prema prayojana—”Love
for me, such is the goal of life.” (CC 2.25) The same is stated in Srinath
Chakravarti’s verse, with which we opened this book: premän pum-artho mahän—”Prema
is the parama-puruñärtha, or supreme goal of life.”
Prema is the perfection of sadhana bhakti. Without it,
Krishna’s darshan remains impossible. Thus, prema is the prayojana or necessity
for every jiva desiring Krishna’s darshan and nitya seva.
Sri Chaitanya Deva informed Sanatan Goswami, saying,
bhakti bine kåñëe kabhu nahe premodaya
prema binä kåñëa präpti anya haite naya
“O
Sanatan! Without bhakti, prema never awakens. And without
prema, Krishna is unattainable.” (CC 3.4.58)
Purport: Many Vaishnavas may be under the impression
that Krishna-prapti (attainment of Krishna) awaits those who die after
completing a life of devotion. Yes, so it is, for the bhaktas attaining prema.
In this previous reference Chaitanya Mahaprabhu expresses this opinion. Those
who leave their bodies after a lifetime of casual devotion again take birth in
the material world. If a fortunate bhakta comes to the stage of bhava, when the
Lord’s çuddha-sattva potency enters the heart, then Krishna reveals himself
through sphurtis or spiritual visions. Receiving such regular sphurtis, prema
awakens, causing Krishna to reveal himself. Such kripa siddha or sadhana siddha
bhaktas attain the Lord upon giving up the material body. This siddhanta is
confirmed by the mahajan poet Sri Premananda, a direct associate of Sri
Gaurasundar.
sädhana ekhäne, siddhi to ekhäne, bhävera gocara se
ekhäne jadi tä, dekhite nä päo, marile dekhibe ke?
Sadhana is for here in this world. Siddhi will also
happen here, for it is perceivable in bhava. If we are unable to see Krishna
here in this world, then how will be able to see him after dying? (Manaù-çikñä)
There are many varieties of Krishna bhakta, and thus
there are many varieties and levels of Krishna prema. Comparatively speaking,
Vrishabhanu Nandini Radhika’s madanäkhya-mahä-bhäva is paramount amongst
all these varieties of prema. Radha’s sakhis and manjaris also possess
mahabhava, but theirs is somewhat less potent than hers. Mahabhava prema is the
supreme prayojan or necessity for the Rupanuga followers of Chaitanya
Mahaprabhu.
Devotees of this world may gradually elevate
themselves through the stages of shraddha, sadhu-sanga, bhajana kriya, anartha
nivritti, nishtha, ruchi, bhava and at last attain prema. This prema, however,
is far below the standard of the mahabhava possessed by Radharani’s sakhis and
manjaris. After prema awakens, there are further progressive stages: sneha,
mäna, praëaya, räga, anuräga, bhäva and mahä-bhäva. These levels of
prema cannot, however, take place within a material body. Thus an important
question arises: How can jivas attain mahabhava prema and become eligible to
directly serve Sri Sri Radha Govinda? Srila Vishwanath Chakravarti very nicely
answers this important question in his Räga-vartma-candrikä. He first
quotes Ujjvala-nélamaëi--
tad-bhäva-baddha-rägä ye janäs te sädhane ratäù
tad-yogyam anurägaughaà präpyotkaëöhänusärataù
tä ekaço’thavä dvi-träù käle käle vraje’bhavan
Those having deep attachment (anurägaughaà) on
the path of Radha Govinda become siddha. Such rare persons, either alone, in
pairs or in groups, then take birth in Vraja from the womb of a gopis. (UN
3.48)
anurägaughaà rägänugä-bhajanautkaëöhyaà na tv
anuräga-sthäyinaà sädhaka-dehe’nurägotpatty-asambhavät vraje’bhavann iti avatära-samaye
nitya-priyädyä yathä ävirbhavanti tathaiva gopikä-garbhe sädhana-siddhä api
avirbhavanti tataç ca
nitya-siddhädi-gopénäà mahä-bhävavaténäà saìga-mahimnä
darçana-çravaëa-kértanädibhiù sneha-mäna-praëaya-rägänuräga-mahä-bhävä api
tatra gopikä-dehe utpadyante
pürva-janmäni sädhaka-dehe teñäm utpatty-asambhavät ata eva vraje kåñëa-preyasénäm asädhäraëäni
lakñaëäni
Here the
word anurägaughaà means great anxiousness in Radha Govinda bhajan, not the
anuraga that is one of the higher stages of prema. The reason for this is that
anuraga cannot be
developed while still remaining in the material body. In the sadhaka deha one
may attain to the stage of prema only. When it is stated, “Such sadhana siddha
bhaktas take birth in Vraja”, this means that they take birth in the specific
material universe where the Lord manifests his bhauma lila. Once there, such
newly arrived sadhana siddha gopis further advance in prema through the stages
of sneha, mana, pranaya, raga, anuraga, bhava, and finally to mahabhava. This
all becomes possible solely by the association and incredible mercy of
Krishna’s nitya siddha gopis. (VCT 7)
Srila
Vishwanath continues:
nanu,
tarhy etävantaà kälaà taiù paramotkaëöhair bhaktaiù kva sthätavyam ?
tatrocyate, sädhaka-deha-bhaìga-samaye eva tasmai premavate bhaktäya cira-samaya-vidhåta-säkñät-seväbhiläña-mahotkaëöhayä
bhägavata-kåpayaiva sa-parikarasya svasya darçanaà tad-abhilañaëéya-sevädikaà
ca labdha-snehädi-prema-bhedayäpi sakåd déyate eva, yathä näradäyaiva.
cid-änandamayé gopikä-tanuç ca déyate. saiva tanur yoga-mäyayä
våndävanéya-prakaöa-prakäçe kåñëa-parivära-prädurbhäva-samaye gopé-garbhad
udbhävyate. nätra käla-vilamba-gandho’pi. prakaöa-léläyä api vicchedäbhävat.
yasminn eva brahmäëòe tadänéà våndävanéya-lélänäà präkaöyaà tatraiväsyäm eva
vraja-bhümau. ataù sädhaka-premi-bhakta-deha-bhaìga-sama-käle’pi
sa-parikara-çré-kåñëa-prädurbhävaù sadaivästi. iti “bho bho
mahänurägi-sotkaëöha-bhaktäù ! mä bhaiñöa ! susthiräs tiñöhata ! svasty evästi
bhavadbhyaù” iti.
Now a doubt
may arise: Upon giving up the material body, where does the sadhana siddha
bhakta remain before attaining his gopi svarupa? The answer is as follows: Such
premika bhaktas, even before they attain the higher levels of prema listed
above, instantly achieve their cherished desire for nitya seva. An example of
this is in the way that Narada achieved perfection. The spiritual gopi body one
receives is given by the grace of Yogamaya and takes its birth from the womb of
a Vraja gopi. Here there is no delay in time because Krishna’s bhauma lila is
eternal. One is immediately transferred to the universe where Krishna’s bhauma
lila is being manifested.
Vishwanath
concludes by addressing the anxious Radha Govinda sadhakas: “O anxious and
deeply affectionate devotees! Have no fear! Be calm! Your futures will be very
auspicious.”
Associate with the rasika
bhaktas
Chaitanya
Charitamrita is honored by many as the main text of the Gaudiya sampradaya. The
cream of the Bhagavatam, the Gita, the Vedas, Upanishads, Puranas and
Pancharatras can be found in this classic work. Most importantly, however, Sri
Krishnadas Kaviraj adds many shlokas and examples from the Goswamis’ books to
present the essence of Sri Chaitanya’s teachings. No doubt, if this “king of
poets” had not given the purport to Sri Gaurasundar’s anarpita-caré mahä
karuëä, the mystery of Gaura’s avatar woouuld have been lost to the world.
Yet, the average reader still fails to understand the deep siddhantas in this
book. As Sri Kaviraj Goswami himself admits:
ata eva kohi kichu koriyä nigüòha
bujhibe rasika bhakta, nä bujhibe müòha
hådaye dharaye je caitanya nityänanda
ei saba siddhänta sei päibe änanda
I am
speaking of things most confidential. The rasika bhaktas will understand, but
not the dull-brained mudhas. Those who hold Gaura and Nitai within their hearts
shall experience great joy from hearing these siddhantas. (CC 1.4)
As the
Kaviraj says, only rasika bhaktas may grasp the subtle meaning found in
Chaitanya Deva’s rasa tattva. Sri Narottam Das Thakur also supports this
opinion:
ei tattva jäne je, parama rasika sei
tära saìge rahibo sarvathä
This tattva
can be understood by the parama rasikas. Let me always remain in their
association.
In the
matter of discussing lila katha, proper association is essential. Those
desiring to submerge their minds in Radha Govinda’s lila rasa sindhu would do
well to seek out rasika bhakta sanga. Understanding this necessity, Srila Rupa
Goswami advises,
çrémad-bhägavatärthänäm äsvädo rasikaiù saha
sajätéyäçaye snigdhe sädhau saìgaù svato vare
One should
taste the meaning of Srimad Bhagavatam and related scriptures in the
association of rasika bhaktas. Ideal sadhu sanga with rasika bhaktas depends on
three conditions (1) similar desires and goals, (2) the devotee should be
affectionate, and (3) more advanced than oneself. (BRS 1.2.91)
Through
rasika bhakta sanga, one’s taste for lila rasa kath becomes habitual. As Sri
Gauranga himself is the rasika shekhara, his only business is tasting
transcendental mellows with his premika devotees. Logically, if we should desire
to join him through attaining his mercy, should our only refuge not be the same
as his? Consequently, by tasting again and again the rasa from Gauranga’s
madhura lilas, an auspicious wonder will then take place.
gaura-prema-rasärëave se taraìge jebä òube
se
rädhä-mädhava-antaraìga
By dunking
in the waves of the nectarean ocean of Gaura prema rasa, one may resurface as a
confidential associate of Sri Sri Radha Madhava. (Prärthanä, 13)
janma
karma ca me divyaà
evaà yo
vetti tattvataù
tyaktvä
dehaà punar janma
naiti mäm
eti so’rjuna
One who
knows the transcendental nature of my appearance and activities does not, upon
leaving the body, take his birth again in this material world, but attains my
eternal abode, O Arjuna. (Gita 4.9)
—END OF PART ONE—
Pronunciation note
Since this
book is intended principally for an audience that already has some familiarity
with terminology related to the Gaudiya Vaishnava tradition, it has been deemed
unnecessary to treat most of them as foreign. Most terms have thus neither been
placed in italics nor treated with diacritical marks. To facilitate
understanding, however, one can look in the glossary where most terms can be
found with both the English spelling and the transliterated form according to
the conventions that have become familiar in the sampradaya.
Bengali
pronunciation differs from north Indian or conventional Sanskrit pronunciation
in a number of ways. Even so, Bengali uses the same spellings as with a few
exceptions it shares the pan-Indian alphabetical system. Although the author
has a personal preference for the Bengali pronunciation, we have for the sake
of consistency kept to the familiar transliteration system for Sanskrit words.
Thus a word will have the same spelling whether it appears in a Sanskrit or
Bengali context.
The
principal differences in Bengali pronunciation are as follows:
· a, which in Sanskrit is pronounced like the u in
bun, is pronounced in Bengali more like the o in box. At the ends of words,
especially those who penultimate syllable is long and followed by a simple
consonant, the a is not usually pronounced.
· ai is pronounced oy.
·
au = ow
· kñ (ksh) in Sanskrit = kkh in Bengali.
· v at the beginning of a word is
pronounced as b.
· v after consonants is silent, but
doubles the preceding consonant.
·
v
after vowels is pronounced more like a w, i.e., bhagawän.
· y at the beginning of a word is
pronounced as j. e.g. Jamunä rather than Yamunä.
· y after consonants is silent, but
doubles the preceding consonant.
·
y
after some vowels is pronounced like a w, i.e., jäwä.
· ç, ñ and s tend to be pronounced in the same
way, like a dental sh.
· ò and òh within a word are usually
pronounced like a hard r. This is sometimes rendered by å and åh,
despite the conflict with the vowel using the same character.
The above
information should be borne in mind, especially while reading Bengali songs
where the two systems come into conflict. There, the customary transliteration
is used for Sanskrit loan words while Bengali words are transliterated in a way
that more closely reflects Bengali pronunciation rather than spelling. For
example, haya is written hoy, and yäoyä as jäwä or jäoä,
etc. Hopefully, this will help the
reader to follow more accurately.
This
unfortunately internally inconsistent system has been adopted primarily for
those familiar with words that have been seen in one form, such as vaiñëava
or Vaishnava, which in Bengali would
more appropriately be rendered as boiñëob or Boishnob.
Appendix:
Srila Bhaktivinoda Thakur’s Unbroken Disciplic
Succession
and Siddha Pranali
Another
important side of Srila Bhaktivinoda Thakur’s mercy to the world appears
through his son and initiated disciple, Srila Lalita
Prasad Thakur, to whom he awarded siddha pranali in 1890. Thus the ämnäya-guru-paramparä[5]
of their followers unfolds like this:
1.
(Nityananda Prabhu) Jahnava Mata
2.
Ramacandra Goswami of Baghna Para
3.
Rajavallabha Goswami
4.
Kesavacandra Goswami
5.
Rudresvara Goswami
6. Dayarama Goswami
7. Mahesvari Goswamini
8. Gunamanjari Goswamini
9. Ramamani Goswamini
10. Yajnesvara Goswami
11. Vipina Vihari Goswami (1850-1919)
12.
Bhaktivinoda Thakur (1838-1914)
13. Lalita
Prasad Thakur (1879-1980)
In this
line, when siddha pranali is awarded to the qualified disciple, the manjari
name and ekadasa bhava of each member of the guru parampara is also given. In
other words, siddha pranali not only means the eleven items that make up a
disciple’s siddha manjari svarupa, but it also includes the pranali, or manjari
line of worship that the new practitioner will follow. This is very important,
because without following in the footsteps of one’s manjari parampara, it will
be very difficult or almost impossible to arrive at the lotus feet of Sri Radha
and Krishna in their madhura Vrindavan pastimes.
A
noteworthy feature of this guru parampara is that it begins with Ma Jahnava,
who is Radharani’s younger sister, Ananga Manjari, in Vrindavan lila. Because
Ananga Manjari has a unique position in the lila, as not only a manjari but a
sakhi as well, her guru parampara also carries within it this option.
Similarly,
Jahnava Mata’s disciple Ramachandra Goswami (Sri Ramai Thakur) is the
reincarnation of Mahaprabhu’s associate, Vamsivadanananda Thakur, who was
Krishna’s vamsi in Krishna lila. This Vamsi Thakur took mantra diksha from Sri
Gauranga’s eternal consort, Srimati Vishnupriya Devi. Hence another wonderful
feature of this guru parampara is that the worship of Gauranga-Vishnupriya can
be nurtured in it. Perhaps this is why Bhaktivinoda Thakur installed
Vishnupriya and Laksmipriya murtis along with Gauranga in the center of the
Yoga Pith mandir in Sridham Mayapur.
Furthermore, in this line, Bhaktivinoda Thakur
innovated the worship of Gaura-Gadadhar along with their mantra upasana. Hence
initiates into Bhaktivinoda Thakur’s guru parampara also receive a
Gadadhar-Radha Gaura-Krishna yugala mantra.
[1] See page 9
*rädhä-saìge yadä bhäti tadä madana-mohanaù | anyathä viçva-moho’pi
svayaà madana-mohitaù || (Govinda-lélämåta)
[3]
Srila Narottam Das
Thakur has two manjari names, i.e. one given him by his guru, Sri Vilasa
Manjari, the other given by Radharani herself, Sri Champaka Manjari.
[4] [1] For a cross reference, see the shloka on the opening page—ärädhyo
bhagavän vrajeça-tanayaù, etc.
[5]
The unbroken disciplic succession coming from an authorized source.
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